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Economia$bita 082 0 $a306.3 100 1 $aUrry, John$0143609 245 10$aConsuming places /$cJohn Urry 260 $aLondon ; New York :$bRoutledge,$c1995 300 $avii, 257 p. ;$c24 cm. 490 0 $aInternational library of sociology 650 4$aConsumo$xAspetti sociali 907 $a.b10078745$b17-02-17$c27-06-02 912 $a991000446649707536 945 $aLE025 ECO 306 URR01.01$g1$i2025000037571$lle025$o-$pE0.00$q-$rl$s- $t0$u3$v1$w3$x0$y.i1008955x$z27-06-02 996 $aConsuming places$967829 997 $aUNISALENTO 998 $ale025$b01-01-98$cm$da $e-$feng$guk $h0$i1 LEADER 03245nam 22007693u 450 001 9910787875103321 005 20230803195505.0 010 $a0-7486-8585-5 024 7 $a10.1515/9780748685851 035 $a(CKB)2670000000544900 035 $a(EBL)1641599 035 $a(OCoLC)871508643 035 $a(SSID)ssj0001153213 035 $a(PQKBManifestationID)11647942 035 $a(PQKBTitleCode)TC0001153213 035 $a(PQKBWorkID)11152077 035 $a(PQKB)10034696 035 $a(MiAaPQ)EBC1641599 035 $a(DE-B1597)614951 035 $a(DE-B1597)9780748685851 035 $a(EXLCZ)992670000000544900 100 $a20151026d2014|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBannockburns$b[electronic resource] $eScottish Independence and Literary Imagination, 1314-2014 210 $aEdinburgh $cEdinburgh University Press$d2014 215 $a1 online resource (289 p.) 300 $aDescription based upon print version of record. 311 $a0-7486-8583-9 327 $a""Title Page""; ""Imprint""; ""Contents""; ""Acknowledgements""; ""Introduction""; ""1 Writing Bannockburn""; ""2 Burns and Bannockburns""; ""3 Beyond Scotland""; ""4 Difficult Modern Scots""; ""5 Voting for a Scottish Democracy""; ""Notes""; ""Index"" 330 $a How writers have imagined the idea of Scottish independence over 700 years Poet and critic Robert Crawford explores in eloquent detail the literary-cultural background to Scottish nationalism in the lead-up to the referendum on independence for Scotland in September 2014. He begins with the totemic Battle of Bannockburn in 1314, in which the Scots routed the English and preserved their independence until the two nations peacefully united in 1707. Continuing up to the present day, he examines how writers have set out in poetry, fiction, plays and on film the ideal of Scottish independence. 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Rowland 205 $aPilot project. eBook available to selected US libraries only 210 1$aCambridge, Massachusetts ;$aLondon, England :$cHarvard University Press,$d2014. 210 4$d©2014 215 $a1 online resource (353 p.) 300 $aDescription based upon print version of record. 311 0 $a0-674-04793-1 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tMap --$tIntroduction: Naples, 1962 --$t1 Pompeii, May 2013 --$t2 The Blood of San Gennaro and the Eruption of Vesuvius --$t3 Before Pompeii: Kircher and Holste --$t4 Mr. Freeman Goes to Herculaneum --$t5 The Rediscover y of Pompeii --$t6 Wolfgang Amadeus Mozart --$t7 Further Excavations --$t8 Karl Bryullov --$t9 Railway Tourism --$t10 Charles Dickens and Mark Twain --$t11 Giuseppe Fiorelli, the ?Pope? of Pompeii --$t12 Bartolo Longo --$t13 The Social Role of Tourist Cameos --$t14 Pierre- Auguste Renoir --$t15 The Legacy of August Mau --$t16 Crown Prince Hirohito of Japan --$t17 Don Amedeo Maiuri --$t18 Roberto Rossellini and Ingrid Bergman --$t19 Autobus Gran Turismo --$tCoda: Atomic Pizza --$tNotes --$tBibliography --$tAcknowledgments --$tIndex 330 $aWhen Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations. The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman. 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