LEADER 03125nam 22006492 450 001 9910456252703321 005 20151005020622.0 010 $a1-107-12456-5 010 $a0-511-60634-6 010 $a0-511-32360-3 010 $a1-280-41931-8 010 $a0-521-80749-2 010 $a0-511-04447-X 010 $a0-511-15787-8 010 $a0-511-17699-6 035 $a(CKB)111082128285910 035 $a(EBL)202134 035 $a(OCoLC)475916931 035 $a(SSID)ssj0000122972 035 $a(PQKBManifestationID)11142154 035 $a(PQKBTitleCode)TC0000122972 035 $a(PQKBWorkID)10173739 035 $a(PQKB)11466227 035 $a(UkCbUP)CR9780511606342 035 $a(MiAaPQ)EBC202134 035 $a(Au-PeEL)EBL202134 035 $a(CaPaEBR)ebr10021925 035 $a(CaONFJC)MIL41931 035 $a(EXLCZ)99111082128285910 100 $a20090910d2002|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aClass, language, and American film comedy /$fChristopher Beach$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2002. 215 $a1 online resource (vii, 241 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-00209-5 311 $a0-511-02042-2 320 $aIncludes bibliographical references (p. 231-235) and index. 327 $aCover; Half-title; Title; Copyright; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; 1 A TROUBLED PARADISE; 2 WORKING LADIES AND FORGOTTEN MEN; 3 THE SPLIT-PEA SOUP AND THE SUCCOTASH; 4 IS CLASS NECESSARY?; 5 DESPERATELY SEEKING STATUS; 6 IS THERE A CLASS IN THIS TEXT?; 7 YUPPIES AND OTHER STRANGERS; NOTES; WORKS CITED; INDEX 330 $aThis book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis. 517 3 $aClass, Language, & American Film Comedy 606 $aComedy films$zUnited States$xHistory and criticism 606 $aSpeech and social status$zUnited States 615 0$aComedy films$xHistory and criticism. 615 0$aSpeech and social status 676 $a791.43/617 700 $aBeach$b Christopher$0573538 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910456252703321 996 $aClass, language, and American film comedy$92489783 997 $aUNINA LEADER 01475nam 2200385 450 001 9910131196603321 005 20240207143734.0 010 $a1-4123-5218-5 035 $a(CKB)3680000000167514 035 $a(NjHacI)993680000000167514 035 $a(EXLCZ)993680000000167514 100 $a20240207d2006 uy 0 101 0 $afre 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDans les marges de l'actualite? $eRe?surgence du mouvement anti-prohibitionniste /$fMarie Andre?e Bertrand 210 1$aChicoutimi :$cJ.-M. Tremblay,$d2006. 215 $a1 online resource 225 1 $aClassiques des sciences sociales 320 $aIncludes bibliographical references. 327 $aRe?sume? -- 1. L'actualite? du de?bat -- 2. Bref rappel des arguments anti-prohibitionnistes -- 3. Les re?sistances au niveau national a? l'abolition de la prohibition -- 4. Les re?sistances sur la sce?ne internationale -- 5. Les solutions de rechange a? la prohibition -- Bibliographie. 410 0$aClassiques des sciences sociales. 517 $aDans les marges de l'actualité 606 $aProhibition 615 0$aProhibition. 676 $a363.410973 700 $aBertrand$b Marie Andre?e$01592276 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910131196603321 996 $aDans les marges de l'actualite?$93910154 997 $aUNINA