LEADER 01018nam0-2200337---450- 001 990009092620403321 005 20120328142554.0 010 $a978-88-425-3968-1 035 $a000909262 035 $aFED01000909262 035 $a(Aleph)000909262FED01 035 $a000909262 100 $a20090922d2008----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa-------001yy 200 1 $aFlossenburg$ericordi di un generale deportato$fGaetano Cantaluppi 205 $aRist. 210 $aMilano$cMursia$d2008 215 $a206 p., [8] c. di tav.$cill.$d21 cm 225 1 $aTestimonianze fra cronaca e storia$iPer non dimenticare 610 0 $aPrigionieri di guerra italiani$aFlossenburg$aDiari e memorie 676 $a940.547243092$v21$zita 700 1$aCantaluppi,$bGaetano$f<1890-1984>$0326728 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009092620403321 952 $aXIV B 2128$b43912$fFSPBC 959 $aFSPBC 996 $aFlossenburg$9785346 997 $aUNINA LEADER 02951oam 22005054a 450 001 9910524861803321 005 20230621135403.0 010 $a0-8018-0607-0 010 $a1-4214-3548-9 035 $a(CKB)4100000010460947 035 $a(OCoLC)1127561579 035 $a(MdBmJHUP)muse78499 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/88959 035 $a(MiAaPQ)EBC29139155 035 $a(Au-PeEL)EBL29139155 035 $a(oapen)doab88959 035 $a(OCoLC)1526860594 035 $a(EXLCZ)994100000010460947 100 $a20740520d1967 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBrecht's Tradition 205 $a1st ed. 210 $cJohns Hopkins University Press$d2019 210 1$aBaltimore,$cJohns Hopkins Press$d[1967] 210 4$dİ[1967] 215 $a1 online resource (xii, 271 p.)$cillus 311 08$a1-4214-3549-7 311 08$a1-4214-3550-0 320 $aBibliography: p. 263-268. 327 $aCover -- Copyright -- Table of contents -- Acknowledgments -- Introduction -- Chapter one: J. M. R. Lenz -- Chapter two: Christian Dietrich Grabbe -- Chapter three: Georg Büchner -- Chapter four: Frank Wedekind -- Chapter five: Karl Kraus -- Chapter six: Bertolt Brecht -- Appendix -- Bibliography -- Index. 330 $aOriginally published in 1967. Literary scholars often acknowledge that Brecht borrowed from a variety of traditions, including Goethe, Schiller, expressionists, naturalists, and realists, all of whom affected his work. However, they tend not to address any single tradition as exclusively Brecht's. From these various literary traditions, Brecht borrowed formal elements only; compared with other writers to whom he is indebted, Brecht exceeds them in cynicism. They do not convey anything like his pitiless debunking attitude, his corrosive anti-romanticism, his hardheaded refusal to idealize or glorify, and his suspicion of all sentimentalities. This book discusses what the author identifies as the "Brechtian sensibility." Chroniclers of drama have not totally ignored the Brechtian tradition, but too often they are content to note merely that Brecht shared with some writers?particularly Büchner and Wedekind?a proclivity for open drama and episodes of racy realism tinged with poetic feeling. Other critics have not closely studied the various plays of this tradition in order to show how they constitute a distinctive and well-defined species of theater to which Brecht unmistakably belongs. 606 $aGerman drama$xHistory and criticism 608 $aElectronic books. 615 0$aGerman drama$xHistory and criticism. 700 $aSpalter$b Max$0710929 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524861803321 996 $aBrecht's tradition$91332188 997 $aUNINA