LEADER 01021nam0-22003371i-450-
001 990007379480403321
010   $a88-7989-438-2
035   $a000737948
035   $aFED01000737948
035   $a(Aleph)000737948FED01
035   $a000737948
100   $a20021213d1998----km-y0itay50------ba
101   $aita
102   $aIT
105   $ay-------001yy
200 1 $aSu Heidegger$ecinque voci ebraiche$fGunther Anders,Hannah Arendt,Hans Jonas... [et al.]$gIntroduzione di Franco Volpi
210   $aRoma$cDonzelli$d1998
215   $aXXX, 114 p.$d22 cm
225 1 $aSaggi$iScienza e filosofia
676   $a193$v11$zita
700  1$aAnders,$bGünther$f<1902-1992>
701  1$aArendt,$bHannah$f<1906-1975>$038902
701  1$aJonas,$bHans$047931
702  1$aVolpi,$bFranco$f<1952-2009>
801  0$aIT$bUNINA$gRICA$2UNIMARC
901   $aBK
912   $a990007379480403321
951   $aXI SSF 9$eDip.to Filosofia dei Diritti$fdfd
959   $aDFD
996   $aSu Heidegger$9692881
997   $aUNINA

LEADER 02683nam  22004575  450 
001 9910484230503321
005 20251030102011.0
010   $a9781137407672
010   $a1137407670
024 7 $a10.1057/978-1-137-40767-2
035   $a(CKB)4100000007823617
035   $a(MiAaPQ)EBC5746560
035   $a(DE-He213)978-1-137-40767-2
035   $a(Perlego)3488440
035   $a(EXLCZ)994100000007823617
100   $a20190402d2019      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe Director and Directing $eCraft, Process and Aesthetic in Contemporary Theatre /$fby Adam J. Ledger
205   $a1st ed. 2019.
210  1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2019.
215   $a1 online resource (283 pages)
311 08$a9781137407665 
311 08$a1137407662 
327   $a1. Introduction: the Director -- 2. The Director and Stanislavski -- 3. The Director and the Actor -- 4. ?In the Room?: the Director and Rehearsal -- 5. ?Making Something from Within?: the Director and Devising -- 6. Design and the Director -- 7. Conclusion(s): the Director and Choice.
330   $aThis book critically assesses the artistry of contemporary directors. Its discussion includes the work of Declan Donnellan, Thomas Ostermeier, Deborah Warner, Simon Stone and Krzysztof Warlikowski. Alongside the work of wider theorists (Patrice Pavis and Erika Fischer-Lichte), it uses neuroaesthetic theory (Semir Zeki) and cognitive and creative process models to offer an original means to discuss the performance event, emotion, brain structures and concepts, and the actor?s body in performance. It offers first-hand observation of rehearsals led by Katie Mitchell, Ivo van Hove, Carrie Cracknell and the Steppenwolf Theatre. It also explores devising in relation to the work of Simon McBurney and contemporary groups, and scenography in relation to the work of Dmitry Krymov, Robert Wilson and Robert Lepage. The Director and Directing argues that the director creates a type of knowledge, ?reward? and ?resonant experience? (G. Gabrielle Starr) through instinctive and expert choices.
606   $aPerforming arts
606   $aTheater
606   $aTheatre and Performance Arts
615  0$aPerforming arts.
615  0$aTheater.
615 14$aTheatre and Performance Arts.
676   $a791.430232
700   $aLedger$b Adam J$4aut$4http://id.loc.gov/vocabulary/relators/aut$01226552
906   $aBOOK
912   $a9910484230503321
996   $aThe Director and Directing$92847941
997   $aUNINA