LEADER 00931cam0-22003371i-450- 001 990006811250403321 005 20060406151147.0 035 $a000681125 035 $aFED01000681125 035 $a(Aleph)000681125FED01 035 $a000681125 100 $a20010426d1995----km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $ay-------001yy 200 1 $a<>inquiry into well-being and destitution$fPartha Dasgupta 210 $aOxford$cClarendon press$d1995 215 $aXVIII, 662 p.$d23 cm 676 $a330.917 24 700 1$aDasgupta,$bPartha$f<1942- >$0118373 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006811250403321 952 $aVI D 160$b26282$fFSPBC 952 $aI3.461$b6092$fDECTS 952 $aXV O2 79$b28111*$fFGBC 959 $aFSPBC 959 $aDECTS 959 $aFGBC 996 $aInquiry into well-being and destitution$9633401 997 $aUNINA LEADER 02533nam 2200505 450 001 9910157838103321 005 20210108003951.0 010 $a0-19-178943-7 035 $a(CKB)3710000000376302 035 $a(StDuBDS)EDZ0001021667 035 $a(MiAaPQ)EBC4842131 035 $a(EXLCZ)993710000000376302 100 $a20141028d2015 fy| 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aDiverting authorities $eexperimental glossing practices in manuscript and print /$fJane Griffiths$b[electronic resource] 210 1$aOxford :$cOxford University Press,$d2015. 215 $a1 online resource $cillustrations (black and white) 311 $a0-19-965451-4 320 $aIncludes bibliographical references and index. 327 $aMaterial processes : the glossing of Lydgate's Siege of Thebes and Fall of princes -- Authors, translators, and commentators : glossing practices in Bodleian MS Fairfax 16 -- Exhortations to the reader : the double glossing of Douglas' Eneados -- Glossing the spoken word : Erasmus' Moriae encomium and Chaloner's Praise of folie -- A broil of voices : the printed word in Baldwin's Beware the cat and Bullein's Dialogue against the fever pestilence -- 'Masking naked in a net' : author and text in the works of Gascoigne and Harington -- 'Playing the dolt in print' : the extemporary glossing of Nashe's Pierce Penilesse his supplication to the devil. 330 8 $a'Diverting Authorities' examines literary experimentation in the fifteenth and sixteenth centuries. It looks at marginal annotations or 'glosses' provided by authors in a wide range of texts and argues that they provide important evidence for evolving ideas of authorship and literary authority. 606 $aManuscripts, Medieval 606 $aManuscript design$xHistory 606 $aEnglish literature$xHistory and criticism 606 $aPrinting$zGreat Britain$xHistory 607 $aGreat Britain$2fast 608 $aCriticism, interpretation, etc.$2fast 608 $aHistory.$2fast 615 0$aManuscripts, Medieval. 615 0$aManuscript design$xHistory. 615 0$aEnglish literature$xHistory and criticism. 615 0$aPrinting$xHistory. 676 $a091 700 $aGriffiths$b Jane$01243848 801 0$bStDuBDS 801 1$bStDuBDS 906 $aBOOK 912 $a9910157838103321 996 $aDiverting authorities$92885168 997 $aUNINA LEADER 00649nam0-22002531i-450 001 990004900930403321 005 20251103145344.0 035 $a000490093 100 $a19990604g19629999km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $ay-------001yy 200 1 $a73 Poems$fE. E. Cummings 210 $aLondon$cFaber and Faber$dc1962 215 $a73 p.$d23 cm 676 $a811.5 700 1$aCummings,$bEdward Estlin$0196329 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004900930403321 952 $a811.52 CUME 01$bFil. Mod. 12838$fFLFBC 959 $aFLFBC 996 $a73 Poems$9524254 997 $aUNINA