LEADER 00905nam0-22003011i-450- 001 990006939250403321 005 20010725 035 $a000693925 035 $aFED01000693925 035 $a(Aleph)000693925FED01 035 $a000693925 100 $a20010725d1962----km-y0itay50------ba 101 0 $afre$aara 102 $aFR 105 $ay-------001yy 200 1 $aHistoire du droit de l'Église maronite$htome 1.$iles conciles des XVIe et XVIIe siècles$fpar Joseph Feghali$gpréface de Jean Dauvillier 210 $aParis$cLetouzey et Ané$d1962- 215 $av.$d24 cm 676 $a270$v20$zita 700 1$aFeghali,$bJoseph$0255493 702 1$aDauvillier,$bJean 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006939250403321 952 $aUNIVERSITÀ 242$b67804$fFGBC 959 $aFGBC 996 $aHistoire du droit de l'Église maronite$9628553 997 $aUNINA LEADER 01178nam0-22003371i-450- 001 990002015080403321 005 20070417130041.0 035 $a000201508 035 $aFED01000201508 035 $a(Aleph)000201508FED01 035 $a000201508 100 $a20030910d1934----km-y0itay50------ba 101 0 $ager 102 $aDE 105 $aa---j---001yy 200 1 $aKrebstiere oder Crustacea. 1, Ruderfusser oder Copepoda$e4. Monstrilloida, 5. Notodelphyoida, 6. Caligoida, 7. Lernaeoida$fOtto Pesta 210 $aJena$cGustav Fischer$d1934 215 $a68 p.$cill.$d26 cm 225 1 $a<>Tierwelt Deutschlands und der angrenzenden Meeresteile nach ihren Merkmalen und nach ihrer Lebensweise$fbegründet von Friedrich Dahl$v29 610 0 $aCrostacei$aCopepoda 676 $a595.34 700 1$aPesta,$bOtto$085354 702 1$aDahl,$bFriedrich$f<1856-1929> 801 0$aIT$bUNINA$gRICA$2UNIMARC 830 $aCodice identificativo: IT\ICCU\UFI?848 901 $aBK 912 $a990002015080403321 952 $a61 III F.1/20$b2823$fDAGEN 959 $aDAGEN 996 $aKrebstiere oder Crustacea. 1, Ruderfusser oder Copepoda$9405557 997 $aUNINA LEADER 02697nam 22005415 450 001 9910300035203321 005 20240326102554.0 010 $a9783319727424 010 $a3319727427 024 7 $a10.1007/978-3-319-72742-4 035 $a(CKB)4100000005116776 035 $a(MiAaPQ)EBC5448128 035 $a(DE-He213)978-3-319-72742-4 035 $a(Perlego)3491781 035 $a(EXLCZ)994100000005116776 100 $a20180705d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a3D Cinematic Aesthetics and Storytelling /$fby Yong Liu 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (226 pages) 311 08$a9783319727417 311 08$a3319727419 330 $aThis book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D's spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book isan investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions. . 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aDigital media 606 $aMotion pictures, American 606 $aFilm and Television Studies 606 $aDigital and New Media 606 $aAmerican Film and TV 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 0$aDigital media. 615 0$aMotion pictures, American. 615 14$aFilm and Television Studies. 615 24$aDigital and New Media. 615 24$aAmerican Film and TV. 676 $a777 700 $aLiu$b Yong$4aut$4http://id.loc.gov/vocabulary/relators/aut$0720834 906 $aBOOK 912 $a9910300035203321 996 $a3D Cinematic Aesthetics and Storytelling$91992547 997 $aUNINA