LEADER 01070nam0-2200361---450 001 990005573670203316 005 20190403124914.0 035 $a000557367 035 $aUSA01000557367 035 $a(ALEPH)000557367USA01 035 $a000557367 100 $a19981214d1927----|||y0itaa50------ba 101 $aita 102 $ait 105 $a0 00||| 200 1 $a<> crisi della rappresentanza$eintroduzione alla critica fascista dello stato moderno$fRaffaele Di Lauro 210 $aMessina$cG.Coletta e figlio$d1927 215 $aVIII, 243 p.$d20 cm. 606 $aSTATO$xCONCEZIONE FASCISTA$2F 620 $dMESSINA 676 $a320.533 700 1$aDI_LAURO,$bRaffaele$068074 801 0$aIT$bSA$c20111219 912 $a990005573670203316 950 0$aDipar.to di Filosofia - Salerno$dDFCC 320.533 DIL$e108 FIL 951 $aCC 320.533 DIL$b108 FIL 959 $aBK 969 $aFIL 979 $c20121027$lUSA01$h1525 979 $c20121027$lUSA01$h1614 996 $aCrisi della rappresentanza$9658306 997 $aUNISA NUM $aSA0000160 LEADER 00970nam0-22003491i-450 001 990003784120403321 005 20230118124145.0 010 $a88-420-4820-8 035 $a000378412 035 $aFED01000378412 035 $a(Aleph)000378412FED01 100 $a20001010d1996----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a<>pensiero meridiano$fFranco Cassano 210 $aBari$cLaterza$d1996 215 $a141 p.$d21 cm 225 1 $aSagittari Laterza$v94 610 0 $aItalia meridionale$aCondizioni sociali e cultura 610 0 $aModernità$aItalia meridionale 676 $a306.09457 700 1$aCassano,$bFranco$f<1943- >$0119189 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003784120403321 952 $a306.09457 CAS 1$b5172 952 $aLEPORE 510$bLEPORE 510$fFARBC 959 $aBFS 959 $aFARBC 996 $aPensiero meridiano$9156960 997 $aUNINA LEADER 03215nam 2200661 450 001 9910815137003321 005 20230607232319.0 010 $a3-11-089987-6 024 7 $a10.1515/9783110899870 035 $a(CKB)3390000000034271 035 $a(EBL)3043060 035 $a(OCoLC)922946148 035 $a(SSID)ssj0001035011 035 $a(PQKBManifestationID)11568681 035 $a(PQKBTitleCode)TC0001035011 035 $a(PQKBWorkID)11028923 035 $a(PQKB)10002620 035 $a(MiAaPQ)EBC3043060 035 $a(DE-B1597)56111 035 $a(OCoLC)979764771 035 $a(DE-B1597)9783110899870 035 $a(Au-PeEL)EBL3043060 035 $a(CaPaEBR)ebr10755238 035 $a(EXLCZ)993390000000034271 100 $a20020419d2002 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aSigns of music $ea guide to musical semiotics /$fby Eero Tarasti 205 $aReprint 2012 210 1$aBerlin ;$aNew York :$cMouton de Gruyter,$d2002. 215 $a1 online resource (232 p.) 225 0 $aApproaches to Applied Semiotics [AAS] ;$v3 300 $aDescription based upon print version of record. 311 0 $a3-11-017227-5 311 0 $a3-11-017226-7 320 $aIncludes bibliographical references (pages [201]-217) and index. 327 $tFront matter --$tForeword --$tContents --$tPart one: Music as sign --$tChapter 1. Is music sign? --$tChapter 2. Signs in music history, history of music semiotics --$tChapter 3. Signs as acts and events: On musical situations --$tPart two: Gender, biology, and transcendence --$tChapter 4. Metaphors of nature and organicism in music: A "biosemiotic" approach --$tChapter 5. The emancipation of the sign: On corporeal and gestural meanings in music --$tChapter 6. Body and transcendence in Chopin --$tPart three: Social and musical practices --$tChapter 7. Voice and identity --$tChapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians --$tNotes --$tReferences --$tName index 330 $aMusic is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology. 410 0$aApproaches to Applied Semiotics [AAS] 606 $aMusic$xPhilosophy and aesthetics 606 $aMusic$xSemiotics 606 $aSymbolism in music 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aMusic$xSemiotics. 615 0$aSymbolism in music. 676 $a780/.1/4 686 $aLR 56820$qSEPA$2rvk 700 $aTarasti$b Eero$01109137 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815137003321 996 $aSigns of music$93944323 997 $aUNINA