LEADER 00996nam0-2200325---450- 001 990009541980403321 005 20120313095829.0 010 $a978-88-7916-407-8 035 $a000954198 035 $aFED01000954198 035 $a(Aleph)000954198FED01 035 $a000954198 100 $a20120313d2009----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a<>ritorno dell'Italia nell'Occidente$eracconto della politica estera italiana dal 15 settembre 1947 al 21 novembre 1949$fPietro Pastorelli 210 $aMilano$cLED$d2009 215 $a319 p.$d21 cm 225 1 $aStudi e ricerche 610 0 $aItalia$aPolitica estera$a1947-1949 676 $a327.45$v22$zita 700 1$aPastorelli,$bPietro$f<1932- >$0139866 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a990009541980403321 952 $aII F 308$b48043$fFSPBC 959 $aFSPBC 996 $aRitorno dell'Italia nell'Occidente$9854683 997 $aUNINA LEADER 01564oam 2200481zu 450 001 9910453730903321 005 20210721055115.0 010 $a0-8166-8587-8 035 $a(CKB)2550000001168204 035 $a(SSID)ssj0001061003 035 $a(PQKBManifestationID)11616666 035 $a(PQKBTitleCode)TC0001061003 035 $a(PQKBWorkID)11098233 035 $a(PQKB)10773615 035 $a(MiAaPQ)EBC1575267 035 $a(EXLCZ)992550000001168204 100 $a20160829d2013 uy 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 14$aThe freak-garde : extraordinary bodies and revolutionary art in America 210 31$a[Place of publication not identified]$cUniversity of Minnesota Press$d2013 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8166-7817-0 311 $a1-306-18216-6 606 $aArts$xExperimental methods$y20th century$zUnited States 606 $aArts, American$xThemes, motives 606 $aFreak shows 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aFine Arts - General$2HILCC 615 0$aArts$xExperimental methods 615 0$aArts, American$xThemes, motives 615 0$aFreak shows 615 7$aArt, Architecture & Applied Arts 615 7$aFine Arts - General 676 $a700.973 700 $aBlyn$b Robin$01048900 801 0$bPQKB 906 $aBOOK 912 $a9910453730903321 996 $aThe freak-garde : extraordinary bodies and revolutionary art in America$92477502 997 $aUNINA LEADER 05424nam 2200817 450 001 9910455504103321 005 20200520144314.0 010 $a1-282-00945-1 010 $a9786612009457 010 $a1-4426-7706-6 024 7 $a10.3138/9781442677067 035 $a(CKB)2420000000004183 035 $a(OCoLC)666908953 035 $a(CaPaEBR)ebrary10218770 035 $a(SSID)ssj0001141283 035 $a(PQKBManifestationID)12492901 035 $a(PQKBTitleCode)TC0001141283 035 $a(PQKBWorkID)11090775 035 $a(PQKB)10025189 035 $a(SSID)ssj0000302614 035 $a(PQKBManifestationID)11212010 035 $a(PQKBTitleCode)TC0000302614 035 $a(PQKBWorkID)10267532 035 $a(PQKB)10720876 035 $a(CaBNvSL)slc00211096 035 $a(MiAaPQ)EBC3254865 035 $a(MiAaPQ)EBC4671708 035 $a(DE-B1597)464635 035 $a(OCoLC)944178000 035 $a(DE-B1597)9781442677067 035 $a(Au-PeEL)EBL4671708 035 $a(CaPaEBR)ebr11257408 035 $a(CaONFJC)MIL200945 035 $a(EXLCZ)992420000000004183 100 $a20160922h19971997 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMarlowe's Counterfeit profession $eOvid, Spenser, counter-nationhood /$fPatrick Cheney 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1997. 210 4$d©1997 215 $a1 online resource (415 p.) 225 0 $aHeritage 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-0971-9 311 $a1-4426-1296-7 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tTexts and Abbreviations -- $tIntroduction: Marlowe's Ovidian Career, Spenser, and the Writing of Counter-Nationhood -- $t1. Ovid's Counter-Virgilian Cursus in the Amores -- $t2. Marlowe's New Renaissance Ovid: 'Area maior' in Ovid's Elegies -- $t3. Career Rivalry, Counter-Nationhood, and Philomela in 'The Passionate Shepherd to His Love' -- $t4. Dido, Queen of Carthage and the Coining of '"Eliza"' -- $t5. 'Thondring words of threate': Spenser in Tamburlaine, Parts i and 2 -- $t6. Machiavelli and the Play of Policy in The Jew of Malta -- $t7. 'Italian masques by night': Machiavellian Policy and Ovidian Play in Edward II -- $t8. 