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Smith discusses soil taxonomy /$fGuy D. Smith ; editor, James F. Brasfield 210 1$aMadison, Wisconsion :$cSoil Science Society of America,$d1984. 215 $a1 online resource (42 pages) 311 $a0-89118-971-8 606 $aSoils$vClassification 606 $aSoil surveys 615 0$aSoils 615 0$aSoil surveys. 676 $a631.44 700 $aSmith$b Guy D.$0156402 702 $aBrasfield$b James F. 801 0$bWaSeSS 801 1$bWaSeSS 906 $aBOOK 912 $a9910642814303321 996 $aGuy D. 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Uroskie 210 1$aChicago : $cUniversity of Chicago Press, $d[2014] 210 4$d©2014 215 $a1 online resource (284 p.) 300 $aDescription based upon print version of record. 311 08$a9780226842998 311 08$a0226842991 311 08$a9780226842981 311 08$a0226842983 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction: From Medium to Site -- $t1. Rhetorics of Expansion -- $t2. Leaving the Movie Theater -- $t3. Moving Images in the Gallery -- $t4. Cinema on Stage -- $t5. The Festival, the Factory, and Feedback -- $tEpilogue: The Homelessness of the Moving Image -- $tNotes -- $tIllustration Credits -- $tIndex 330 $aToday, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the "black box" of the movie theater and the "white cube" of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art. 606 $aArt and motion pictures 606 $aArt, Modern 606 $aArt, Modern$y20th century 615 0$aArt and motion pictures. 615 0$aArt, Modern. 615 0$aArt, Modern 676 $a700.9/045 700 $aUroskie$b Andrew V., $4aut$4http://id.loc.gov/vocabulary/relators/aut$0773069 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910965378403321 996 $aBetween the black box and the white cube$91728731 997 $aUNINA