LEADER 03909nam 2200733 450 001 9910133473803321 005 20221206104405.0 010 $a9782847884203$b(ebook) 010 $z9782847881370$b(paperback) 024 7 $a10.4000/books.enseditions.747 035 $a(CKB)3390000000053552 035 $a(SSID)ssj0001110835 035 $a(PQKBManifestationID)12482140 035 $a(PQKBTitleCode)TC0001110835 035 $a(PQKBWorkID)11128408 035 $a(PQKB)10824318 035 $z(PPN)182836894 035 $a(FrMaCLE)OB-enseditions-747 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/58391 035 $a(PPN)180568965 035 $a(EXLCZ)993390000000053552 100 $a20160829d2008 uy 0 101 0 $afre 135 $auubu#---uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRêver d'orient, connaître l'orient $evisions de l'orient dans l'art et la littérature britanniques /$fIsabelle Gadoin et Marie-Élise Palmier-Chatelain 210 $cENS Éditions$d2008 210 31$aFrance :$cENS,$d2008 215 $a1 online resource (368 p.) 225 0 $aSignes Rãever d'orient, connaãitre l'orient 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$aPrint version: 9782847881370 320 $aIncludes bibliographical references and index. 330 $aThe term "orientalism", as it is understood in the English-speaking world, has known a rather paradoxical reversal of meaning, since after having designated the science of all those who tried to know the Orient through its languages ??and its texts former (linguists, translators, geographers or historians), he gradually came to designate the general perception of the East by the West, a perception fatally tinged by the fantasies projected onto an unrecognized Other, as has amply shown postcolonial studies. The aim of this work is to propose a new examination of this too clear divide between knowledge and dream, and to try to define to what extent and in which fields the scientific process could have entered in consonance, or conversely in dissonance, with the "Oriental dream". We discover here that dreams of elsewhere and knowledge of the other are not necessarily antithetical, and can join or intersect in complex mirror games. The work has favoured a multidisciplinary approach: textual analyses (travel accounts, translations or rewritings of oriental tales, diplomatic reports or writings of the Orientalist tradition) are combined with studies based on the history of art or on the history of ideas, to sketch a broad panorama of these ambiguous exchanges between East and West. 606 $aOrientalism$xHistory and criticism$zGreat Britain 606 $aOrientalism in art$xHistory and criticism 606 $aOrientalism in literature 606 $aEnglish literature 606 $aArt, British 606 $aTravelers' writings, British 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aFine Arts - General$2HILCC 607 $aGreat Britain$xCivilization$xAsian influences 610 $arêve 610 $aorientalisme 610 $alittérature britannique 615 0$aOrientalism$xHistory and criticism 615 0$aOrientalism in art$xHistory and criticism 615 0$aOrientalism in literature 615 0$aEnglish literature 615 0$aArt, British 615 0$aTravelers' writings, British 615 7$aArt, Architecture & Applied Arts 615 7$aFine Arts - General 700 $aIsabelle Gadoin$b Marie-Élise Palmier-Chatelain (dir.)$4auth$01355493 702 $aGadoin$b Isabelle 702 $aPalmier-Chatelain$b Marie-Elise 801 0$bPQKB 801 2$bUkMaJRU 912 $a9910133473803321 996 $aRêver d'orient, connaître l'orient$93359617 997 $aUNINA