LEADER 00962nam0-2200313---450- 001 990009755770403321 005 20130729154929.0 035 $a000975577 035 $aFED01000975577 035 $a(Aleph)000975577FED01 035 $a000975577 100 $a20130729d1959----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aaf--b---001yy 200 1 $aPottery of the Roman period$echronology$fHenry S. Robinson 210 $aPrinceton, New Jersey$cThe American School of Classical Studies at Athens$d1959 215 $aXIV, 149 p., 76 p. di tav.$cill.$d32 cm 225 1 $a<>Athenian Agora$v5 610 0 $aCeramiche romane$aSec. 1. a. C. -7. 676 $a738.3$v22 700 1$aRobinson,$bHenry S.$0520621 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009755770403321 952 $a938.5 TAA 1 (5)$bARCH. 9856$fFLFBC 959 $aFLFBC 996 $aPottery of the Roman period$9834220 997 $aUNINA LEADER 00894nam0-2200313---450- 001 990010065370403321 005 20160421151016.0 010 $a0-19-811938-0 035 $a001006537 035 $aFED01001006537 035 $a(Aleph)001006537FED01 035 $a001006537 100 $a20160421d1980----km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $a--------001yy 200 1 $aDocumentation in the O.E.D.$eShakespeare and Nashe as test cases$fJürgen Schäfer 210 $aOxford$cClarendon press$d1980 215 $aX, 176 p.$d23 cm 610 0 $aLingua inglese$aEtimologia 676 $a428.1$v22$zita 700 1$aSchäfer,$bJürgen$0624195 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990010065370403321 952 $a428.1 SCH 1$bDip.f.m.5668$fFLFBC 959 $aFLFBC 996 $aDocumentation in the O.E.D$91499181 997 $aUNINA LEADER 03717nam 22007091 450 001 9910969439003321 005 20060630151613.0 010 $a9786610814039 010 $a9781472563064 010 $a1472563069 010 $a9781280814037 010 $a1280814039 010 $a9781847310385 010 $a1847310389 024 7 $a10.5040/9781472563064 035 $a(CKB)1000000000338483 035 $a(EBL)270762 035 $a(OCoLC)476005312 035 $a(SSID)ssj0000214774 035 $a(PQKBManifestationID)12056524 035 $a(PQKBTitleCode)TC0000214774 035 $a(PQKBWorkID)10167439 035 $a(PQKB)11157317 035 $a(MiAaPQ)EBC1772533 035 $a(Au-PeEL)EBL1772533 035 $a(CaPaEBR)ebr10276000 035 $a(CaONFJC)MIL81403 035 $a(OCoLC)893332151 035 $a(OCoLC)1162864533 035 $a(UtOrBLW)bpp09256399 035 $a(MiAaPQ)EBC270762 035 $a(Au-PeEL)EBL270762 035 $a(OCoLC)645909925 035 $a(UtOrBLW)BP9781472563064BC 035 $a(EXLCZ)991000000000338483 100 $a20140929d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOn the origin of the right to copy $echarting the movement of copyright law in eighteenth-century Britain (1695-1775) /$fRonan Deazley 205 $a1st ed. 210 1$aOxford [U.K.] ;$aPortland, Ore. :$cHart Publishing,$d2004. 215 $a1 online resource (290 p.) 300 $aDescription based upon print version of record. 311 08$a9781841133751 311 08$a1841133752 320 $aIncludes bibliographical references (pages [239]-254) and index. 327 $aIntroduction -- 1. Politics, propaganda and profanity; not property -- 2. The Statute of Anne; A miserable Havock -- 3. Scraps of proceedings -- 4. Be careful what you wish for -- 5. The first: copyright at common law? A "complicated" action. The second: the lawyers' tales -- 6. Property and the pamphleteers -- 7. Millar v Taylor; the temporary perpetual triumph -- 8. Donaldson v Becket; a game of numbers -- 9. An ending and a beginning -- Conclusion -- Postscript. 330 $a"Taking as its point of departure the lapse of the Licensing Act 1662 in 1695, this book examines the lead up to the passage of the Statute of Anne 1709 and charts the movement of copyright law throughout the eighteenth century, culminating in the House of Lords decision in Donaldson v Becket (1774). The established reading of copyright's development throughout this period, from the 1709 Act to the pronouncement in Donaldson, is that it was transformed from a publisher's right to an author's right; that is, legislation initially designed to regulate the marketplace of the bookseller and publisher evolved into an instrument that functioned to recognise the proprietary inevitability of an author's intellectual labours. The historical narrative which unfolds within this book presents a challenge to that accepted orthodoxy. The traditional analysis of the development of copyright in eighteenth-century Britain is revealed as exhibiting the character of long-standing myth, and the centrality of the modern proprietary author as the raison d'e?tre of the copyright regime is displaced."--Bloomsbury Publishing. 606 $aCopyright$zGreat Britain$xHistory$y18th century 606 $2Intellectual property law 615 0$aCopyright$xHistory 676 $a346.4104/82 700 $aDeazley$b Ronan$0595622 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910969439003321 996 $aOn the origin of the right to copy$94337762 997 $aUNINA