LEADER 00726nam0-22002531i-450- 001 990002776990403321 035 $a000277699 035 $aFED01000277699 035 $a(Aleph)000277699FED01 035 $a000277699 100 $a20000920d1955----km-y0itay50------ba 101 1$aENG 200 1 $aFinancial and Administrative Accounting.$fby ASHBURNE J.G. SMITH C.A. 210 $aNew York$cMcGraw-Hill$d1955. 700 1$aAshburne,$bJim G.$0105561 702 1$aSmith,$bCharles Aubrey 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002776990403321 952 $a4---2---24.1$bS.I.$fECA 959 $aECA 996 $aFinancial and Administrative Accounting$9423445 997 $aUNINA DB $aING01 LEADER 03829nam 22006614a 450 001 9910972681403321 005 20200520144314.0 010 $a9786611959531 010 $a9781281959539 010 $a1281959537 010 $a9780226142319 010 $a0226142310 024 7 $a10.7208/9780226142319 035 $a(CKB)1000000000707881 035 $a(EBL)432209 035 $a(OCoLC)370375671 035 $a(SSID)ssj0000162149 035 $a(PQKBManifestationID)11153371 035 $a(PQKBTitleCode)TC0000162149 035 $a(PQKBWorkID)10199900 035 $a(PQKB)10900051 035 $a(MiAaPQ)EBC432209 035 $a(DE-B1597)535587 035 $a(DE-B1597)9780226142319 035 $a(Au-PeEL)EBL432209 035 $a(CaPaEBR)ebr10273772 035 $a(CaONFJC)MIL195953 035 $a(Perlego)1853055 035 $a(EXLCZ)991000000000707881 100 $a20040301d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGeorge Inness and the science of landscape /$fRachael Ziady DeLue 205 $a1st ed. 210 $aChicago $cUniversity of Chicago Press$dc2004 215 $a1 online resource (xv, 317 pages) $cillustrations (some color) 311 0 $a9780226142296 311 0 $a0226142299 320 $aIncludes bibliographical references and index. 327 $aGeorge Inness, metaphysician -- The struggle of vision -- Painting from memory -- Painting unity -- Painting the past -- The plight of allegory -- The mathematics of psychology -- "We must work our way to paradise." 330 $aGeorge Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry-including optics, psychology, physiology, and mathematics-with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape-the first in-depth examination of Inness's career to appear in several decades-demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies. 606 $aLandscape painting, American$y19th century 606 $aSpirituality in art 615 0$aLandscape painting, American 615 0$aSpirituality in art. 676 $a759.13 700 $aDeLue$b Rachael Ziady$01814058 701 $aInness$b George$f1825-1894.$0844335 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910972681403321 996 $aGeorge Inness and the science of landscape$94367647 997 $aUNINA