'Actors in this massacre': The Massacre at Paris and the Orphic Guise of Metatheatre -- $t9. Un-script(ur)ing Christian Tragedy: Ovidian Love, Magic, and Glory in Doctor Faustus -- $tPart III: Trumpets and Drums: Epic -- $t10. Counter-Epic of Empire: Lucan's First Book -- $t11. Marlowe, Chapman, and the Rewriting of Spenser's England in Hero and Leander -- $tAfterword: Counterfeiting the Profession -- $tNotes -- $tWorks Cited -- $tIndex 330 $aMarlowe's Counterfeit Profession presents the first comprehensive reading of the Marlowe canon in over a generation. The occasion for Patrick Cheney's rereading is a primary discovery: Marlowe organized his canon around an "Ovidian" career model, or cursus, which turns from amatory poetry to tragedy to epic. Ovid had advertised this cursus only in his inaugural poem, the Amores, where its purpose was to counter the Virgilian cursus of pastoral, georgic, and epic. Marlowe was the first writer to translate the Amores, and thus the first to make the Ovidian cursus literally his own.Marlowe inscribes this cursus not simply to participate in the Renaissance recovery of classical authors, but in particular to contest the national authority of the 'Virgil of England,' Edmund Spenser. Using an Ovidian cursus to contest Spenser's Virgilian cursus, Marlowe enters the generational project of writing English nationhood. Unlike Spenser, however, Marlowe writes a 'counter-nationhood' - a nonpatriotic form of nationhood that subverts royal power with what Ovid calls libertas.By discovering the original project organizing an otherwise fragmentary canon, Cheney aims to change the most basic lens through which critics have viewed Marlowe: 'Shakespearean drama'. This lens cannot account for two of the most striking features of Marlowe's canon: his scholarly use of translation and his writing of epic. Cheney proposes that a theatrical, Shakespearean model has prevented critics from discovering the original context within which Marlowe produced his art: a multimedia, multi-genre Spenserian model of Ovidian counter-nationhood. 606 $aAuthorship$xHistory$y16th century 606 $aEnglish literature$xRoman influences 606 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism$xTheory, etc 606 $aNational characteristics, British, in literature 606 $aLITERARY CRITICISM / Drama$2bisacsh 608 $aElectronic books. 615 0$aAuthorship$xHistory 615 0$aEnglish literature$xRoman influences. 615 0$aEnglish literature$xHistory and criticism$xTheory, etc. 615 0$aNational characteristics, British, in literature. 615 7$aLITERARY CRITICISM / Drama. 676 $a822.3 700 $aCheney$b P$g(Patrick),$0887066 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455504103321 996 $aMarlowe's Counterfeit profession$92475356 997 $aUNINA LEADER 01288nam0-22003371i-450 001 990006406270403321 005 20221018150251.0 010 $a3-7255-3738-0 035 $a000640627 035 $aFED01000640627 035 $a(Aleph)000640627FED01 100 $a20000112d1998----km-y0itay50------ba 101 0 $ager 102 $aCH 105 $a----m---001yy 200 1 $a<>Renvoi im internationalen Erbrecht der Shweiz$eEine Analyse internationaler Erbfälle im Verhältnis der Schweiz zu Deutschland, Frankreich, Italien, Österreich, dem Fürstentum Liechtenstein, Griechenland, England und den Niederlanden$fvon Hans Kuhn-Adler$ggenehmigt auf Antrag von Kurt Siehr 210 $aZürich$cSchulthess Polygraphischer Verlag AG$d1998 215 $aL, 405 p.$d23 cm 225 1 $aSchweizer Studien zum internationalen Recht$v107 320 $aBibliografia: [XXVII]-XLVII 328 $aTesi presentata all'Università di Zurigo nel 1998 676 $a346.052$v23$zit 700 1$aKuhn-Adler,$bHans$0241004 702 1$aSiehr,$bKurt 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a990006406270403321 952 $aDISSERT. A 2013$b38836*$fFGBC 959 $aFGBC 996 $aRenvoi im internationalen Erbrecht der Shweiz$9661010 997 $aUNINA