LEADER 00859nam0-22003011i-450- 001 990007758600403321 005 20080422164223.0 035 $a000775860 035 $aFED01000775860 035 $a(Aleph)000775860FED01 035 $a000775860 100 $a20030814d1980----km-y0itay50------ba 101 0 $aita 200 1 $aLineamenti del sistema valutario italiano$fRodolfo Di Stefano 210 $aMilano$cGiuffrè$d1980 215 $aVIII, 612 p.$d24 cm 225 1 $a<>ordinamento tributario italiano 676 $a346.08 700 1$aDi Stefano,$bRodolfo$0111321 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007758600403321 952 $a21-CA-160$b2125 nav.$fDDCP 952 $aDT III/122$b5628$fDEC 959 $aDDCP 959 $aDEC 996 $aLineamenti del sistema valutario italiano$963995 997 $aUNINA LEADER 02703nam 2200613 a 450 001 9910452787903321 005 20200520144314.0 010 $a1-280-77892-X 010 $a9786613689313 010 $a0-7391-7535-1 035 $a(CKB)2550000000104301 035 $a(EBL)948643 035 $a(SSID)ssj0000687890 035 $a(PQKBManifestationID)12238815 035 $a(PQKBTitleCode)TC0000687890 035 $a(PQKBWorkID)10756812 035 $a(PQKB)10506262 035 $a(MiAaPQ)EBC948643 035 $a(Au-PeEL)EBL948643 035 $a(CaPaEBR)ebr10573573 035 $a(CaONFJC)MIL368931 035 $a(OCoLC)855502173 035 $a(EXLCZ)992550000000104301 100 $a20120306d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinema at the crossroads$b[electronic resource] $enation and the subject in East Asian cinema /$fHyon Joo Yoo 210 $aLanham $cLexington Books$d2012 215 $a1 online resource (167 p.) 300 $aDescription based upon print version of record. 311 $a0-7391-8815-1 311 $a0-7391-6782-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- What's in a name? : postcolonial East Asia -- The other empire: Japan and the pornographic imagination of East Asia -- Can the subaltern "see"? : the subaltern vision and looking otherwise -- Transnational cultural production and the politics of moribund masculinity -- When is it postcolonial? : time-space in East Asian national cinema -- Epilogue. 330 $aWhat does it mean to rethink postcolonial studies through East Asian experience and cinema? Cinema at the Crossroads: Nation and the Subject in East Asian Cinema by Hyon Joo Yoo, pursues this question by bringing an East Asian postcolonial framework, the notion of film as a manifestation of national culture, and the methodology of psychoanalysis to bear on a failed hegemonic subject. This is a profound look into how cinema and national culture intertwine with hegemony and power.