LEADER 01092nam0-22003251i-450- 001 990005862050403321 005 20051020124247.0 010 $a88-425-1989-8 035 $a000586205 035 $aFED01000586205 035 $a(Aleph)000586205FED01 035 $a000586205 100 $a20000421d1996----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aSoldati per la patria: con il 2. Corpo d'Armata sul fronte occidentale: 1918$fLuigi Marziano$gpresentazione di Mario Isnenghi$gintroduzione di Lucio Fabi 210 $aMilano$cMursia$dc1996 215 $a148 p.$d21 cm 225 1 $aTestimonianze fra cronaca e storia$iPrima guerra mondiale$v234 676 $a940.434$v21$zita 700 1$aMarziano,$bLuigi$0222936 702 1$aFabi,$bLucio 702 1$aIsnenghi,$bMario$f<1938- > 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005862050403321 952 $a940.43 MAR 1$bBIBL. 28248$fFLFBC 959 $aFLFBC 996 $aSoldati per la patria: con il 2. Corpo d'Armata sul fronte occidentale: 1918$9564889 997 $aUNINA LEADER 03149nam 22007813u 450 001 9910799920503321 005 20230725031039.0 010 $a1-283-10591-8 010 $a9786613105912 010 $a0-203-85287-7 035 $a(CKB)2670000000082083 035 $a(EBL)668786 035 $a(OCoLC)813308741 035 $a(SSID)ssj0000516878 035 $a(PQKBManifestationID)11346890 035 $a(PQKBTitleCode)TC0000516878 035 $a(PQKBWorkID)10486292 035 $a(PQKB)11336570 035 $a(MiAaPQ)EBC668786 035 $a(EXLCZ)992670000000082083 100 $a20130418d2011|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReenactment$b[electronic resource] 210 $aHoboken $cTaylor and Francis$d2011 215 $a1 online resource (273 p.) 300 $aDescription based upon print version of record. 311 $a1-136-97969-7 311 $a0-415-40441-X 327 $aCover; Performing Remains; Copyright; Contents; Illustrations; Acknowledgements; Foreword - By way of other directions; 1. Reenactment and relative pain; 2. Finding faux fathers; 3. In the meantime: performance remains; 4. Poor poor theatre; 5. Still living; And back - Afterword; Notes; Bibliography; Index 330 $a'At last, the past has arrived! Performing Remains is Rebecca Schneider's authoritative statement on a major topic of interest to the field of theatre and performance studies. It extends and consolidates her pioneering contributions to the field through its interdisciplinary method, vivid writing, and stimulating polemic. Performing Remains has been eagerly awaited, and will be appreciated now and in the future for its rigorous investigations into the aesthetic and political potential of reenactments.' - Tavia Nyong'o, Tisch School of the Arts, New York University