LEADER 00915nam0-22003011i-450- 001 990002509600403321 010 1$a883860603X 035 $a000250960 035 $aFED01000250960 035 $a(Aleph)000250960FED01 035 $a000250960 100 $a20000920d1986----km-y0itay50------ba 101 1$aENG 200 1 $a<>Sistema Operativo UNIX$fHenry McGilton$gRachel Morgan. - Traduzione di Anna Anto la e Nello Scarabottolo. 210 $aMilano$cMcGraw-Hill$d1986. 215 $a605 p.$d24 cm 300 $aTitolo originale : "Introducing the UNIX System" 610 0 $aInformatica, Linguaggi di programmazione 700 1$aMcGilton,$bHenry$013848 702 1$aMorgan,$bRachel 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002509600403321 952 $aVII-B-32$b279$fMAS 959 $aMAS 996 $aSistema operativo Unix$9118676 997 $aUNINA DB $aING01 LEADER 01219nam--2200421---450- 001 990002450890203316 005 20090612125730.0 010 $a0-415-91704-2 035 $a000245089 035 $aUSA01000245089 035 $a(ALEPH)000245089USA01 035 $a000245089 100 $a20050713d1996----km-y0itay0103----ba 101 $aeng 102 $aUS 105 $aa|||||||001yy 200 1 $aDouble exposures$ethe subject of cultural analysis$fMieke Bal$gwith Das Geschichte an der Wand$fEdwin Janssen 210 $aNew York ; London$cRoutledge$d1996 215 $aXIV, 338 p.$cill.$d23 cm 410 0$12001 423 $a<> Geschichte an der Wand 454 1$12001 461 1$1001-------$12001 606 0 $aComunicazione e cultura 606 0 $aMusei$xAspetti sociali 676 $a306 700 1$aBAL,$bMieke$0131246 702 1$aJANSSEN,$bEdwin 801 0$aIT$bsalbc$gISBD 912 $a990002450890203316 951 $aVII.5.65$b7188 DSLL 959 $aBK 969 $aDSLL 979 $aDSLL1$b90$c20050713$lUSA01$h1407 979 $aDSLL1$b90$c20050713$lUSA01$h1413 979 $aDSLL$b90$c20090612$lUSA01$h1257 996 $aDouble exposures$91058090 997 $aUNISA LEADER 00661nam0-22002531i-450 001 990001709640403321 005 20240117123831.0 100 $a20030910d1982----km-y0itay50------ba 101 0 $aita 102 $aIT 200 1 $a<>camelie$fPier Luigi Ghisleni 210 $aBologna$cEdagricole$d1982 215 $a237 p.$d19 cm 610 0 $aCamelie 676 $a635.9$v3 700 1$aGhisleni,$bPier Luigi$071227 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001709640403321 952 $a60 635.933 GHIP 1982$b48393$fFAGBC 952 $aA PAT 483$b144/2024$fFAGBC 959 $aFAGBC 996 $aCamelie$9359475 997 $aUNINA LEADER 03835nam 2200889Ia 450 001 9910788209903321 005 20220204052634.0 010 $a0-8232-5235-3 010 $a0-8232-5236-1 010 $a0-8232-5280-9 010 $a0-8232-5173-X 024 7 $a10.1515/9780823252367 035 $a(CKB)3170000000060609 035 $a(EBL)3239794 035 $a(SSID)ssj0000836266 035 $a(PQKBManifestationID)11457667 035 $a(PQKBTitleCode)TC0000836266 035 $a(PQKBWorkID)11007715 035 $a(PQKB)11104870 035 $a(StDuBDS)EDZ0000292598 035 $a(MiAaPQ)EBC3239794 035 $a(OCoLC)847623349 035 $a(MdBmJHUP)muse22198 035 $a(DE-B1597)554963 035 $a(DE-B1597)9780823252367 035 $a(MiAaPQ)EBC1132257 035 $a(Au-PeEL)EBL3239794 035 $a(CaPaEBR)ebr10667443 035 $a(OCoLC)923763903 035 $a(Au-PeEL)EBL1132257 035 $a(CaPaEBR)ebr11198325 035 $a(OCoLC)915134858 035 $a(MiAaPQ)EBC4704618 035 $a(EXLCZ)993170000000060609 100 $a20130206d2013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aTrials of Arab modernity$b[electronic resource] $eliterary affects and the new political /$fTarek El-Ariss 205 $a1st ed. 210 $aNew York $cFordham University Press$d2013 215 $a1 online resource (248 p.) 300 $aDescription based upon print version of record. 311 0 $a0-8232-5172-1 311 0 $a0-8232-5171-3 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tNote on Translation and Transliteration --$t1. Introduction --$t2. Fantasy of the Imam --$t3. Aversion to Civilization --$t4. Staging the Colonial Encounter --$t5. Majnun Strikes Back --$t6. Hacking the Modern --$t7. Conclusion --$tNotes --$tGlossary --$tBibliography --$tIndex 330 $aChallenging prevalent conceptualizations of modernity?which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation?this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa?a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy. In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction. 606 $aArabic literature$y20th century$xHistory and criticism 606 $aArabic literature$y21st century$xHistory and criticism 606 $aLiterature, Experimental$zArab countries$xHistory and criticism 606 $aModernism (Literature)$zArab countries 610 $aAffect Theory. 610 $aAhmad Faris al-Shidyaq. 610 $aAhmed Alaidy. 610 $aArab Spring. 610 $aArabic Literature. 610 $aHanan al-Shaykh. 610 $aNahda. 610 $aRifa'a al-Tahtawi. 610 $aTayeb Salih. 610 $aTravel Literature. 615 0$aArabic literature$xHistory and criticism. 615 0$aArabic literature$xHistory and criticism. 615 0$aLiterature, Experimental$xHistory and criticism. 615 0$aModernism (Literature) 676 $a892.7/09006 700 $aEl-Ariss$b Tarek$01520784 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788209903321 996 $aTrials of Arab modernity$93759557 997 $aUNINA