LEADER 00801nam1 22002411i 450 001 SUN0040025 005 20060112120000.0 100 $a20060112f |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aRadio Aids$fS. E. T. Taylor e H. A. Parmar$grevisionato da R. Underdown 210 $aMilano$cEdizioni didattiche aeronautiche 215 $av.$d22 cm. 463 \1$1001SUN0040027$12001 $a<<3: >>Radio/radar assistenze alla navigazione aerea 620 $dMilano$3SUNL000284 700 1$aTaylor$b, S. E. T.$3SUNV007191$0730664 701 1$aPamar$b, H. A.$3SUNV033184$0730663 712 $aEdizioni didattiche aeronautiche$3SUNV004165$4650 801 $aIT$bSOL$c20181109$gRICA 912 $aSUN0040025 996 $aRadio Aids$91406097 997 $aUNICAMPANIA LEADER 01170nam0-22003731i-450 001 990004096880403321 005 20201203104940.0 035 $a000409688 035 $aFED01000409688 035 $a(Aleph)000409688FED01 035 $a000409688 100 $a19990604d1971----km-y0itay50------ba 101 1 $aita$cger 102 $aIT 105 $ay---c---001yy 200 1 $aIntroduzione alla sociologia della musica$fTheodor W. Adorno$gintroduzione di Luigi Rognoni$gtraduzione di Giacomo Manzoni 210 $aTorino$cGiulio Einaudi editore$d1971 215 $aXXII, 272 p.$d18 cm 225 1 $aPiccola biblioteca Einaudi$v160 610 0 $aMusica$aAspetti sociali 676 $a780.03$v21 676 $a306.4842$v22$zita 700 1$aAdorno,$bTheodor Wiesengrund$f<1903-1969>$033732 702 1$aManzoni,$bGiacomo$f<1932- > 702 1$aRognoni,$bLuigi$f<1913-1986> 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004096880403321 952 $a780.03 ADO 1$b2597$fFLFBC 952 $a306.4842 ADO 1$b2155$fBFS$mBFS 959 $aFLFBC 959 $aBFS 996 $aEinleitung in die Musiksoziologie$931560 997 $aUNINA LEADER 02075nam 2200589 450 001 9910164992403321 005 20200520144314.0 010 $a3-11-140040-9 024 7 $a10.1515/9783111400402 035 $a(CKB)3710000000455908 035 $a(SSID)ssj0001595076 035 $a(PQKBManifestationID)16287905 035 $a(PQKBTitleCode)TC0001595076 035 $a(PQKBWorkID)14880965 035 $a(PQKB)11472821 035 $a(MiAaPQ)EBC4804295 035 $a(DE-B1597)86635 035 $a(OCoLC)979643159 035 $a(DE-B1597)9783111400402 035 $a(Au-PeEL)EBL4804295 035 $a(CaPaEBR)ebr11344832 035 $a(CaONFJC)MIL939568 035 $a(OCoLC)973834621 035 $a(EXLCZ)993710000000455908 100 $a20170224h19661966 uy p 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNature redeemed $ethe imitation of order in three renaissance poems /$fby Eric Laguardia 205 $aReprint 2015 210 1$aHague, [Netherlands] ;$aParis, [France] :$cMouton & Co., Publishers,$d1966. 210 4$dİ1966 215 $a1 online resource (184 pages) 225 0 $aStudies in English Literature ;$v31 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-11-103754-1 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $tINTRODUCTION -- $tI. NATURE AND SPIRIT -- $tII. THE IMITATION OF NATURE -- $tIII. SPENSER -- $tIV. MILTON'S COMUS -- $tV. SHAKESPEARE'S ALL'S WELL THAT ENDS WELL -- $tCONCLUSION -- $tBIBLIOGRAPHY (of works cited or consulted) -- $tINDEX 606 $aEnglish poetry$yEarly modern, 1500-1700$xHistory and criticism 608 $aElectronic books. 615 0$aEnglish poetry$xHistory and criticism. 676 $a821.309 700 $aLaguardia$b Eric$01057541 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910164992403321 996 $aNature redeemed$92492936 997 $aUNINA