LEADER 00777nam0-22002771i-450- 001 990003000920403321 010 $a0-521-58639-9 035 $a000300092 035 $aFED01000300092 035 $a(Aleph)000300092FED01 035 $a000300092 100 $a20010523d2001----km-y0itay50------ba 101 0 $aeng 200 1 $aEconomics and culture$fDavid Throsby 210 $aCambridge$cCambridge University Press$d2001 215 $aXV, 208 p.$d22 cm 610 0 $aEconomia$aAspetti sociologici 610 0 $aCultura$aAspetti economici 700 1$aThrosby,$bDavid$0118137 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003000920403321 952 $aB/1.0 THR$b19240$fSES 959 $aSES 996 $aEconomics and culture$915290 997 $aUNINA LEADER 02883nam 2200589Ia 450 001 9910460017003321 005 20200520144314.0 010 $a0-8166-7085-4 035 $a(CKB)2670000000037622 035 $a(EBL)565760 035 $a(OCoLC)655829808 035 $a(SSID)ssj0000415545 035 $a(PQKBManifestationID)11262069 035 $a(PQKBTitleCode)TC0000415545 035 $a(PQKBWorkID)10411278 035 $a(PQKB)10920172 035 $a(MiAaPQ)EBC565760 035 $a(MdBmJHUP)muse38956 035 $a(Au-PeEL)EBL565760 035 $a(CaPaEBR)ebr10408643 035 $a(CaONFJC)MIL523137 035 $a(EXLCZ)992670000000037622 100 $a20090709d2009 ub 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 14$aThe decolonized eye$b[electronic resource] $eFilipino American art and performance /$fSarita Echavez See 210 $aMinneapolis $cUniversity of Minnesota Press$d2009 215 $a1 online resource (255 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-5319-4 311 $a0-8166-5318-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Foreign in a domestic sense -- Staging the sublime. An open wound : Angel Shaw and Manuel Ocampo -- A queer horizon : Paul Pfeiffer's disintegrating figure studies -- Pilipinos are punny, Freud is Filipino. Why Filipinos make pun(s) of one another : the Sikolohiya/psychology of Rex Navarrete's stand-up comedy -- "He will not always say what you would have him say": loss and aural (be)longing in Nicky Paraiso's House/boy -- Conclusion: Reanne Estrada, identity, and the politics of abstraction. 330 $aFrom the late 1980's to the present, artists of Filipino descent in the United States have produced a challenging and creative movement. In The Decolonized Eye, Sarita Echavez See shows how these artists have engaged with the complex aftermath of U.S. colonialism in the Philippines.Focusing on artists working in New York and California, See examines the overlapping artistic and aesthetic practices and concerns of filmmaker Angel Shaw, painter Manuel Ocampo, installation artist Paul Pfeiffer, comedian Rex Navarrete, performance artist Nicky Paraiso, and sculptor Reanne Estrada to explain the rea 517 3 $aFilipino American art and performance 606 $aFilipino American arts 606 $aPostcolonialism and the arts$zUnited States 608 $aElectronic books. 615 0$aFilipino American arts. 615 0$aPostcolonialism and the arts 676 $a700.9/045 700 $aSee$b Sarita Echavez$0980821 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460017003321 996 $aThe decolonized eye$92238250 997 $aUNINA