LEADER 03466nam 2200685 450 001 9910132280603321 005 20221206172616.0 010 $a3-11-042738-9 010 $a3-11-040210-6 024 7 $a10.2478/9783110402100 035 $a(CKB)3710000000346217 035 $a(SSID)ssj0001535943 035 $a(PQKBManifestationID)11926712 035 $a(PQKBTitleCode)TC0001535943 035 $a(PQKBWorkID)11508889 035 $a(PQKB)10967174 035 $a(WaSeSS)IndRDA00056834 035 $a(DE-B1597)445476 035 $a(OCoLC)912309553 035 $a(OCoLC)979838818 035 $a(OCoLC)980223595 035 $a(OCoLC)987945195 035 $a(OCoLC)992518247 035 $a(OCoLC)999354273 035 $a(DE-B1597)9783110402100 035 $a(MiAaPQ)EBC1787226 035 $a(Au-PeEL)EBL1787226 035 $a(CaPaEBR)ebr11054976 035 $a(OCoLC)939262777 035 $a(EXLCZ)993710000000346217 100 $a20150529h20142014 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCreativity $ethe actor in performance /$fHelen Trenos; managing editor Monika Michalowicz 210 1$aWarsaw, [Poland] ;$aBerlin, [Germany] :$cDe Gruyter Open,$d2014. 210 4$dİ2014 215 $a1 online resource (93 pages) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-11-040196-7 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of CREATICS Exercises --$tIntroduction --$t1 Creativity and Acting --$t2 What is Acting? --$t3 Stanislavsky: Guru and Villain --$t4 CREATICS: Performance-Oriented Training --$tReferences --$tIndex 330 $aCreativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence. 606 $aCreation (Literary, artistic, etc.) 606 $aCreative ability 610 $aStage-acting, creativity, performing. 615 0$aCreation (Literary, artistic, etc.) 615 0$aCreative ability. 676 $a153.35 700 $aTrenos$b Helen$0803375 702 $aMichalowicz$b Monika 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910132280603321 996 $aCreativity$92216474 997 $aUNINA