LEADER 03772nam 2200745 450 001 9910132205103321 005 20230803034825.0 010 $a1-118-65832-9 010 $a1-118-58824-X 010 $a1-118-58753-7 035 $a(CKB)3710000000121786 035 $a(EBL)1701396 035 $a(SSID)ssj0001222352 035 $a(PQKBManifestationID)11707144 035 $a(PQKBTitleCode)TC0001222352 035 $a(PQKBWorkID)11201130 035 $a(PQKB)11049473 035 $a(MiAaPQ)EBC1701396 035 $a(Au-PeEL)EBL1701396 035 $a(CaPaEBR)ebr10881236 035 $a(CaONFJC)MIL615366 035 $a(OCoLC)881416193 035 $a(EXLCZ)993710000000121786 100 $a20140619h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOrnament $ethe politics of architecture and subjectivity /$fAntoine Picon ; Miriam Swift, project editor ; Calver Lezama, assistant editor 210 1$aChichester, [England] :$cWiley,$d2013. 210 4$dİ2013 215 $a1 online resource (171 p.) 225 1 $aAD Primers 300 $aDescription based upon print version of record. 311 $a1-119-96594-2 311 $a1-119-96595-0 320 $aIncludes bibliographical references and index. 327 $aCover; Title Page; Copyright Page; Acknowledgements; Contents; Introduction: Architecture as Ornament?; References; Chapter 1: A Problematic Return; The Ornamental Revival in Contemporary Architecture; Textures, Patterns and Topology: A Different Ornament; The Subjective and the Political; References; Chapter 2: Ornament and Subjectivity; The Visage of Architecture; The Architect, between Rules and Invention; Artists, Craftsmen and the Fabrication of Ornament; From Clients to Passers-By; Industrialisation and the Ornamental Impulse; The Ghost of Ornament; References 327 $aChapter 3: Politics of OrnamentFrom Economics to Politics; Communication and Style; The Power of Architectural De?cor; References; Chapter 4: Reinventing the Meaning of Ornament; A New Architectural Subject; Political Uncertainties; Meaning and Symbols; References; Bibliography; Index; Picture Credits; EULA 330 $a Once condemned by Modernism and compared to a 'crime' by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, Ant 410 0$aAD primers. 606 $aDecoration and ornament, Architectural 606 $aSymbolism in architecture 606 $aArchitectural design$xData processing 606 $aArchitecture$xPsychological aspects 606 $aArchitecture and society$xHistory$y21st century 606 $aArchitecture, Modern$y21st century 615 0$aDecoration and ornament, Architectural. 615 0$aSymbolism in architecture. 615 0$aArchitectural design$xData processing. 615 0$aArchitecture$xPsychological aspects. 615 0$aArchitecture and society$xHistory 615 0$aArchitecture, Modern 676 $a729 700 $aPicon$b Antoine$053613 702 $aSwift$b Miriam 702 $aLezama$b Calver 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910132205103321 996 $aOrnament$91909004 997 $aUNINA