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I L 8 (Fondo Sanesi)$g1$i2002000417992$lle002$nV. 1$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i1033323x$z27-06-02 996 $aArchivio Gonzaga di Mantova$9209638 997 $aUNISALENTO 998 $ale002$b01-01-00$cm$da $e-$fita$git $h2$i1 LEADER 03574nam 22005775 450 001 996496562903316 005 20240319200140.0 010 $a0-520-38452-0 024 7 $a10.1525/9780520384521 035 $a(CKB)5690000000030195 035 $a(DE-B1597)627810 035 $a(DE-B1597)9780520384521 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/92626 035 $a(OCoLC)1350572359 035 $a(MiAaPQ)EBC30469316 035 $a(Au-PeEL)EBL30469316 035 $a(EXLCZ)995690000000030195 100 $a20221107h20222022 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAt the Edges of Sleep $eMoving Images and Somnolent Spectators /$fJean Ma 205 $a1st ed. 210 $cUniversity of California Press$d2022 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2022] 210 4$d©2022 215 $a1 online resource (280 p.) 311 $a0-520-38451-2 327 $tFrontmatter --$tContents --$tList of Illustrations --$tAcknowledgments --$t1 Apichatpong Weerasethakul and the Turn to Sleep --$t2 Sleep Must Be Protected --$tPART I: REGARDING SLEEP --$t3 Into the Dark --$t4 Exiting and Entering Early Cinema --$t5 Somnolent Journeys --$t6 Insensate Intimacies --$tPART II: SLEEPING REGARD --$t7 The Regressive Thesis --$t8 Narcotic Reception --$t9 A Little History of Sleeping at the Movies --$t10 Zoning Out --$t11 Circadian Cinemas --$tNotes --$tSelected Bibliography --$tIndex 330 $aMany recent works of contemporary art, performance, and film turn a spotlight on sleep, wresting it from the hidden, private spaces to which it is commonly relegated. At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong?s work, Jean Ma brings together an array of interlocutors?from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol?to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment. 606 $aArt and motion pictures 606 $aDreams in motion pictures 606 $aMotion picture audiences 606 $aSleep$xPsychological aspects 606 $aPERFORMING ARTS / Film & Video / History & Criticism$2bisacsh 610 $asleep; film; dreams in motion pictures; art 615 0$aArt and motion pictures. 615 0$aDreams in motion pictures. 615 0$aMotion picture audiences. 615 0$aSleep$xPsychological aspects. 615 7$aPERFORMING ARTS / Film & Video / History & Criticism. 676 $a791.43/653 700 $aMa$b Jean$4aut$4http://id.loc.gov/vocabulary/relators/aut$01184943 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996496562903316 996 $aAt the Edges of Sleep$92966761 997 $aUNISA