LEADER 01498nam0-2200409---450- 001 990009276990403321 005 20110915092807.0 010 $a9788831796224 035 $a000927699 035 $aFED01000927699 035 $a(Aleph)000927699FED01 035 $a000927699 100 $a20101110d2010----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa-------001yy 200 1 $aVetri artistici$eAntonio Salviati 1866-1877$fa cura di Attilia Dorigato, Puccio Migliaccio$gcon la collaborazione di Vladimiro Rusca$eMuseo del Vetro di Murano. vol. 2. 210 $aVenezia$cRegione del Veneto ; Marsilio$d2010 215 $a193 p.$cill.$d30 cm 225 1 $aCorpus delle collezioni del vetro post-classico nel Veneto$v2 300 $aIn testa al front.: Comitato Nazionale italiano, Association internationale pour l'histoire du verre 610 0 $aSalviati, Antonio$aOpere$a1866-1878 610 0 $aMurano $aMuseo Vetrario$aCataloghi 610 0 $aVetri di Murano$aSec. 19. 676 $a748.29 702 1$aDorigato,$bAttilia 702 1$aMigliaccio,$bPuccio 702 1$aRusca,$bVladimiro 710 02$aMuseo del vetro di Murano$0325378 712 02$aAssociation internationale pour l'histoire du verre.$bComitato nazionale italiano 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009276990403321 952 $a748.29 SAL 2 (2)$bBibl. 60761$fFLFBC 959 $aFLFBC 996 $aVetri artistici$9759040 997 $aUNINA LEADER 00825nam0-22002771i-450- 001 990005096940403321 005 20141016102650.0 035 $a000509694 035 $aFED01000509694 035 $a(Aleph)000509694FED01 035 $a000509694 100 $a19990604g18509999km-y0itay50------ba 101 0 $afre 102 $aFR 105 $ay-------001yy 200 1 $aHistoire des rèvolutions et des guerres d'Italie$een 1847, 1848 et 1849$fpar G. Pepe 210 $aBruxelles$cMeline, Cans et Compagnie$d1850 215 $a434 p.$d19 cm 700 1$aPepe,$bGuglielmo$0178196 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005096940403321 952 $aSG 900/B 138$bR.Bibl. 10997$fFLFBC 959 $aFLFBC 996 $aHistoire des rèvolutions et des guerres d'Italie$9535856 997 $aUNINA LEADER 03306nam 2200433 450 001 9910795391403321 005 20211105154121.0 010 $a0-8143-4579-4 035 $a(CKB)4940000000153577 035 $a(MiAaPQ)EBC5989131 035 $a(EXLCZ)994940000000153577 100 $a20200225d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe twilight zone /$fBarry Keith Grant 210 1$aDetroit :$cWayne State University Press,$d[2020] 210 4$d©2020 215 $a1 online resource (132 pages) 225 1 $aTv milestones series 311 $a0-8143-4578-6 327 $aZoning in -- "Once upon a time" : The twilight zone and genre -- "The prime mover" : The twilight zone and authorship -- "What's in the box" : The twilight zone and the real world -- Zoning out. 330 $aCBS's The twilight zone (1959-1964) remains a benchmark of serious telefantasy and one of the most iconic series in the history of American television. Barry Keith Grant carefully situates The twilight zone within the history of broadcast television and American culture, both of which were changing dramatically during the five seasons the series originally aired. At the same time, the genres of science fiction, horror, and fantasy were moving from marginal to mainstream, a cultural shift that The twilight zone was both part of and largely responsible for. Grant begins by considering The twilight zone's use of genre conventions and iconography to craft its pithy parables. The show shared visual shorthand that addressed both older audiences familiar with Hollywood movies but unfamiliar with fantasy and science fiction as well as younger audiences more attuned to these genres. Rod Serling looms large in the book as the main creative force of The twilight zone, and Grant explains how he provided the show's artistic vision and its place within the various traditions of the fantastic. Tracing motifs and themes in numerous episodes, Grant demonstrates how The twilight zone functioned as an ideal example of collective authorship that powerfully expressed both timeless terrors and the anxieties of the age, such as the Cold War, in thought-provoking fantasy. Grant argues that the imaginary worlds offered by the show ultimately endorse the Americanism it simultaneously critiques. The striking blending of the fantastic and the familiar that Grant identifies in The twilight zone reflected Serling's goal of offering serious stories in a genre that had previously been targeted only to juvenile television audiences. Longtime fans of the show and new viewers of Jordan Peele's 2019 reboot alike will enjoy this deep dive into the original series' history, style, and significance. 410 0$aContemporary approaches to film and television series. TV milestones. 606 $aTelevision plays, American 606 $aTelevision authorship 615 0$aTelevision plays, American. 615 0$aTelevision authorship. 676 $a808.225 700 $aGrant$b Barry Keith$0846037 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795391403321 996 $aThe twilight zone$93818971 997 $aUNINA