LEADER 01008cam0-22003251i-450- 001 990006850670403321 005 20130325115733.0 035 $a000685067 035 $aFED01000685067 035 $a(Aleph)000685067FED01 035 $a000685067 100 $a20010426d1996----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $a<>impronta ecologica$ecome ridurre l'impatto dell'uomo sulla terra$fMathis Wackernagel, William Rees$gediz. ital. a cura di Gianfranco Bologna e Paolo Lombardi 210 $aMilano$cEdizioni Ambiente$d1996 215 $aXVI, 160 p.$d23 cm 610 0 $aAmbiente 676 $a333.72$v20$zita 700 1$aWackernagel,$bMathis$0253211 701 1$aRees,$bWilliam$0253212 702 1$aBologna,$bGianfranco 702 1$aLombardi,$bPaolo 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a990006850670403321 952 $aVII C 271$b29847$fFSPBC 959 $aFSPBC 996 $aImpronta ecologica$9626854 997 $aUNINA LEADER 00651nam0-22002411i-450- 001 990002614070403321 035 $a000261407 035 $aFED01000261407 035 $a(Aleph)000261407FED01 035 $a000261407 100 $a--------d--------km-y0itay50------ba 101 1$aENG 200 1 $aManuale d'organizzazione$fdi PFIFFNER Joh n-SHERWOOD Franc 700 1$aPfiffner,$bJohn M.$0105464 702 1$aSherwood,$bFranc P. 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002614070403321 952 $a1-7-291-TI$b9541$fECA 959 $aECA 996 $aManuale d'organizzazione$9433441 997 $aUNINA DB $aING01 LEADER 00917nam0-2200337---450- 001 990009609010403321 005 20120725144629.0 010 $a88-7615-089-7 035 $a000960901 035 $aFED01000960901 035 $a(Aleph)000960901FED01 035 $a000960901 100 $a20120723d2005----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a--------001yy 200 1 $aMemetica$egenetica e virologia di idee, credenze e mode$fFrancesco Ianneo 210 $aRoma$cCastelvecchi$d2005 215 $a232 p.$cill.$d15 cm 225 1 $aContatti$v29 610 0 $aSociobiologia 610 0 $aConoscenza$aAspetti psicosociali 676 $a304.5$v22$zita 700 1$aIanneo,$bFrancesco$0517337 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009609010403321 952 $a304.5 IAN 1$b5676$fBFS 959 $aBFS 996 $aMemetica$9850169 997 $aUNINA LEADER 03621nam 2200577 450 001 9910457996103321 005 20200520144314.0 010 $a1-61703-149-6 010 $a1-62103-992-7 035 $a(CKB)2550000001280875 035 $a(EBL)1181940 035 $a(SSID)ssj0001195953 035 $a(PQKBManifestationID)12375116 035 $a(PQKBTitleCode)TC0001195953 035 $a(PQKBWorkID)11161127 035 $a(PQKB)10548399 035 $a(StDuBDS)EDZ0000883157 035 $a(MiAaPQ)EBC1181940 035 $a(OCoLC)853618762 035 $a(MdBmJHUP)muse28617 035 $a(Au-PeEL)EBL1181940 035 $a(CaPaEBR)ebr10866094 035 $a(CaONFJC)MIL602220 035 $a(EXLCZ)992550000001280875 100 $a20140520h20142000 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe origins of comics $efrom William Hogarth to Winsor McCay /$fThierry Smolderen ; translated by Bart Beaty and Nick Nguyen 210 1$aJackson, Mississippi :$cUniversity Press of Mississippi,$d2014. 210 4$dİ2000 215 $a1 online resource (175 p.) 300 $aIncludes index. 311 $a1-306-70969-5 320 $aIncludes bibliographical references and index. 327 $aWilliam Hogarth: Readable Images -- Graffiti and Little Doodle Men -- The Arabesque Novels of Rodolphe To?pffer -- "Go, Little Book!" -- The Evolution of the Press -- A. B. Frost and the Photographic Revolution -- From the Label to the Balloon -- Winsor McCay: The Last Baroque. 330 $a"In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States.Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe To?pffer, Gustave Dore, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images--satirical images in particular--were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form"--$cProvided by publisher. 606 $aComic books, strips, etc$xHistory and criticism 608 $aElectronic books. 615 0$aComic books, strips, etc.$xHistory and criticism. 676 $a741.5/9 700 $aSmolderen$b Thierry$01041202 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457996103321 996 $aThe origins of comics$92464549 997 $aUNINA