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200 00$aUniverso femminile e rappresentanza politica /$fa cura di Ines Corti
205   $a1. ed.
210   $aMacerata $cEUM$d2009
215   $a404 p. $cill. ;$d21 cm
225  0$aStudi di genere
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101 0 $aeng
135   $aur|n|---|||||
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200 10$aLydia Cabrera and the construction of an Afro-Cuban cultural identity$b[electronic resource] /$fEdna M. Rodri?guez-Mangual
210   $aChapel Hill $cUniversity of North Carolina Press$dc2004
215   $a1 online resource (214 p.)
225 1 $aEnvisioning Cuba
300   $aDescription based upon print version of record.
311   $a0-8078-5554-5 
311   $a0-8078-2887-4 
320   $aIncludes bibliographical references (p. [175]-193) and index.
327   $aContents; Acknowledgments; Introduction; 1 The Point of Departure: Fernando Ortiz and Afro-Cuban Studies; 2 A Disarticulation of the Gaze: Exploring Modes of Authority and Representation in the Rhetoric of El monte; 3 The Death of the King: Between Anthropology and Fiction; 4 The Anthropologist's Exile: Nation and Simulacrum; Notes; Bibliography; Index;
330   $aLydia Cabrera (1900-1991) collected oral histories, stories, and music from Cubans of African descent. Her work is often viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz. Edna Rodriguez-Mangual challenges this, proposing that her work is an alternative to the hegemonizing national myth of Cuba.
410  0$aEnvisioning Cuba.
606   $aBlack people$xCultural assimilation$zCuba
606   $aBlack people$zCuba$xEthnic identity
606   $aBlack people$zCuba$vFolklore
607   $aCuba$xCivilization$xAfrican influences
615  0$aBlack people$xCultural assimilation
615  0$aBlack people$xEthnic identity.
615  0$aBlack people
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