LEADER 01066nas 2200385 c 450 001 9910304540903321 005 20171201120907.0 011 $a1880-9871 035 $a(CKB)1000000000289498 035 $a(OCoLC)496161107 035 $a(DE-101)987679376 035 $a(DE-599)ZDB2412252-X 035 $a(EXLCZ)991000000000289498 100 $a20080225a20079999 |y | 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aJournal of solid mechanics and materials engineering$fthe Japan Society of Mechanical Engineers 210 31$aTokyo$cSoc.$d2007- 215 $aOnline-Ressource 300 $aGesehen am 25.02.08 608 $aZeitschrift$2gnd-content 676 $a670 676 $a530 676 $a620 712 02$aNihon-Kikai-Gakkai$4isb 801 0$b0089 801 1$bDE-101 801 2$b9999 906 $aJOURNAL 912 $a9910304540903321 996 $aJournal of solid mechanics and materials engineering$91920591 997 $aUNINA LEADER 00895nam0-22003131i-450 001 990004078490403321 005 20230307150847.0 010 $a0819134813 010 $a0819134805 035 $a000407849 100 $a19990530d1983----km-y0itay50------ba 101 0 $aeng 105 $ayf y 001yy 200 1 $aTacitus Annals 11 and 12$f[a cura di] Herbert W. Benario 210 $aNew York$aLondon$cLanham$d1983 215 $aVI, 241 p.$d20 cm 225 1 $a<>Classical world special series$v3 676 $a870.01 676 $a878 676 $a937 700 1$aTacitus,$bPublius Cornelius$f$05717 702 1$aBenario,$bHerbert W. 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004078490403321 952 $aP2B 650 TACITUS 402 (1983)$bDDS.1120$fFLFBC 959 $aFLFBC 996 $aTacitus Annals 11 and 12$93035931 997 $aUNINA LEADER 03567nam 2200601Ia 450 001 9910781128903321 005 20230725051617.0 010 $a1-280-69765-2 010 $a9786613674616 010 $a0-8093-8571-6 035 $a(CKB)2550000000019124 035 $a(EBL)1354461 035 $a(OCoLC)649913253 035 $a(SSID)ssj0000484633 035 $a(PQKBManifestationID)11325698 035 $a(PQKBTitleCode)TC0000484633 035 $a(PQKBWorkID)10594462 035 $a(PQKB)10366289 035 $a(MdBmJHUP)muse3521 035 $a(Au-PeEL)EBL1354461 035 $a(CaPaEBR)ebr10394919 035 $a(CaONFJC)MIL367461 035 $a(MiAaPQ)EBC1354461 035 $a(EXLCZ)992550000000019124 100 $a20090605d2010 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGhost light$b[electronic resource] $ean introductory handbook for dramaturgy /$fMichael Mark Chemers 210 $aCarbondale $cSouthern Illinois University Press$d2010 215 $a1 online resource (233 p.) 225 1 $aTheater in the Americas 300 $aDescription based upon print version of record. 311 $a0-8093-2952-2 320 $aIncludes bibliographical references and index. 327 $aPhilosophy. What the #$%@ is a dramaturg? Asking questions -- What kind of person becomes a dramaturg? -- Forking paths and ghost lights -- Historicizing dramaturgy -- Origins -- Dramaturgy in history -- Exercises -- Power plays -- Drama as dialectic -- Theory capsules -- Exercises -- Analysis. The twelve-step program for script analysts -- The steps -- Exercises -- Form follows function -- Comedy -- Ovidian (episodic) -- Diffused crisis -- Exercises -- Why this play now? doing preliminary research (and a web warning!) -- Writing a production history -- Writing a performance review -- Exercises -- Practice -- New plays -- Working with playwrights: forging an alliance -- Maintaining boundaries -- Devised theatre -- Documentary theatre -- Adaptation -- Exercises -- The company -- Working with the artistic director -- Mission statements -- Representation in rehearsal -- Season selection -- Creating a dossier -- Working with the director -- Working with designers -- Working with actors -- Sidebar: rehearsal etiquette and protocols -- Table work -- Exercises -- Audiences -- The front line -- Publicity -- Education -- Program notes -- Lobby displays -- Preshows and postshow talkbacks -- Blogs -- Exercises. 330 $aGhost Light: An Introductory Handbook for Dramaturgy offers useful and entertaining answers to the confounding questions: "What, exactly, is dramaturgy, and what does a dramaturg do?" According to Michael Mark Chemers, dramaturgs are the scientists of the theater world-their primary responsibility is to query the creative possibilities in every step of the production process, from play selection to costume design, and then research the various options and find ways to transform that knowledge into useful ideas. To say that dramaturgs are well-rounded is an understatement: 410 0$aTheater in the Americas. 606 $aTheater$xProduction and direction 606 $aDrama$xTechnique 615 0$aTheater$xProduction and direction. 615 0$aDrama$xTechnique. 676 $a792.02/3 700 $aChemers$b Michael M$01464044 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781128903321 996 $aGhost light$93673598 997 $aUNINA