LEADER 05689nam 2200757 a 450 001 9910954651303321 005 20240313180145.0 010 $a9781299283770 010 $a1299283772 010 $a9789027272195 010 $a9027272190 024 7 $a10.1075/ill.13 035 $a(CKB)2560000000100030 035 $a(EBL)1144141 035 $a(OCoLC)830160724 035 $a(SSID)ssj0000833957 035 $a(PQKBManifestationID)12370237 035 $a(PQKBTitleCode)TC0000833957 035 $a(PQKBWorkID)10936896 035 $a(PQKB)11094496 035 $a(MiAaPQ)EBC1144141 035 $a(Au-PeEL)EBL1144141 035 $a(CaPaEBR)ebr10672551 035 $a(CaONFJC)MIL459627 035 $a(DE-B1597)721334 035 $a(DE-B1597)9789027272195 035 $a(EXLCZ)992560000000100030 100 $a20130110d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aProsody and iconicity /$fedited by Sylvie Hancil, Daniel Hirst 205 $a1st ed. 210 $aAmsterdam ;$aPhiladelphia $cJohn Benjamins Pub. Co.$d2013 215 $a1 online resource (268 p.) 225 1 $aIconicity in language and literature,$x1873-5037 ;$vv. 13 300 $aDescription based upon print version of record. 311 08$a9789027243492 311 08$a9027243492 320 $aIncludes bibliographical references and index. 327 $aProsody and Iconicity; Editorial page; Title page; LCC data; Table of contents; Introduction; References; Prosodic Iconicity and experiential blending; 1. Introduction; 2. The semiotic scene: Overt and global communication models; 2.1 The 'hearer-only perspective'; 2.2 "Abstract information processing"; 2.3 A third model of communication?; 2.4 Prosodies and experience shaping; 2.4.1 Speech rate, rhythm and tempo; 2.4.2 Audible spectrum: Frequencies codes?; 2.4.3 Phonatory posture imitation through formats (proprioceptive formant analyzer) - speech motor imitation 327 $a3. Conceptual blending framework 3.1 Blending; 3.1.1 Perception; 3.1.2 Levels specificity; 3.1.3 Mono- and inter-modal perceptual integration: "Stroop-effect" and McGurck-MacDonald effect; 3.2 Material anchors; 3.2.1 Speaking and writing; 3.2.2 More material anchoring for speaking and writing; 4. Experiential blending; 4.1 The experiential blending; 4.2 Levels of experiential blending; 4.2.1 First level experiential blending; 4.2.2 Second level experiential blending; 4.3 Experiential blending and iconic emergence; 4.3.1 "Experiencing budget" blend; 4.3.2 "Running-talking" experiential blend 327 $a5. Conclusion 6. Annexes; References; Emotional expressions as communicative signals; 1. Introduction; 1.1 Nature of emotion and emotional expressions; 1.2 An evolutionary perspective; 1.3 A bio-informational dimensions theory; 2. Preliminary BID interpretation of existing data; 2.1 Anger/happiness; 2.1.1 Preliminary evidence; 2.2 Fear; 2.3 Sadness; 2.4 Disgust; 3. New data; 3.1 Experiment 1; 3.1.1 Stimuli; 3.1.2 Subjects and Procedure; 3.1.3 Results; Size perception; Emotion perception; 3.1.4 Findings of Experiment 1; 3.2 Experiment 2; 3.2.1 Stimuli; 3.2.2 Subjects and procedure 327 $a3.2.3 Results 3.2.4 Findings of Experiment 2 and further implications; 4. Parallel encoding of emotional and linguistic information; 5. Conclusions; References; Peak alignment and surprise reading; 1. Introduction; 2. Corpus Analysis (C-ORAL-ROM); 2.1 Material; 2.2 Results; 3. Production test; 3.1 Materials; 3.2 Speakers; 3.3 Procedures; 3.4 Analysis; 3.5 Results; 4. Perception and evaluation test; 4.1 Material; 4.2 Listeners; 4.3 Procedures; 4.4 Results; 5. Discussion; References; Emotional McGurk effect and gender difference - a Swedish study; 1. Background; 2. Research questions; 3. Method 327 $a4. Method of analysis 5. Results; 6. Summary; 7. Discussion; 8. Complicating factors in perception experiments; References; Beyond the given; 1. Introduction; 2. Theory and methodology; 2.1 Prosody defined; 2.2 The Theory of enunciative operations; 2.3 What is pertinent, what is not - or less so?; 3. Pilot corpus; 3.1 Going beyond "given" as opposed to "new" information; 3.2 The Diary corpus; 3.3 The Maps corpus; 3.4 The initial term in a series; 3.5 The presentation of an item as a continuous series; 4. The given and beyond; 4.1 Unaccented items 327 $a4.2 The personal pronoun "she" - referent external to the dialogic couple 330 $aThe benefit of prosodic and additional spectral over exclusively cepstral feature information is investigated for the recognition of phonemes in eight different speaking styles reaching from informal to formal. As prosodic information is best analyzed on a supra-segmental level, the whole temporal context of a phoneme is exploited by application of statistical functionals. 521 acoustic features are likewise obtained and evaluated per descriptor and functional by either de-correlating floating search feature evaluation or classification performance: The classifier of choice are Support Vector M 410 0$aIconicity in language and literature ;$vv. 13. 606 $aIconicity (Linguistics) 606 $aVersification 606 $aLanguage and languages 615 0$aIconicity (Linguistics) 615 0$aVersification. 615 0$aLanguage and languages. 676 $a414/.6 701 $aHancil$b Sylvie$01193292 701 $aHirst$b Daniel$0223797 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910954651303321 996 $aProsody and iconicity$94344147 997 $aUNINA LEADER 00947nam0-22002891i-450 001 990004444060403321 005 20250928145832.0 035 $a000444406 035 $aFED01000444406 035 $a(Aleph)000444406FED01 100 $a19990530d1916----km-y0itay50------ba 101 0 $afre 102 $aFR 105 $ay-------001yy 200 1 $aBenevent sous la domination de Talleyrand et le gouvernement de Louis De Beer 1806-1815$fAugustin Marie Pierre Ingold 210 $aParis$cPierre Tequi$d1916 215 $aXVI, 389 p.$d19 cm 300 $aIn duplice copia. 700 1$aIngold,$bAugustin Marie Pierre$0177109 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004444060403321 952 $a7/II E 20$bbibl.19399$fFLFBC 952 $a7/II E 20 BIS$bbibl.6632$fFLFBC 959 $aFLFBC 996 $aBenevent sous la domination de Talleyrand et le gouvernement de Louis De Beer 1806-1815$9543275 997 $aUNINA