LEADER 01075nam0-2200349---450 001 990009103330403321 005 20210208110036.0 010 $a978-88-430-4444-3 035 $a000910333 100 $a20091013g20099999km-y0itay50-- --ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aTestimoni del non-provato$ericordare, pensare, immaginare la Shoah nella terza generazione$fRaffaella Di Castro$gpresentazione di Clotilde Pontecorvo 210 $aRoma$cCarocci$d2009- 215 $a327 p.$d24 cm 225 1 $aStudi storici Carocci$v130 610 0 $aEbrei$aPersecuzioni$a1938 610 0 $aOlocausto 676 $a940.5318$v21$zita 676 $a296.31174 700 1$aDi Castro,$bRaffaella$0321172 702 1$aPontecorvo,$bClotilde$f<1936- > 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009103330403321 952 $aCollez. 2076 (130)$b44162$fFSPBC 952 $a200/3 0770$bBrau 2020/479$fFLFBC 959 $aFSPBC 959 $aFLFBC 996 $aTestimoni del non-provato$9781717 997 $aUNINA LEADER 04859nam 2200505 a 450 001 9910450590203321 005 20210114071642.0 010 $a1-280-53364-1 010 $a0-19-535721-3 010 $a1-4294-0604-6 035 $a(CKB)1000000000404671 035 $a(StDuBDS)AH24084033 035 $a(SSID)ssj0000260059 035 $a(PQKBManifestationID)11237953 035 $a(PQKBTitleCode)TC0000260059 035 $a(PQKBWorkID)10191704 035 $a(PQKB)10284999 035 $a(MiAaPQ)EBC1591193 035 $a(EXLCZ)991000000000404671 100 $a19960105e19961994 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aToo marvellous for words$b[electronic resource] $ethe life and genius of Art Tatum 210 $aOxford $cOxford University Press$d1996 215 $a1 online resource (256p. )$cill 300 $aOriginally published: 1994. 311 $a0-19-509640-1 330 $aThis book provides a biography of jazz pianist Art Tatum, and captures the complexities of his talent and the vibrant jazz world of the 1930's and 1940's in which he played. It is based on interviews with family, friends, teachers and fellow musicians. 330 $bArt Tatum defined the limits of the possible in jazz piano. Gunther Schuller called Tatum's playing "a marvel of perfection.... His deep-in-the-keys full piano sonority, the tone and touch control in pyrotechnical passages...are miracles of performance." Whitney Balliett wrote "no pianist has ever hit notes more beautifully. Each one--no matter how fast the tempo--was light and complete and resonant, like the letters on a finely printed page." His famous runs have been compared to the arc left against the night sky by a Fourth-of-July sparkler. And to have heard him play, one musician said, "was as awe-inspiring as to have seen the Grand Canyon or Halley's Comet." Now, in Too Marvelous For Words, James Lester provides the first full-length biography of the greatest virtuoso performer in the history of jazz. Before this volume, little was known about Tatum, even among jazz afficionados. What were his origins, who taught him and who provided early pianistic influences, how did he break into the jazz field, what role did he play in the development of other jazz players, and what was he like when he wasn't playing? To answer these questions, Lester has conducted almost a hundred interviews for this book, with surviving family, childhood friends, school teachers, and the famous jazz musicians who played with him or knew him. Lester creates a memorable portrait of this unique musician and of the vibrant jazz world of the 1930's and 1940's, capturing the complexity and vitality of this remarkable performer. Tatum, who was virtually blind, suffering between 70% and 90% visual impairment, emerges as cheerful, fun-loving, energetic and out-going, with none of the demonic self-destructiveness that seemed to haunt such jazz greats as Charlie Parker or Billie Holiday. He often joked about his blindness, but did not like it mentioned as a handicap and preferred to pre-plan his entrance to the piano in a club, rather than have someone lead him there. He was simply inexhaustible and had a life-long habit of staying up all night after a gig, usually seeking an after-hours club in which to listen and play until daybreak. Lester also reveals that Tatum was generous with younger players, but his extraordinary technical brilliance often devastated them. No less a talent than Oscar Peterson remembers that after first hearing Tatum, "I gave up the piano for two solid months, and I had crying fits at night." And Les Paul remarked that after hearing Tatum for the first time, he quit piano completely and began playing guitar. Perhaps most important, Lester provides a thorough, knowledgeable discussion of Tatum's music, from his early influences, such as stride pianist Fats Waller, to his mature style in which Lizst, Rachmaninoff, Debussy, Waller, and Earl Hines all became grist for his harmonic mill. From unexceptional origins in Toledo, Ohio, Art Tatum evolved into a world-class musician whose importance in jazz is comparable to Louis Armstrong and Charlie Parker and whose command of the piano captured the admiration of Horowitz and Paderewski. Too Marvelous For Words is the first full portrait of this extraordinary musical genius. 606 $aPianists$zUnited States$xBiography 606 $aJazz musicians$zUnited States$xBiography 615 0$aPianists$xBiography. 615 0$aJazz musicians$xBiography. 676 $a786.2165092 700 $aLester$b James$0986251 801 0$bStDuBDS 801 1$bStDuBDS 801 2$bUkPrAHLS 906 $aBOOK 912 $a9910450590203321 996 $aToo marvellous for words$92254161 997 $aUNINA LEADER 02396nam 2200625 450 001 9910797369703321 005 20230126213113.0 010 $a1-4422-5336-3 035 $a(CKB)3710000000450941 035 $a(EBL)2094957 035 $a(OCoLC)913869292 035 $a(SSID)ssj0001519032 035 $a(PQKBManifestationID)12564013 035 $a(PQKBTitleCode)TC0001519032 035 $a(PQKBWorkID)11512700 035 $a(PQKB)10682330 035 $a(MiAaPQ)EBC2094957 035 $a(EXLCZ)993710000000450941 100 $a20160819h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGame it up! $eusing gamification to incentivize your library /$fDavid Folmar 210 1$aLanham, [Maryland] :$cRowman & Littlefield,$d2015. 210 4$dİ2015 215 $a1 online resource (149 pages) 225 1 $aLibrary Technology Essentials ;$vNumber 7 300 $aDescription based upon print version of record. 311 $a1-4422-5335-5 311 $a1-4422-5334-7 320 $aIncludes bibliographical references and index. 327 $aAn introduction to gamification -- Getting started with gamification -- Tools and applications -- Library examples and case studies -- Step-by-step library projects for gamification -- Tips and tricks -- Future trends. 330 $aDiscover how you can utilize game design techniques to involve patrons and motivate staff in your library. This practical primer will walk you through how to incorporate game thinking into bibliographic instruction, staff training, the online catalog, and more. Learn how you can gamify the library experience. 410 0$aLibrary technology essentials ;$vNumber 7. 606 $aLibraries and community 606 $aLibraries$xSocial aspects 606 $aLibraries$xMarketing 606 $aLibrary orientation 606 $aGame theory 615 0$aLibraries and community. 615 0$aLibraries$xSocial aspects. 615 0$aLibraries$xMarketing. 615 0$aLibrary orientation. 615 0$aGame theory. 676 $a021.2 700 $aFolmar$b David$f1969-$01505015 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797369703321 996 $aGame it up$93734379 997 $aUNINA