LEADER 01127nam0-2200301---450- 001 990008600860403321 005 20080125102402.0 035 $a000860086 035 $aFED01000860086 035 $a(Aleph)000860086FED01 035 $a000860086 100 $a20080114d1913----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa-------001yy 200 1 $aResoconto stenografico del 11. congresso delle cattedre e della 8. Assemblea generale ordinaria dell'Associazione$eRoma, 18-19 aprile 1913$fAssociazione italiana delle cattedre ambulanti di agricoltura 210 $aRoma$cTipografia Ditta F.lli Pallotta$d1913 215 $a194 p.$cill.$d25 cm 610 0 $aCattedre ambulanti di agricoltura 676 $a630.71$v20$zita 710 02$aAssociazione italiana delle cattedre ambulanti d'agricoltura$0356601 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008600860403321 952 $a60 Misc. B 205/1$fFAGBC 959 $aFAGBC 996 $aResoconto stenografico del 11. congresso delle cattedre e della 8. Assemblea generale ordinaria dell'Associazione$9712293 997 $aUNINA LEADER 00623nam a2200169Ia 4500 001 991000240839707536 008 220516s9999||||xx |||||||||||||| ||und|| 035 $ab14445244-39ule_inst 040 $aBibl. Dip.le Aggr. Beni Culturali - Sez. Beni Culturali$bita 245 0$aKlee en Tunisie 260 $aTunis :$bCeres Productions,$c1980 907 $a.b14445244$b19-05-22$c19-05-22 912 $a991000240839707536 945 $aLE001 Fondo Ricci 0313$g0$lle001$o $pE17.57$q $rn$so $t0$u0$v0$w0$x0$y.i16018291$z19-05-22 996 $aKlee en Tunisie$92840259 997 $aUNISALENTO 998 $ale001$b19-05-22$cm$da $e-$fund$gxx $h0$i1 LEADER 06154nam 2200673Ia 450 001 9910954648703321 005 20241107100958.0 010 $a9781299311770 010 $a1299311776 010 $a9780299293130 010 $a0299293130 035 $a(CKB)2560000000100069 035 $a(OCoLC)842854878 035 $a(CaPaEBR)ebrary10672810 035 $a(SSID)ssj0000835360 035 $a(PQKBManifestationID)11432673 035 $a(PQKBTitleCode)TC0000835360 035 $a(PQKBWorkID)10990463 035 $a(PQKB)11162809 035 $a(MiAaPQ)EBC3445316 035 $a(OCoLC)859687145 035 $a(MdBmJHUP)muse25279 035 $a(Au-PeEL)EBL3445316 035 $a(CaPaEBR)ebr10672810 035 $a(CaONFJC)MIL462427 035 $a(OCoLC)831625658 035 $a(ODN)ODN0001258296 035 $a(Perlego)4386153 035 $a(EXLCZ)992560000000100069 100 $a20130325d2013 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFind your story, write your memoir /$fLynn C. Miller and Lisa Lenard-Cook 205 $a1st ed. 210 $aMadison $cUniversity of Wisconsin Press$dc2013 215 $a1 online resource (147 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a0-299-29314-9 320 $aIncludes bibliographical references. 327 $aIntro -- Contents -- Preface -- Acknowledgments -- 1. The Occasion of the Telling: "It Begins Here because It's about This" -- A Place to Stand -- Is It an Autobiography, or Is It a Memoir? -- It's about the Storyteller -- Reliability and the Narrator -- Telling the Truth in Memoir -- The Occasion of the Telling and Organizing the Memoir -- She Died, so I Remember -- And Then, in an Instant, Everything Changed -- Now and Then, Then and Now -- Consequence and the Occasion of the Telling -- 2. The Two Yous: Finding a Place to Stand -- The Remembering Self -- The Experiencing Self -- The Dance of the Two Yous -- The Power of Testifying -- Taking Yourself by the Hand -- Negotiating Duality -- Sensory Cues as Keys to Memory -- Using Language and Imagery to Move between the Two Yous -- The Nature of Memory -- 3. Building a Narrative: Laying Down the Bones -- Beginning Your Story -- Catalysts and Conflicts -- Mapping the Tension -- Examples of Structures -- Chronological Structure -- Circular Structure -- Associative Structure -- Collage Structure -- Parallel Structure -- Locational Structure -- Choosing a Structure -- You and Your Audience -- Creating the World of Your Story -- 4. Arranging the Scenes: Giving Them Muscle -- Dramatic Structure -- Ordering the Scene -- Catalyst -- Conflict -- Rising Action -- Reversals -- Climax -- Denouement -- Particularizing the Moment -- Internal Action -- External Action -- The Emblematic Scene -- Putting It All Together -- 5. Painting the Picture: Language and Setting -- The Magic of Imagery -- Using Figurative Language -- Language and Sense of Place -- Setting as Metaphor -- Place as Time Period -- Language as Action -- Controlling Time -- Dialogue -- Silence -- The Secrets of Subtext -- 6. Your Story, Your Voice: Make It Your Own -- The First-Person Voice -- Between Experience and Remembering. 327 $aBeyond First Person -- Your Two Voices -- You, the Narrator -- You, the Character -- Voices of the Masters -- "She Opened Herself Up a Worm Farm" -- "The Fortuneteller Was Not Guilty" -- "Reveal[ing] Those Demons That Obsess Him" -- The Shadowy Personage Who Commits the Actual Writing -- "The Capsules of Safety, and Freedom" -- Claiming Your Voice -- You Are the Camera -- Using What You Don't Know -- 7. Honoring the Memoir Process: Taking the Next Steps -- Re-visioning Your Manuscript -- Read It Aloud -- Put It Away -- Take It Out -- An Editorial Checklist -- The Occasion of the Telling -- The Two Yous -- Building a Narrative -- Arranging the Scenes -- Painting the Picture -- Your Story, Your Voice -- Honoring the Memoir Process -- Other People, Other Rooms -- Claiming Responsibility for Your Story -- The Ethics of Guilt -- What's Next? -- Bringing Your Story into Public Space -- Your Story, Your Book -- Spotlight Exercises by Chapter -- Glossary -- Bibliography -- Other Suggested Memoirs. 330 $aEvery person has a story to tell, but few beginners know how to uncover their story's narrative potential. And despite a growing interest among students and creative writers, few guides to the genre of memoirs and creative nonfiction highlight compelling storytelling strategies. Addressing this gap, authors Lynn C. Miller and Lisa Lenard-Cook provide a compact, accessible guide to memoir writing that shows how an aspiring memoir writer can use storytelling tools and tactics borrowed from fiction to weave personal experiences into the shape of a story. Find Your Story, Write Your Memoir offers an overview of the building blocks of memoir writing. Individual chapters focus on key issues and challenges, such as the balance between the remembering narrator and the experiencing narrator, the capacity to honor the subjective voice, the occasion of telling (why does this narrator tell this story now ?), creating an organically functional structure for a particular story, and taking the next steps with a written memoir. Drawing on their combined years of experience teaching memoir writing, authoring works of fiction and nonfiction, and working in autobiographical performance, Miller and Lenard-Cook provide a practical guide whose core philosophy is motivated by a key word: story . Bronze winner, Foreword Book of the Year, Writing Guides 606 $aAutobiography$xAuthorship 606 $zStudy and teaching 615 0$aAutobiography$xAuthorship. 676 $a808.06/692 686 $aLAN005000$aREF000000$aREF026000$2bisacsh 700 $aMiller$b Lynn$f1951-$01804512 701 $aLenard-Cook$b Lisa$01116483 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910954648703321 996 $aFind your story, write your memoir$94352584 997 $aUNINA