LEADER 01153nam0-22004091i-450 001 990007935320403321 005 20190731133452.0 010 $a88-86908-43-1 035 $a000793532 035 $aFED01000793532 035 $a(Aleph)000793532FED01 035 $a000793532 100 $a20041020d2003----km-y0itay50------ba 101 1 $aita$ceng 102 $aIT 105 $a--------001cy 200 1 $aPensare sociologicamente$fZygmunt Bauman, Tim May$gtraduzione di Luca Bifulco e Gianpaolo Iannicelli 205 $aNuova ed. 210 $aNapoli$cIpermedium$d2003 215 $a209 p.$d24 cm 225 1 $aManuali 454 0$12001$aThinking sociologically$915105 610 0 $aSociologia - Teorie 676 $a301.092 700 1$aBauman,$bZygmunt$f<1925- >$0124491 701 1$aMay,$bTim$0309847 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007935320403321 952 $a301 BAU 1$b2564$fBFS 952 $a10100 BAU/03$b198/DE$fSES 952 $a301.01 BAU 1$bBibl. 2019$fFLFBC 959 $aBFS 959 $aSES 959 $aFLFBC 996 $aThinking sociologically$915105 997 $aUNINA LEADER 01292cam2 22002771 450 001 SOBE00040349 005 20140219082256.0 100 $a20140219d1825 |||||ita|0103 ba 101 $aita 102 $aIT 200 1 $a<<3:>>Ove si descrivono la scuola veneziana e le scuole lombarde di Mantova, Modena, Parma, Cremona e Milano 210 $aMilano$cdalla Società tipografica de' Classici italiani$d1825 215 $a595 p.$d20 cm 225 2 $aClassici italiani$v322 410 1$1001SOBE00040266$12001 $a*Classici italiani$v322 461 1$1001SOBE00040347$12001 $aStoria pittorica della Italia dal Risorgimento delle belle arti fin presso al fine del 18. secolo / di Luigi Lanzi 700 1$aLanzi$b, Luigi$3AF00010490$4070$05139 801 0$aIT$bUNISOB$c20140219$gRICA 850 $aUNISOB 852 $aUNISOB$j3|C$m11388|ort 912 $aSOBE00040349 940 $aM 103 Monografia antica SBN 941 $aM 957 $xFondo|Ortolani$a3|C$b030$i-8.3$fModalità di consultazione sulla home page della Biblioteca link Fondi$gNO$d11388|ort$hOrtolaniS$rdono$1calvano123$2UNISOB$3UNISOB$420140219082312.0$520140219083132.0$6calvano123 996 $aOve si descrivono la scuola veneziana e le scuole lombarde di Mantova, Modena, Parma, Cremona e Milano$91711889 997 $aUNISOB LEADER 03820nam 2200553Ia 450 001 9910957739803321 005 20251021185050.0 010 $a9781610753838 010 $a1610753836 035 $a(CKB)2670000000186215 035 $a(EBL)2007621 035 $a(SSID)ssj0000828740 035 $a(PQKBManifestationID)11442724 035 $a(PQKBTitleCode)TC0000828740 035 $a(PQKBWorkID)10843332 035 $a(PQKB)10537044 035 $a(MiAaPQ)EBC2007621 035 $a(Perlego)4773786 035 $a(EXLCZ)992670000000186215 100 $a20070604d2007 ub p 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSin $eselected poems of Forugh Farrokhzad /$ftranslated by Sholeh Wolpe ; foreword by Alicia Ostriker 205 $a1st ed. 210 $aFayetteville $cUniversity of Arkansas Press$d2007 215 $a1 online resource (134 pages) $cillustrations 300 $aDescription based upon print version of record. 311 0 $a9781557289483 311 0 $a1557289484 320 $aIncludes bibliographical references (p. 133-134). 327 $aCONTENTS; FOREWORD; WHY FORUGH ?; ACKNOWLEDGMENTS; FORUGH FARROKHZAD (1935-1967); SELECTED EARLY POEMS; Sin; Grief; On Loving; The Ring; Captive; Bathing; The Wall; Lost; Later; The Return; Rebellious God; SELECTED POEMS FROM REBORN; Wind-Up Doll; Those Days; The Sun Rises; The Wind Will Blow Us Away; Summer's Green Waters; Forgive Her; Insight; Border Walls; Friday; In Night's Cold Streets; In an Eternal Dusk; Earthly Verses; The Gift; A Visitation at Night; Green Phantasm; Mates; Inaugurating the Garden; My Lover; Red Rose; The Bird, Was Just a Bird; O Bejeweled Realm . . . 327 $aI Will Greet the Sun Again Reborn; LET US BELIEVE IN THE DAWN OF THE COLD SEASON; Let Us Believe in the Dawn of the Cold Season; After You; Window; I Pity the Garden; Someone Like No One; Only Voice Remains; The Bird Shall One Day Die; NOTES , VOCABULARY, AND EXPLANATIONS; Translator's Note; Dreaming a Poem Translating Itself - An After-Note Confession; A Brief Overview of Iran's Political Scene 1941 - 1967; Notes on ""O Bejeweled Realm...""; Vocabulary; Recommended Reading 330 8 $aFor the first time, the work of Iranian poet Forugh Farrokhzad is being brought to English-speaking readers through the perspective of a translator who is a poet in her own right, fluent in both Persian and English and intimately familiar with each culture. Sin includes the entirety of Farrokhzad's last book, numerous selections from her fourth and most enduring book, Reborn, and selections from her earlier work and creates a collection that is true to the meaning, the intention, and the music of the original poems. Farrokhzad was the most significant female Iranian poet of the twentieth century, as revolutionary as Russia's Akhmatova and Tsvetaeva and America's Plath and Sexton. She wrote with a sensuality and burgeoning political consciousness that pressed against the boundaries of what could be expressed by a woman in 1950s and 1960s Iran. She paid a high price for her art, shouldering the disapproval of society and her family, having her only child taken away, and spending time in mental institutions. Farrokhzad died in a car accident in 1967 at the age of thirty-two. 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