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035   $a(OAPEN)574817
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101 0 $ager
135   $auuuuu---auuuu
200 10$aVisuelle Medien im christlichen Kult
210   $cBöhlau$d2002
215   $a1 online resource (330) 
311   $a3-205-99324-1 
330   $aThe concepts of art history were developed in the nineteenth century. This can inhibit dialogue with neighbouring disciplines. The concept ?medium?, which belongs to the late twentieth century, can provide assistance and connect the argument of art history to the contemporary state of consciousness at least in the cultural sciences dealing with communication. At the centre of the book lie questions of the use and effect of objects. Dealing with a series of high-ranking art works, an observational method is practised that is both historically founded and compatible with modern discourses. The six case studies address the Naumburg Stifterfiguren, Pietro Lorenzetti?s frescos in Assisi, the Parament of Narbonne, the tomb of Archbishop Chichele in Canterbury, Raphael?s Sistine Madonna in Dresden, and the self-portraits of Anton Pilgram in St Stephen?s Church in Vienna.
606   $aHistory of art / art & design styles$2bicssc
615  7$aHistory of art / art & design styles
700   $aSchwarz$b Michael Viktor$4aut$0778487
906   $aBOOK
912   $a9910131641103321
996   $aVisuelle Medien im christlichen Kult$92050490
997   $aUNINA