LEADER 00988nam0-2200325---450- 001 990010068220403321 005 20160503165709.0 035 $a001006822 035 $aFED01001006822 035 $a(Aleph)001006822FED01 035 $a001006822 100 $a20160503d2015----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a--------001yy 200 1 $aMafie & urbanistica$eazioni e responsabilità dei pianificatori nei territori contesi alle organizzazioni criminali$fDaniela De Leo 210 $aMilano$cFrancoAngeli$d2015 215 $a131 p.$d20 cm 225 1 $aStudi urbani e regionali$v142 610 0 $aCriminalità organizzata$aItalia 610 0 $aUrbanistica$aItalia 676 $a364.106$v22$zita 700 1$aDe Leo,$bDaniela$f<1973- >$0149985 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990010068220403321 952 $a364.106 DEL 1$b2617$fBFS 959 $aBFS 996 $aMafie & urbanistica$91498203 997 $aUNINA LEADER 03298nam 2200721Ia 450 001 9910463299403321 005 20200520144314.0 010 $a1-283-24076-9 010 $a9786613240767 010 $a1-4438-3118-2 035 $a(CKB)3360000000431859 035 $a(EBL)1107035 035 $a(OCoLC)748534205 035 $a(SSID)ssj0000649194 035 $a(PQKBManifestationID)12200437 035 $a(PQKBTitleCode)TC0000649194 035 $a(PQKBWorkID)10609686 035 $a(PQKB)10410749 035 $a(MiAaPQ)EBC1107035 035 $a(Au-PeEL)EBL1107035 035 $a(CaPaEBR)ebr10642786 035 $a(CaONFJC)MIL324076 035 $a(EXLCZ)993360000000431859 100 $a20110818d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLooking through gender$b[electronic resource] $epost-1980 British and Irish drama /$fby Samuele Grassi 210 $aNewcastle upon Tyne $cCambridge Scholars$d2011 215 $a1 online resource (223 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-2873-4 320 $aIncludes bibliographical references (p. [191]-208) and index. 327 $aCONTENTS; ACKNOWLEDGEMENTS; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; PART III; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; AFTERWORD; REFERENCES; INDEX 330 $aThis contribution to Theatre Studies explores the shaping and performing of gender identity in British and Irish theatres since the 1980's. It highlights contact zones, conflict areas, and divergencies between the two theatre contexts with reference to historic, socio-political, and cultural clusters. Largely from a queer theory standpoint, this book reads several plays in their attempt to unmask exploiting mechanisms of sexuality and gender regulation. It focuses on alternative notions of soc... 606 $aGender identity in the theater$zGreat Britain$xHistory$y20th century 606 $aGender identity in the theater$zIreland$xHistory$y20th century 606 $aFeminism and theater$zGreat Britain$xHistory$y20th century 606 $aFeminism and theater$zIreland$xHistory$y20th century 606 $aHomosexuality in the theater$zGreat Britain$xHistory$y20th century 606 $aHomosexuality in the theater$zIreland$xHistory$y20th century 606 $aTheater and society$zGreat Britain$xHistory$y20th century 606 $aTheater and society$zIreland$xHistory$y20th century 608 $aElectronic books. 615 0$aGender identity in the theater$xHistory 615 0$aGender identity in the theater$xHistory 615 0$aFeminism and theater$xHistory 615 0$aFeminism and theater$xHistory 615 0$aHomosexuality in the theater$xHistory 615 0$aHomosexuality in the theater$xHistory 615 0$aTheater and society$xHistory 615 0$aTheater and society$xHistory 676 $a792.0820941 700 $aGrassi$b Samuele$f1980-$0949201 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463299403321 996 $aLooking through gender$92145473 997 $aUNINA