LEADER 01569cam0-22004691i-450- 001 990007881380403321 005 20140730190211.0 035 $a000788138 035 $aFED01000788138 035 $a(Aleph)000788138FED01 035 $a000788138 100 $a20040510g18351839km-y0itay50------ba 101 1 $aita$cfre 105 $ay-------001yy 200 1 $aArchitettura idraulica$eovvero arte di condurre, innalzare e regolare le acque per vari bisogni della vita$fdi Bernardo Belidor$gcon note ed aggiunte di Navier$gversione italiana su l'ultima ed. francese di Basilio Soresina 210 $aMantova$cNegretti$d1835-1839 215 $a2 v. in 4 t.$d29 cm 225 1 $aScelta biblioteca dell'ingegnere civile$v10$v11$v12$v13 610 0 $aIdraulica 610 0 $aCostruzioni idrauliche 610 0 $aLibri antichi 610 0 $aCostruzioni marittime 676 $a627.2 700 1$aBelidor,$bBernard Forest : de$f<1697-1761>$05383 702 1$aNavier,$bClaude-Louis-Marie-Henri 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007881380403321 952 $a15 ..J/1-28$fDINID 952 $a15 ..$fDINID 952 $a15 ..J/1-27$fDINID 952 $a15 ..J/1-26$fDINID 952 $a15 ..J/1-26$fDINID 952 $a13 AR 17 E 09$b4969$fFINBC 952 $a13 AR 8 C 42$b8780$fFINBC 952 $a13 AR 17 E 10$b4970$fFINBC 952 $a13 AR 17 E 11$b4971$fFINBC 952 $a13 AR 17 E 12$b4972$fFINBC 959 $aDINID 959 $aFINBC 996 $aArchitettura Idraulica$9472109 997 $aUNINA LEADER 05428nam 22010093u 450 001 9910455653003321 005 20210108000113.0 010 $a0-415-22098-X 010 $a1-134-59889-0 010 $a1-280-07022-6 010 $a0-203-36102-4 035 $a(CKB)111087026879362 035 $a(EBL)170673 035 $a(OCoLC)52984061 035 $a(SSID)ssj0000308015 035 $a(PQKBManifestationID)11247351 035 $a(PQKBTitleCode)TC0000308015 035 $a(PQKBWorkID)10250486 035 $a(PQKB)10973071 035 $a(MiAaPQ)EBC170673 035 $a(EXLCZ)99111087026879362 100 $a20151005d2003|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRe-Imagining the Museum$b[electronic resource] $eBeyond the Mausoleum 210 $aFlorence $cTaylor and Francis$d2003 215 $a1 online resource (209 p.) 225 1 $aMuseum Meanings 300 $aDescription based upon print version of record. 311 $a0-203-37778-8 327 $a""Re-Imagining the Museum Beyond the Mausoleum""; ""Copyright""; ""Contents""; ""List of figures""; ""Acknowledgements""; ""Introduction""; ""1 Unmasking a different museum: museums and cultural criticism""; ""Close encounters""; ""2 Floating the museum""; ""Anchoring tourism in maritime museums""; ""Sidestepping the rhetoric""; ""The displacement of the citizen?""; ""3 From Batavia to Australia II: negotiating changes in curatorial practices""; ""The origins of the Western Australian Maritime Museum""; ""Implications for the curatorial culture at the Museum""; ""Conclusions"" 327 $a""4 a???A place for all of usa???? Museums and communities""""a???A place for all of usa????""; ""Teaching a???civic reforma???: the uses of community galleries""; ""Representation versus production""; ""The role of history and its impact on the curatorial process""; ""Community versus museum: empiricism versus abstraction""; ""Dialogue and cultural policy""; ""Where to now?""; ""5 Beyond the mausoleum: museums and the media""; ""Materialism and the temple as a treasure house""; ""Objects and power""; ""From treasure house to touch screens: the displacement of the object"" 327 $a""Modernity, popular culture and journalism""""The museum and the popular press: an Assyrian tale""; ""Tales of Paris""; ""a???A museum for the global villagea???""; ""Media impacts""; ""6 Interactivity in museums: the politics of narrative style""; ""Interactivity and museums""; ""Technological interactivity and its limitations: the Museum of Tolerance""; ""a???Spatiala??? interactivity at the Australian National Maritime Museum""; ""Narrative as a design issue""; ""Understanding serial narratives: a media approach""; ""The politics of serial narratives in museums"" 327 $a""Serial narratives and history genres""""Dialogic interactivity at the Museum of Sydney""; ""A little history""; ""Creating dialogue""; ""Beyond the Museum of Sydney""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index"" 330 $aRe-Imagining the Museum presents new interpretations of museum history and contemporary museum practices. Through a range of case studies from the UK, North America and Australia, Andrea Witcomb moves away from the idea that museums are always 'conservative' to suggest they have a long history of engaging with popular culture and addressing a variety of audiences. She argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals. Analyzing links between museums and the media, looking at the r 410 0$aMuseum Meanings 606 $aAustralia 606 $aCultural policy 606 $aHistoriography 606 $aHistory 606 $aMass media and culture 606 $aMuseum exhibits 606 $aMuseum techniques 606 $aMuseums 606 $aMuseums$xPhilosophy$zUnited States 606 $aMuseums$xHistory$zGreat Britain 606 $aMuseums$xHistory$zAustralia 606 $aMuseums$xHistory 606 $aMuseum exhibits$xHistoriography 606 $aMuseum techniques$xHistoriography 606 $aCultural policy$xHistory 606 $aMass media and culture$xHistory 606 $aPopular culture$xHistory 606 $aMuseum Publications$2HILCC 606 $aGeneral$2HILCC 608 $aElectronic books. 615 4$aAustralia. 615 4$aCultural policy. 615 4$aHistoriography. 615 4$aHistory. 615 4$aMass media and culture. 615 4$aMuseum exhibits. 615 4$aMuseum techniques. 615 4$aMuseums. 615 0$aMuseums$xPhilosophy 615 0$aMuseums$xHistory 615 0$aMuseums$xHistory 615 0$aMuseums$xHistory 615 0$aMuseum exhibits$xHistoriography 615 0$aMuseum techniques$xHistoriography 615 0$aCultural policy$xHistory 615 0$aMass media and culture$xHistory 615 0$aPopular culture$xHistory 615 7$aMuseum Publications 615 7$aGeneral 676 $a069 700 $aWitcomb$b Andrea$0984079 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910455653003321 996 $aRe-Imagining the Museum$92247296 997 $aUNINA