LEADER 00865nam0-22002771i-450 001 990001842920403321 005 20170309123337.0 035 $a000184292 035 $aFED01000184292 035 $a(Aleph)000184292FED01 035 $a000184292 100 $a20021010d1879----km-y0itay50------ba 101 0 $aita 200 1 $a<>terre della Provincia di Terra di Lavoro$eprofili sopra la costituzione del suolo della provincia. Attinenze della geologiacollo studio del suolo agrario. 210 $aCaserta$cStab. Tip. del Comm. G. Nobile e C.$d1879. 215 $a76 p.$d27 cm 610 0 $aSuolo 676 $a631.41 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001842920403321 952 $a60 MISC. B 40/6$fFAGBC 959 $aFAGBC 996 $aTERRE della provincia di terra di lavoro$9109713 997 $aUNINA DB $aING01 LEADER 02475oam 2200337 450 001 9910420941803321 005 20230621142742.0 035 $a(CKB)4100000011515705 035 $a(NjHacI)994100000011515705 035 $a(EXLCZ)994100000011515705 100 $a20201117c2020uuuu uu 0 101 0 $aeng 135 $auzbu#---u|uuu 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $anc$2rdacarrier 200 14$aThe play in the system $ethe art of parasitical resistance /$fAnna Watkins Fisher 210 1$aLondon :$cDuke University Press,$d2020 215 $a1 online resource (292 pages) $cillustrations; digital, PDF file(s) 320 $aIncludes bibliographical references and index. 327 $aUser be used : leveraging the coercive hospitality of corporate platforms -- An opening in the structure : Nu?ria Gu?ell and Kenneth Pietrobono's legal loopholes -- Hangers-on : Chris Kraus' parasitical feminism -- A seat at the table : feminist performance art's institutional absorption and parasitical legacies -- Coda. It's not you, it's me : Roisin Byrne and the parasite's shifting ethics and politics. 330 $aWhat does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism?tactics of complicity that effect subversion from within hegemonic structures. Fisher tracks the ways in which artists on the margins?from hacker collectives like Ubermorgen to feminist writers and performers like Chris Kraus?have wilfully abandoned the radical scripts of opposition and refusal long identified with anti-capitalism and feminism. Space for resistance is found instead in the mutually, if unevenly, exploitative relations between dominant hosts giving only as much as required to appear generous and parasitical actors taking only as much as they can get away with. The irreverent and often troubling works that result raise necessary and difficult questions about the conditions for resistance and critique under neoliberalism today. 606 $aFeminism in art 615 0$aFeminism in art. 676 $a700.103 700 $aFisher$b Anna Watkins$0972506 801 2$bUkMaJRU 906 $aBOOK 912 $a9910420941803321 996 $aThe play in the system$92211499 997 $aUNINA