LEADER 00868cam0-2200313---450- 001 990005590630403321 005 20100929112125.0 035 $a000559063 035 $aFED01000559063 035 $a(Aleph)000559063FED01 035 $a000559063 100 $a19990604d1944----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa-------00-yy 200 1 $aManieristi toscani$fLuisa Becherucci 210 $aBergamo$cIstituto Italiano D'Arti Grafiche$d1944 215 $a62 p.$cill.$d25 cm 225 1 $a<>grandi artisti italiani 610 0 $aPittura$aToscana$aSec. 16 676 $a759.55 700 1$aBecherucci,$bLuisa$0198502 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005590630403321 952 $a759.55 BEC 1$bST.ARTE 3443$fFLFBC 959 $aFLFBC 996 $aManieristi toscani$9269196 997 $aUNINA LEADER 04092nam 2200637 a 450 001 9910461993703321 005 20200520144314.0 010 $a1-280-68425-9 010 $a9786613661197 010 $a0-7391-7026-0 035 $a(CKB)2670000000203750 035 $a(EBL)928510 035 $a(OCoLC)854519904 035 $a(SSID)ssj0000657132 035 $a(PQKBManifestationID)12291800 035 $a(PQKBTitleCode)TC0000657132 035 $a(PQKBWorkID)10656064 035 $a(PQKB)11282093 035 $a(MiAaPQ)EBC928510 035 $a(Au-PeEL)EBL928510 035 $a(CaPaEBR)ebr10568798 035 $a(CaONFJC)MIL366119 035 $a(EXLCZ)992670000000203750 100 $a20120315d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aLost and othered children in contemporary cinema$b[electronic resource] /$fedited by Debbie Olson and Andrew Scahill 210 $aLanham $cLexington Books$dc2012 215 $a1 online resource (359 p.) 300 $aDescription based upon print version of record. 311 $a0-7391-7025-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction / Debbie Olson, Andrew Scahill -- I see dead people: ghost-seeing children as mediums and mediators of communication in contemporary horror cinema / Sage Leslie-McCarthy -- I Can't Go On, I Must Go On: How Jeliza Rose Meets Alice and the Dark Side of Childhood in Terry Gilliam's Tideland / Jayne Steel -- Wednesdays Child: Adolescent Outsiders in Contemporary British Cinema / Stella M. Hockenhull -- Wonka, Freud and the Child Within: (Re) Constructing Lost Childhood in Tim Burton's Charlie and the Chocolate Factory / Adrian Schober -- Representations of Childhood and Conflict in African Fiction Film / Christine Singer and Lindiwe Dovey -- Pity the Child: Exploring Race, Class, Gender, and Sexuality in Gummo (1997) / Sarah E. S. Sinwell -- The Ideal Immigrant is a Child: Michou d'Auber and the Politics of Immigration in France / Nicole Beth Wallenbrock -- It's all for you, Damien!: Oedipal Horror and Racial Privilege in The Omen series / Andrew Scahill -- Little Rebels in Mao's Era: Representing Children of the Past in Zhang Yuan's Little Red Flowers (Yuan Zhang, 2006) / Kiu-wai Chu -- Batteries Have Run Out: Ken Loach's Sweet Sixteen / Gilles Chamerois -- A Krank's Dream: Conflicts Between Form and Narrative in City of Lost Children / Carolyn Salvi -- Childhood, Ghost Images, and the Heterotopian Spaces of Cinema: The Child as Medium in The Others / Christian Stewen -- The Hitchcock Imp: Children and the Hyperreal in Alfred Hitchcock's The Birds (1963) / Debbie Olson -- Experiencing Hu?zu?n Through the Loss of Life, Limbs, and Love in Turtles Can Fly / Fran Hassencahl. 330 $aLost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, is an edited collection that challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts. 606 $aChildren in motion pictures 606 $aMotion pictures$xSocial aspects 606 $aMotion pictures$xPsychological aspects 606 $aMotion pictures$xPolitical aspects 608 $aElectronic books. 615 0$aChildren in motion pictures. 615 0$aMotion pictures$xSocial aspects. 615 0$aMotion pictures$xPsychological aspects. 615 0$aMotion pictures$xPolitical aspects. 