LEADER 00873nam0-22003011i-450 001 990001720540403321 005 20201210114313.0 035 $a000172054 035 $aFED01000172054 035 $a(Aleph)000172054FED01 035 $a000172054 100 $a20030910d1973----km-y0itay50------ba 101 0 $aita 200 1 $a<>cedro (Citrus Medica, L.)$fA. Fersini, A. Giorlando, G. Tuoto$gprefazione del Prof. Dott. Elio Toaff 210 $aBologna$cPatron Ed.$d1973 215 $a233 p.$c3 tav.$d21 cm 610 0 $aCedri 676 $a634.331 700 1$aFersini,$bA.$0355185 701 1$aGiorlando,$bA.$074303 701 1$aTuoto,$bG.$0355186 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001720540403321 952 $a60 634.331 B 1$b589$fFAGBC 959 $aFAGBC 996 $aCedro (Citrus Medica, L.)$91762452 997 $aUNINA LEADER 03380nam 22004812 450 001 9910162772403321 005 20170605111258.0 010 $a1-78204-917-7 024 7 $a10.1515/9781782049173 035 $a(CKB)3710000001044810 035 $a(UkCbUP)CR9781782049173 035 $a(MiAaPQ)EBC4793161 035 $a(DE-B1597)676549 035 $a(DE-B1597)9781782049173 035 $a(EXLCZ)993710000001044810 100 $a20170215d2017|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusic into fiction $ecomposers writing, compositions imitated /$fTheodore Ziolkowski 210 1$aRochester, NY :$cCamden House,$d2017. 215 $a1 online resource (xi, 248 pages) $cdigital, PDF file(s) 225 1 $aStudies in German literature, linguistics, and culture 300 $aTitle from publisher's bibliographic system (viewed on 02 Jun 2017). 311 08$a1-57113-973-7 320 $aIncludes bibliographical references and index. 327 $aPreface -- Prelude: Introduction. First movement: Composers writing. Weber and Hoffmann -- Berlioz and Schumann -- Wagner -- Transition: Nietzsche and the post-Wagnerians. Burgess -- Second movement: compositions imitated. Compositional forms -- Specific compositions -- Finale: composers setting fictional compositions. Leverkuhn's compositions -- Coda: Conclusion. 330 $aThis book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers.

Theodore Ziolkowski is ProfessorEmeritus of German and Comparative Literature, Princeton University.

410 0$aStudies in German literature, linguistics, and culture. 606 $aMusic and literature 606 $aMusicians as authors 615 0$aMusic and literature. 615 0$aMusicians as authors. 676 $a780/.08 700 $aZiolkowski$b Theodore$0175033 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910162772403321 996 $aMusic into fiction$92787739 997 $aUNINA