LEADER 00859nam0-22002891i-450- 001 990007078840403321 005 20080222120247.0 010 $a0-521-78013-1 035 $a000707884 035 $aFED01000707884 035 $a(Aleph)000707884FED01 035 $a000707884 100 $a20020508d2001----km-y0itay50------ba 101 0 $aeng 105 $a--------001cy 200 1 $aThomas Reid and the story of epistemology$fNicholas Wolterstorff 210 $aCambridge$cCambridge University$dİ2001 215 $aXIV,265 p. ril.$d24 cm 225 1 $aModern european philosophy 700 1$aWolterstorff,$bNicholas$0260402 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007078840403321 952 $aP.1 EM 151$bBibl. 42488$fFLFBC 959 $aFLFBC 996 $aThomas Reid and the story of epistemology$9706911 997 $aUNINA LEADER 00740nam a2200217 i 4500 001 991004378128607536 005 20250430142436.0 008 191024s2019 it e 000 0 ita c 020 $a8838915830 040 $aBibl. Dip.le Aggr. Studi Umanistici - Sez. Filosofia$bita$cSocioculturale Scs 082 1 $a853.914$223 100 1 $aQuarantotti Gambini, Pier Antonio$0218810 245 12$aL'onda dell'incrociatore /$cPier Antonio Quarantotti Gambini ; con una nota di Tullio Kezich 260 $aPalermo :$bSellerio,$c[2000] 300 $a264 p. ;$c17 cm 490 1 $aLa memoria ;$v486 700 1 $aKezich, Tullio 830 3$aLa memoria ;$v486 912 $a991004378128607536 996 $aOnda dell'incrociatore$9142922 997 $aUNISALENTO LEADER 03239nam 2200589 a 450 001 9910955513303321 005 20240516165904.0 010 $a0-7618-8638-9 010 $a1-280-67983-2 010 $a9786613656766 010 $a0-7618-5842-3 035 $a(CKB)2670000000203799 035 $a(EBL)928521 035 $a(OCoLC)796999533 035 $a(SSID)ssj0000681165 035 $a(PQKBManifestationID)12236050 035 $a(PQKBTitleCode)TC0000681165 035 $a(PQKBWorkID)10654786 035 $a(PQKB)10597388 035 $a(Au-PeEL)EBL928521 035 $a(CaPaEBR)ebr10568791 035 $a(CaONFJC)MIL365676 035 $a(OCoLC)802048961 035 $a(MiAaPQ)EBC928521 035 $a(EXLCZ)992670000000203799 100 $a20120221d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinemulacrum $ea secret history of film-video, 1960-2010 /$fAaron Sultanik 205 $a1st ed. 210 $aLanham, Md. $cUniversity Press of America, Inc.$dc2012 215 $a1 online resource (139 p.) 300 $aIncludes index. 311 08$a0-7618-5841-5 327 $aCINEMULACRUM; Contents; Preface. Cinemulacrum: A Definition; A. Digital Film/Video: Reality Paradigm; B. Media Hegemony: Video, Fantasy, and the Young Adult; C. Cinemulacrum is not a Dystopia; Chapter 1. The Fall-and Rise-of Classical Hollywood: Ben-Hur (1959)-The Godfather (1972); Chapter 2. Neoclassicism and Postmodernism in the American Cinema of the Seventies; A. Violence, Populism, and the New Apocrypha: Dirty Harry (1971)-Rocky (1976); B. Bicentennial Blues: Taxi Driver (1974)-The Deer Hunter (1977); C. Looking Backward, Forwardly: Star Wars (1977)-Heaven's Gate (1982) 327 $aChapter 3. The Age of CinemulacrumA. The Making of Simulacra: The Empire Strikes Back (1980)-Revenge of the Sith (2005); B. The Hollywood Epic in the Age of Cinemulacrum: Platoon (1985)-The Return of the King (2003); C. The Comic Outsider, Underground Humor on TV, and the Rise of Black Culture: Saturday Night Live (1974)-Chappelle's Show (2003); D. Hollywood Redux: Risky Business (1985)-Million Dollar Baby (2004); E. Auteurs, Art Films, and the American Avant-Garde: Raging Bull (1980)-Psycho (1998); Afterword; Jean-Luc Godard and the Death of Cinema: Notre Musique (2005)-Avatar (2009) 327 $aAddenda3 Axioms; The Copy, not the Original: The Archetype of Media Culture; Apocrypha of Violence; A Cinemulacrum Timeline; The 7 Ages of Cinemulacrum, or a Secret History of Film/Video; Index; About the Author 330 $aCinemulacrum, a conflation of "cinema," the art of the Hollywood film, and simulacrum, a reality counterfeit, was coined to designate contemporary media culture. This book examines the fall-and rise-of classical Hollywood and the hegemony of television in a media dyad of movies and television. 606 $aMotion pictures$xHistory 615 0$aMotion pictures$xHistory. 676 $a791.4309 700 $aSultanik$b Aaron$01855529 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910955513303321 996 $aCinemulacrum$94453717 997 $aUNINA