676 $a791.43/6523 701 $aOlson$b Debbie C.$f1961-$01037508 701 $aScahill$b Andrew$f1977-$01037509 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461993703321 996 $aLost and othered children in contemporary cinema$92458539 997 $aUNINA LEADER 03862nam 22005775 450 001 9910886067503321 005 20240902130244.0 010 $a3-658-43905-X 024 7 $a10.1007/978-3-658-43905-7 035 $a(MiAaPQ)EBC31630232 035 $a(Au-PeEL)EBL31630232 035 $a(CKB)34774611000041 035 $a(DE-He213)978-3-658-43905-7 035 $a(OCoLC)1455135828 035 $a(EXLCZ)9934774611000041 100 $a20240902d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aInnovation Empowerment in Construction 4.0 by the CDR-Approach $eA new field of scientific Research for the digital breakthrough /$fby Bianca Christina Weber-Lewerenz 205 $a1st ed. 2024. 210 1$aWiesbaden :$cSpringer Fachmedien Wiesbaden :$cImprint: Springer Vieweg,$d2024. 215 $a1 online resource (267 pages) 225 1 $aEngineering Series 311 08$a3-658-43904-1 327 $a1. Introduction -- 2. Scientific approach -- 3. Calls for Action -- 4. Cumulative Part of Dissertation -- 5. Discussion -- 6. Results - Digitization and AI need new Culture of Thinking in Construction 4.0 -- 7. Limitations and Future work -- 8. Conclusion -- 9. Literature References. 330 $aThe construction industry has an enormous responsibility in terms of achieving the 17 UN SDGs and climate targets. On the other hand, there is a variety of potentials and innovations to increase its global competitiveness with sustainable, human-controlled AI on the basis of a European quality seal. This dissertation examines how a consistently pursued corporate digital responsibility approach can promote innovation in the construction industry 4.0 and thus provides ne ideas for digital corporate strategies. The study comes to the conclusion that the human factor forms the basis for shaping a socially sustainable digital transformation. It shows how innovative technologies can support people efficiently, productively, safely and sensibly. The responsibility that company management bears for this is explicitly worked out and key factors for the success of digital corporate strategies are presented, without neglecting the necessary legal, political, social and educational framework conditions. The Content Introduction.- Scientific approach.- Calls for Action.- Cumulative Part of Dissertation.- Discussion.- Results - New Culture of Thinking in Construction 4.0.- Limitations and Future work.- Conclusion.- Literature References. The Author Bianca Weber-Lewerenz studied civil engineering in Constance, Mainz and Stellenbosch, South Africa. She worked on construction projects in Germany and abroad. For seven years she has worked and lived in Beijing. Since 2014 self-employed with "Bianca Weber-Lewerenz Engineering". Doctorate until 2024 at RWTH Aachen University. Since 2019 she researches on "The Corporate Digital Responsibility in Construction - Ethical principles in dealing with digitization and AI". 410 0$aEngineering Series 606 $aCivil engineering 606 $aEnvironmental engineering 606 $aArtificial intelligence 606 $aCivil Engineering 606 $aEnvironmental Civil Engineering 606 $aArtificial Intelligence 615 0$aCivil engineering. 615 0$aEnvironmental engineering. 615 0$aArtificial intelligence. 615 14$aCivil Engineering. 615 24$aEnvironmental Civil Engineering. 615 24$aArtificial Intelligence. 676 $a624 700 $aWeber-Lewerenz$b Bianca Christina$01770047 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910886067503321 996 $aInnovation Empowerment in Construction 4.0 by the CDR-Approach$94247182 997 $aUNINA