LEADER 03415nam 22005775 450 001 9910456591603321 005 20210107034240.0 010 $a1-280-49243-0 010 $a9786613587664 010 $a0-8135-4833-0 024 7 $a10.36019/9780813548333 035 $a(CKB)2520000000007912 035 $a(EBL)871481 035 $a(OCoLC)593295661 035 $a(SSID)ssj0000336890 035 $a(PQKBManifestationID)11304050 035 $a(PQKBTitleCode)TC0000336890 035 $a(PQKBWorkID)10289439 035 $a(PQKB)10270887 035 $a(DE-B1597)530077 035 $a(DE-B1597)9780813548333 035 $a(MiAaPQ)EBC871481 035 $a(EXLCZ)992520000000007912 100 $a20191221d2009 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDriven to Darkness $eJewish Emigre Directors and the Rise of Film Noir /$fVincent Brook 210 1$aNew Brunswick, NJ : $cRutgers University Press, $d[2009] 210 4$d©2009 215 $a1 online resource (299 p.) 300 $aDescription based upon print version of record. 311 $a0-8135-4629-X 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $t1. Introduction -- $t2. Jews in Germany: Torn Between Two Worlds -- $t3. Jews and Expressionism: "Performing High and Low" -- $t4. The Father of Film Noir: Fritz Lang -- $t5. Fritz Lang in Hollywood -- $t6. The French Connection: Robert Siodmak -- $t7. Viennese Twins: Billy and Willy Wilder -- $t8. The ABZs of Film Noir: Otto Preminger and Edgar G. Ulmer -- $t9. Woman's Directors: Curtis Bernhardt and Max Ophuls -- $t10. Pathological Noir, Populist Noir, and an Act of Violence: John Brahm, Anatole Litvak, Fred Zinnemann -- $tAppendix: American Film Noirs by Jewish Émigré Directors -- $tNotes -- $tBibliography -- $tIndex 330 $aFrom its earliest days, the American film industry has attracted European artists. With the rise of Hitler, filmmakers of conscience in Germany and other countries, particularly those of Jewish origin, found it difficult to survive and fledùfor their work and their livesùto the United States. Some had trouble adapting to Hollywood, but many were celebrated for their cinematic contributions, especially to the dark shadows of film noir. Driven to Darkness explores the influence of Jewish TmigrT directors and the development of this genre. While filmmakers such as Fritz Lang, Billy Wilder, Otto Preminger, and Edward G. Ulmer have been acknowledged as crucial to the noir canon, the impact of their Jewishness on their work has remained largely unexamined until now. Through lively and original analyses of key films, Vincent Brook penetrates the darkness, shedding new light on this popular film form and the artists who helped create it. 606 $aFilm noir$xHistory and criticism$zUnited States 606 $aJewish motion picture producers and directors$zUnited States 608 $aElectronic books. 615 0$aFilm noir$xHistory and criticism 615 0$aJewish motion picture producers and directors 676 $a791.43/6556 676 $a791.436556 700 $aBrook$b Vincent, $4aut$4http://id.loc.gov/vocabulary/relators/aut.$01027492 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910456591603321 996 $aDriven to Darkness$92473618 997 $aUNINA LEADER 00968nam0-22003011i-450 001 990001467190403321 005 20221117143715.0 035 $a000146719 035 $aFED01000146719 035 $a(Aleph)000146719FED01 035 $a000146719 100 $a20010214d1972----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa---a---001yy 200 1 $a<>guide to marine pollution$eseminar in conjunction with the Fao Technical Conference on marine pollution and its effects on resources and fishing$fcompiled by Edward D. Goldberg 210 $aNew York$cGordon and Breach Science Publishers$dc1972 215 $ax, 168 p.$d25 cm 610 0 $aEcologia marina 676 $a574.5$v22$zita 700 1$aGoldberg,$bEdward G.$0351958 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001467190403321 952 $aBSF-574.5-GOL-1$b.89$fSC1 959 $aSC1 996 $aGuide to marine pollution$9379120 997 $aUNINA LEADER 02832nam 2200625 450 001 9910790829103321 005 20200520144314.0 010 $a1-61148-713-7 010 $a1-61148-546-0 035 $a(CKB)2550000001169882 035 $a(EBL)1580580 035 $a(SSID)ssj0001082603 035 $a(PQKBManifestationID)11682989 035 $a(PQKBTitleCode)TC0001082603 035 $a(PQKBWorkID)11097867 035 $a(PQKB)10426376 035 $a(MiAaPQ)EBC1580580 035 $a(Au-PeEL)EBL1580580 035 $a(CaPaEBR)ebr10819718 035 $a(CaONFJC)MIL551867 035 $a(OCoLC)865655721 035 $a(EXLCZ)992550000001169882 100 $a20131227d2014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBeyond civilization and barbarism $eculture and politics in postrevolutionary Argentina /$fBrendan Lanctot 210 1$aLanham, Maryland ;$aPlymouth, England :$cBucknell University Press,$d2014. 210 4$d©2014 215 $a1 online resource (193 p.) 225 0$aBucknell studies in Latin American literature and theory 300 $aDescription based upon print version of record. 311 $a1-61148-545-2 311 $a1-306-20616-2 320 $aIncludes bibliographical references and index. 327 $aContents; List of Illustrations; Acknowledgments; Note on Translations; Introduction; 1 Writing, Affect, and the Portraiture of Power; 2 Graffiti, Public Opinion, and the Poetics of Politics; 3 Visual Culture and the Limits of Representation; 4 The Machine in the Pampa, or Writing as Technology; Conclusion; Bibliography; Index; About the Author 330 $aBeyond Civilization and Barbarism examines the role of cultural production in the struggle for power in Argentina during the first half of the nineteenth century. Identifying the pueblo, or people, as the common preoccupation of those vying to legitimize competing political projects, it argues that this decisive period of Latin American history was marked by a fundamentally modern debate to define the constitutive parts of the nation. 410 0$aBucknell Studies in Latin American Literature and Theory 606 $aArgentine literature$xHistory and criticism 606 $aLiterature and society$zArgentina 606 $aNational characteristics, Argentine, in literature 615 0$aArgentine literature$xHistory and criticism. 615 0$aLiterature and society 615 0$aNational characteristics, Argentine, in literature. 676 $a982.04 700 $aLanctot$b Brendan$01567172 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790829103321 996 $aBeyond civilization and barbarism$93838371 997 $aUNINA