LEADER 06103oam 2200589I 450 001 9910132637903321 005 20230621141534.0 010 $a0-472-90036-6 010 $a0-472-05104-0 010 $a0-472-07104-1 024 7 $a10.3998/dcbooks.9475509.0001.001 035 $a(CKB)3680000000164591 035 $a(SSID)ssj0000723742 035 $a(PQKBManifestationID)12282881 035 $a(PQKBTitleCode)TC0000723742 035 $a(PQKBWorkID)10708555 035 $a(PQKB)10982456 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/54642 035 $a(MiU)0.3998/dcbooks.9475509.0001.001 035 $a(EXLCZ)993680000000164591 100 $a20110613h20112011 uy 0 101 0 $aeng 135 $au|bu#---u|uu| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe new woman international $erepresentations in photography and film from the 1870s through the 1960s /$fElizabeth Otto and Vanessa Rocco, editors ; foreword by Linda Nochlin 210 1$aAnn Arbor, Michigan :$cUniversity of Michigan Press,$d[2011] 210 4$dİ2011 215 $a1 online resource (xv, 336 pages) $cillustrations; digital file(s) 225 0 $aDigital culture books 300 $aBibliographic Level Mode of Issuance: Monograph 320 $aIncludes bibliographical references and index. 327 $tThe first new women: photography, politics, and the public place of women from the 1870s through the first World War. The new woman in American stereoviews, 1871-1905 /$rMelody Davis ; The new woman exposed: redefining women in modern Japanese photography /$rJan Bardsley ; Female firsts: media representations of pioneering and adventurous women in the early twentieth century /$rDespina Stratigakos ; Domesticating the harem: the new woman in colonial Indian photography, 1895-1915 /$rGianna Carotenuto --$tArt and identity: gender constructions in photography and photomontage of the 1920s. Postcolonial cosmopolitanism: constructing the Weimar new woman out of a colonial imaginary /$rBrett M. Van Hoesen ; Hannah Ho?ch's new woman: photomontage, distraction, and visual literacy in the Weimar Republic /$rMatthew Biro ; Acting the lesbian: Les amies by Germaine Krull /$rClare I. Rogan ; Paris-Dessau: Marianne Brandt and the new woman in photomontage and photography, from garc?onne to Bauhaus constructivist /$rElisabeth Otto --$tMass media icons: the new woman as embodiment of transnational modernity. Mistaken identity in Fritz Lang's Metropolis /$rMaria Makela ; Chocolate baby, a story of ambition, deception, and success: refiguring the new Negro woman in the Pittsburgh Courier /$rMartha H. Patterson ; Bad girls: the new woman in Weimar film stills /$rVanessa Rocco ; Girl, trampka, or z?a?ba? The Czechoslovak new woman /$rKarla Huebner ; Girls and gods: Amerikanismus and the Tiller-Effect /$rLisa Jaye Young --$tGirls and crisis: the new woman in the 1930s and beyond. Women, fashion, and the Spanish Civil War: from the fashion parade to the victory parade /$rKathleen M. Vernon ; A new American ideal: photography and Amelia Earhart /$rKristen Lubben ; Modern Mulans: reimagining the Mulan legend in Chinese film, 1920s-60s /$rKristine Harris. 330 $aImages of flappers, garc?onnes, Modern Girls, neue Frauen, and trampky - all embodiments of the dashing New Woman--symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, &The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. This volume examines the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media, and it probes the significance of radical changes in female fashion, appearance, and sexual identity. Additionally, these original essays explore the manner in which New Women artists used photography and film to respond creatively to gendered stereotypes and to reconceive of ways of being a woman in a rapidly modernizing world. The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyse the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades. Arranged both chronologically and thematically, these essays show how controversial female ideals figured in discourses including those on gender norms, race, technology, sexuality, female agency, science, media representation, modernism, commercial culture, internationalism, colonialism, and transnational modernity. In exploring these topics through images that range from montages to newspapers' halftone prints to film stills, this book investigates the terms of gendered representation as a process in which women were as much agents as allegories. Inaugurating a new chapter in the scholarship of representation and New Womanhood and spanning North America, Western and Eastern Europe, Asia, and the colonial contexts of Africa and the Pacific, this volume reveals the ways in which a feminine ideal circled the globe to be translated into numerous visual languages. 606 $aWomen$xHistory 606 $aPhotography of women$xHistory 606 $aFeminism$xHistory 615 0$aWomen$xHistory. 615 0$aPhotography of women$xHistory. 615 0$aFeminism$xHistory. 676 $a305.4209182/109034 700 $aElizabeth Otto and Vanessa Rocco$b Editors$4auth$01347817 702 $aOtto$b Elizabeth 702 $aRocco$b Vanessa 801 0$bEYM 801 1$bEYM 801 2$bEYM 906 $aBOOK 912 $a9910132637903321 996 $aThe new woman international$93084597 997 $aUNINA