LEADER 01060nam0-22003131i-450 001 990001783730403321 005 20190701134307.0 035 $a000178373 035 $aFED01000178373 035 $a(Aleph)000178373FED01 035 $a000178373 100 $a20021010d1993----km-y0itay50------ba 101 0 $aita 200 1 $aMilk quality, quality of life$eatti del XXVII simposio internazionale di zootecnia, Fiera Internazionale di Milano, 3 Aprile1992$fedizione a cura di Marina Pasquini, Gian Franco Greppi. 210 $aMilano$cSocietā italiana per il progresso della zootecnia$d1993 215 $aXV, 219 p.$d24 cm 610 0 $aLatte 676 $a637.1 702 1$aGreppi,$bGian Franco 702 1$aPasquini,$bMarina 710 12$aSimposio internazionale di zootecnia,$d27.$f<1992 ;$eMilano>$0356663 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001783730403321 952 $a60 637.1 ASIZ 1993$b4552$fFAGBC 959 $aFAGBC 996 $aMilk quality, quality of life$9408058 997 $aUNINA DB $aING01 LEADER 01775oam 2200469 450 001 9910709953303321 005 20180830144551.0 035 $a(CKB)5470000002474733 035 $a(OCoLC)227797227 035 $a(EXLCZ)995470000002474733 100 $a20080512d1993 ua 0 101 0 $aeng 135 $aurgn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aModeling ice passage through an auxiliary lock chamber with a submergible lift gate /$fJon Zufelt, John Rand and Gordon Gooch ; prepared for U.S. Army Engineer District, Rock Island 210 1$aHanover, New Hampshire :$cUS Army Corps of Engineers, Cold Regions Research & Engineering Laboratory,$d1993. 215 $a1 online resource (iii, 13 pages) $cillustrations 225 1 $aSpecial report ;$v93-15 300 $a"June 1993." 320 $aIncludes bibliographical references (pages 12-13). 606 $aIce on rivers, lakes, etc$zMississippi River 606 $aLocks (Hydraulic engineering)$zMississippi River 606 $aHydraulic models 607 $aMississippi River$xNavigation 615 0$aIce on rivers, lakes, etc. 615 0$aLocks (Hydraulic engineering) 615 0$aHydraulic models. 700 $aZufelt$b Jon E.$01408326 702 $aRand$b John H. 702 $aGooch$b Gordon E. 712 02$aUnited States.$bArmy.$bCorps of Engineers.$bRock Island District, 712 02$aCold Regions Research and Engineering Laboratory (U.S.), 801 0$bDTICE 801 1$bDTICE 801 2$bOCLCQ 801 2$bGPO 906 $aBOOK 912 $a9910709953303321 996 $aModeling ice passage through an auxiliary lock chamber with a submergible lift gate$93491917 997 $aUNINA LEADER 03360nam 22007092 450 001 9910812614103321 005 20151005020624.0 010 $a1-107-23502-2 010 $a1-107-30135-1 010 $a1-107-50780-4 010 $a1-107-30557-8 010 $a1-139-01372-6 010 $a1-107-30644-2 010 $a1-107-30864-X 010 $a1-107-31419-4 010 $a1-299-25724-0 035 $a(CKB)2560000000098595 035 $a(EBL)1113058 035 $a(OCoLC)828302523 035 $a(SSID)ssj0000833502 035 $a(PQKBManifestationID)11504748 035 $a(PQKBTitleCode)TC0000833502 035 $a(PQKBWorkID)10936464 035 $a(PQKB)10200451 035 $a(UkCbUP)CR9781139013727 035 $a(MiAaPQ)EBC1113058 035 $a(Au-PeEL)EBL1113058 035 $a(CaPaEBR)ebr10655828 035 $a(CaONFJC)MIL456974 035 $a(EXLCZ)992560000000098595 100 $a20110210d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJohn Cage and David Tudor $ecorrespondence on interpretation and performance /$fMartin Iddon$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (xiii, 225 pages) $cdigital, PDF file(s) 225 1 $aMusic since 1900 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-01432-8 311 $a1-107-31199-3 320 $aIncludes bibliographical references and index. 327 $aThe music of chance -- Correspondence, 1951-1953 -- Determining the determinate -- Determining the indeterminate -- Correspondence, 1958-1962 -- (In)determining the indeterminate -- Correspondence, 1965-1989 -- 'Late' realizations -- Praxis and poiesis in indeterminate music. 330 $aJohn Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles. 410 0$aMusic since 1900. 517 3 $aJohn Cage & David Tudor 606 $aComposers$vCorrespondence 606 $aPianists$vCorrespondence 615 0$aComposers 615 0$aPianists 676 $a780.92/2 700 $aIddon$b Martin$f1975-$01670638 702 $aCage$b John 702 $aTudor$b David$f1926-1996, 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910812614103321 996 $aJohn Cage and David Tudor$94067628 997 $aUNINA