LEADER 00946nam0-22003131i-450- 001 990004696850403321 005 20080313122452.0 035 $a000469685 035 $aFED01000469685 035 $a(Aleph)000469685FED01 035 $a000469685 100 $a19990604d1975----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $ay-------001yy 200 1 $a<>introduction to Tacitus$fHerbert W. Benario 210 $aAthens$cUniversity of Georgia Press.$d1975 215 $a177 p.$d23 cm 700 1$aBenario,$bHerbert W.$0157475 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004696850403321 952 $aP2B-650-TACITUS-8B.H.W.-1975$bIst.fil.cl.7608$fFLFBC 952 $aP2B-650-TACITUS-8B.H.W.-1975 BIS$bIst.fil.cl.8782$fFLFBC 952 $aDDR-Fonti II- Tacitus St.12$b196 ddr$fDDR$m21-9201 959 $aFLFBC 959 $aDDR 996 $aIntroduction to Tacitus$9556354 997 $aUNINA LEADER 01216nam 2200445 450 001 9910163246903321 005 20230807214731.0 010 $a1-329-11774-3 035 $a(CKB)3790000000021060 035 $a(EBL)2050601 035 $a(OCoLC)909146135 035 $a(MiAaPQ)EBC2050601 035 $a(EXLCZ)993790000000021060 100 $a20150528h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aDuelling $ethe code of honor /$fJohn Lyde Wilson 210 1$a[New York, New York] :$cSheba Blake Publishing,$d2015. 210 4$d©2015 215 $a1 online resource (58 p.) 300 $aDescription based upon print version of record. 330 $a Will update 606 $aDueling 606 $aKnights and knighthood 606 $aSports tournaments 615 0$aDueling. 615 0$aKnights and knighthood. 615 0$aSports tournaments. 676 $a338.1092834 700 $aWilson$b John Lyde$0827944 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910163246903321 996 $aDuelling$93416347 997 $aUNINA LEADER 04584 am 22004693u 450 001 9910164339903321 005 20230808201451.0 035 $a(CKB)3710000001058919 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35652 035 $a(EXLCZ)993710000001058919 100 $a20170220d2016uuuu fy| e 101 0 $ager 135 $aurm|#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aShakespeare im spiegelkabinett $ezur produktiven vielfalt seiner rezeption /$fSarah Alam, Barbara Schaff (Hg.) 210 $cUniversitätsverlag Göttingen$d2016 210 1$aGo?ttingen, Germany :$cUniversitätsverlag Göttingen,$d2016. 210 4$d©2016 215 $a1 online resource (174 pages) $cillustrations; digital, PDF file(s) 311 08$a3863952820 320 $aIncludes bibliographical references. 330 3 $a2014 and 2016, marked by the 450th anniversary of his birthday and the 400th anniversary of his demise respectively, have both been dedicated to the remembrance of William Shakespeare and the celebration of his work through readings, theater productions, movies, exhibitions, and many academic events. He is fondly called the ?Bard? by many and has long been England's export hit. Shakespeare gained lasting fame and fortune during his lifetime not only by successfully moving his audience, but also because from the beginning his work inspired critical and artistic dialogue. The ingenuity and uniqueness of his work did not fail to inspire the creative imagination of successive generations of authors, artists, and musicians over the past four and a half centuries. In fact, each generation has reimagined and recreated Shakespeare in its own different way, bringing its own interpretation, themes, fashion, taste, and customs to the rereading, visualization, and intonation of his work. The brand ?Shakespeare? is still as popular and productive as ever. A fact that is apparent not only in the huge numbers of visitors yearly to Stratford upon Avon and Verona, the city of Shakespeare's tragic-romance Romeo and Juliet, but also in the long line of movies produced based on his plays each year. One might even go as far as to assert that it is the generations of productive readers and their own unique creative interpretations that have kept the Bard alive over the past 450 years. This collection of essays celebrates Shakespeare?s two big anniversaries and takes the opportunity to look at him from a different perspective, as a source of inspiration and, for a change, to explore the eclectic results of centuries of productive reception of his work from the Elizabethan era up to the 21rst century. 330 3 $aDie Jahre 2014 und 2016 sind die beiden großen Shakespeare-Jahre des noch jungen 21. Jahrhunderts. Mit Lesungen, Inszenierungen, Ausstellungen, Filmen und akademischen Veranstaltungen zum 450. Geburtstag beziehungsweise dem 400. Todestag gedenkt die Welt in diesen Jahren ihres größten Dichters. Durch seine Werke bleibt William Shakespeare in der kulturellen Erinnerung der Welt nicht nur präsent, sondern lebendig. Die Ringvorlesung, mit der das Englische Seminar der Universität Göttingen einen Beitrag zu den weltweit statt?ndenden Shakespeare-Feiern geleistet hat, hat die andauernde Faszination William Shakespeares als Herausforderung begriffen und sich die Frage nach der produktiven Vielfalt der Rezeptionsweisen seines Werks gestellt. Shakespeares Werk und Leben haben in den vergangenen Jahrhunderten immer wieder die literarische, künstlerische und musikalische Imagination inspiriert und sind weltweit zum Ausgangspunkt ästhetischer Neuschöpfungen geworden: in Form von Theateraufführungen und Filmadaptionen, von literarischen Bezugnahmen, von musikalischen oder bildlichen Umsetzungen Shakespeare?scher Szenen. So hat eine jede Zeit ?ihren? Shakespeare hervorgebracht und spiegelt die ihr eigenen Ideen, Identitäten, Kon?ikte und Probleme in der produktiven Aneignung seiner Dramen. 606 $aArt appreciation 610 $aShakespeare reception 610 $abardolatry 610 $awomen theater 610 $aBen Jonson 610 $aHamlet 610 $aWilliam Shakespeare 615 0$aArt appreciation. 676 $a800 700 $aAlam$b Sarah$4edt$01376997 702 $aAlam$b Sarah 702 $aSchaff$b Barbara 801 2$bUkMaJRU 906 $aBOOK 912 $a9910164339903321 996 $aShakespeare im spiegelkabinett$93413458 997 $aUNINA