LEADER 00946nam0-22003491i-450- 001 990004453680403321 005 20100920122851.0 035 $a000445368 035 $aFED01000445368 035 $a(Aleph)000445368FED01 035 $a000445368 100 $a19990604d1950----km-y0itay50------ba 101 0 $afre 102 $aFR 105 $ay-------001yy 200 1 $a<>conversions de Saint Augustin$fJean-Marie Le Blond 210 $aParis$cAubier$d1950 215 $a321 p.$d19 cm 225 1 $aThéologie$v17 600 1$aAugustinus, Aurelius santo 676 $a230 676 $a270.2092 700 1$aLe Blond,$bJean-Marie$0177571 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004453680403321 952 $a230 AUG 15$bBibl.24247$fFLFBC 952 $a230 AUG 15 BIS$bBibl.26668$fNAP03 959 $aFLFBC 959 $aNAP03 996 $aConversions de Saint Augustin$9544402 997 $aUNINA LEADER 01048nam 2200373 450 001 9910332355103321 005 20221015102534.0 010 $a1-83881-132-X 010 $a1-78985-382-6 035 $a(CKB)4100000008878077 035 $a(NjHacI)994100000008878077 035 $a(EXLCZ)994100000008878077 100 $a20221015d2019 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAmyloid diseases /$fedited by Dmitry Kurouski 210 1$aLondon, England :$cIntechOpen,$d[2019] 210 4$d©2019 215 $a1 online resource (242 pages) $cillustrations 311 $a1-78985-381-8 320 $aIncludes bibliographical references. 606 $aAmyloidosis$xDiagnosis 615 0$aAmyloidosis$xDiagnosis. 676 $a616.3995 702 $aKurouski$b Dmitry 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910332355103321 996 $aAmyloid Diseases$92049456 997 $aUNINA LEADER 04525nam 22006255 450 001 9910683357503321 005 20251009082255.0 010 $a9783031233364$b(electronic bk.) 010 $z9783031233357 024 7 $a10.1007/978-3-031-23336-4 035 $a(MiAaPQ)EBC7221152 035 $a(Au-PeEL)EBL7221152 035 $a(OCoLC)1374427841 035 $a(DE-He213)978-3-031-23336-4 035 $a(CKB)26347442600041 035 $a(EXLCZ)9926347442600041 100 $a20230328d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFolk Dance and the Creation of National Identities $eStaging the Folk /$fby Anthony Shay 205 $a1st ed. 2023. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (343 pages) 311 08$aPrint version: Shay, Anthony Folk Dance and the Creation of National Identities Cham : Palgrave Macmillan US,c2023 9783031233357 327 $aIntroduction -- Chapter 1 - The Folk -- Chapter 2 - Mazowsze: Poland on Stage -- Chapter 3 - The Hungarian State Folk Ensemble: Proper Peasants -- Chapter 4 - Founding Artistic Director Olga Skovran Stages the Serbian Folk -- Chapter 5 - Mahmoud Reda and the Egyptian Fellahin -- Chapter 6 - Hawaiian Hula, Patrick Makuakane, and Na Lei Hulu I ka Weikiu. 330 $aThis book is about the folk: the folk in folk dance, the folk in folklore, the folk in folk wisdom. When we see folk dance on the stage or in a tourist setting, which is the way in which many of us experience folk dance, the question arises are these the ?real folk? performing their authentic dances? Or are they urban, well trained, carefully-rehearsed professional dancers who make their livelihood as representatives of a specific nation-state acting as the folk? Or something in between? This study delves more deeply into the folk, their origins, their identities in order to know the source of inspiration for ethno identity dances - dances prepared for the stage and the ballroom and for public performances from ballet, state folk dance ensembles and their amateur emulators, immigrant folk dance group performances, and tourist presentations. These dances, unlike modern dance, ballet, or most vernacular dances, always have strong ethnic references. It will also look at a gallery of choreographers and artistic directors across a wide spectrum of dance genres. Anthony Shay is Professor of Dance and Cultural Studies in the Dance Department of Pomona College, Claremont, USA. Anthony is the author of eight monographs, and author or co-author of four volumes. He authored two recent monographs, The Dangerous Lives of Public Entertainers: Dance, Sex, and Entertainment in the Middle East (2014) and Ethno Identity Dances for Sex, Fun, and Profit: Staging Popular Dances Around the World (2016). His latest books are The Moiseyev Dance Company: Dancing Diplomats (2019) and Dance and Authoritarianism (2021). Anthony recently lectured on ?What is Popular Music? What is Persian Popular Music?? at Yale University, First Symposium on Persian Popular Music, January 27, 2018, and ?The History of Staged Folk Dance? at Siamsa Tire, the Irish National Folk Theatre, Tralee, Ireland, May 11, 2018. He was founder, artistic director and choreographer of the Aman Folk Ensemble and the Avaz International Dance Theatre during which time he choreographed over 200 choreographies. Anthony has received several NEA choreographic fellowships, a California Arts Council Lifetime Achievement Award, and a James Irvine Choreography Fellow. 606 $aDance 606 $aPerforming arts 606 $aTheater 606 $aCulture$xStudy and teaching 606 $aCultural property 606 $aDance 606 $aTheatre and Performance Arts 606 $aCultural Studies 606 $aCultural Heritage 615 0$aDance. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aCulture$xStudy and teaching. 615 0$aCultural property. 615 14$aDance. 615 24$aTheatre and Performance Arts. 615 24$aCultural Studies. 615 24$aCultural Heritage. 676 $a306.4846 700 $aShay$b Anthony$0877887 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910683357503321 996 $aFolk Dance and the Creation of National Identities$93087080 997 $aUNINA