LEADER 00919nam0-22002771i-450 001 990005349670403321 005 20231107103934.0 035 $a000534967 035 $aFED01000534967 035 $a(Aleph)000534967FED01 035 $a000534967 100 $a19990530d1938----km-y0itay50------ba 101 0 $aita 105 $af-------00--- 200 1 $aAugusto$eDiscorso per il bimillenario pronunziato nella Reale Accademia d'Italia il 20 aprile 1938-XVI$fRoberto Paribeni 210 $aRoma$cReale Accademia d'Italia$d1938 [A. XVI dell'E.F.] 215 $a33 p., 1 tav.$d27 cm 225 1 $aReale Accademia d'Italia. Celebrazioni e commemorazioni$v28 700 1$aParibeni,$bRoberto$f<1876-1956>$0181225 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005349670403321 952 $ARCH. BM MISC. 074 (09)a$bARCH. 14513$fFLFBC 959 $aFLFBC 996 $aAugusto$9598935 997 $aUNINA LEADER 03234nam 2200637 450 001 9910812717403321 005 20200520144314.0 010 $a0-8131-5697-1 010 $a0-8131-7007-9 035 $a(CKB)111004368603300 035 $a(EBL)1915270 035 $a(SSID)ssj0000234508 035 $a(PQKBManifestationID)11218820 035 $a(PQKBTitleCode)TC0000234508 035 $a(PQKBWorkID)10236789 035 $a(PQKB)10216911 035 $a(OCoLC)47010123 035 $a(MdBmJHUP)muse44148 035 $a(Au-PeEL)EBL1915270 035 $a(CaPaEBR)ebr11009670 035 $a(CaONFJC)MIL691097 035 $a(OCoLC)900344556 035 $a(MiAaPQ)EBC1915270 035 $a(EXLCZ)99111004368603300 100 $a20150206h19951995 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRefiguring authority $ereading, writing, and rewriting in Cervantes /$fE. Michael Gerli 210 1$aLexington, Kentucky :$cThe University Press of Kentucky,$d1995. 210 4$dİ1995 215 $a1 online resource (154 p.) 225 1 $aStudies in Romance Languages 300 $aDescription based upon print version of record. 311 $a1-322-59815-0 311 $a0-8131-1922-7 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Dedication; Contents; Acknowledgments; A Note on Translations and Editions; Introduction: Reading, Writing, and Rewriting in Cervantes; 1. The Dialectics of Writing: El licendado Vidriera and the Picaresque; 2. A Novel Rewriting: Romance and Irony in La gitanilla; 3. Rewriting Myth and History: Discourses of Race, Marginality, and Resistance in the Captive's Tale (Don Quijote I, 37-42); 4. Unde veritas: Readings, Writings, Voices, and Revisions in the Text (Don Quijote I, 8-9) 327 $a5. Aristotle in Africa: Interrogating Verisimilitude and Rewriting Theory in El gallardo espan?ol 6. Rewriting Lope de Vega: El retablo de las maravillas, Cervantes' Arte nuevo de deshacer comedias; Conclusion; Notes; Bibliography; Index 330 $aIn this wide-ranging study E. Michael Gerli shows how Cervantes and his contemporaries ceaselessly imitated one another -- glossing works, dismembering and reconstructing them, writing for and against one another -- while playing sophisticated games of literary one-upmanship. The result was that literature in late Renaissance Spain was often more than a simple matter of source and imitation. It must be understood as a far more subtle, palimpsest-like process of forging endless series of texts from other texts, thus linking closely the practices of reading, writing, and rewriting. Like all major 410 0$aStudies in Romance languages (Lexington, Ky.) ;$v39. 606 $aSpanish language$yClassical period, 1500-1700$xRhetoric 606 $aIntertextuality 615 0$aSpanish language$xRhetoric. 615 0$aIntertextuality. 676 $a863/.3 700 $aGerli$b E. Michael$0163088 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812717403321 996 $aRefiguring authority$9567131 997 $aUNINA