LEADER 00820nam0-22002651i-450- 001 990001216190403321 035 $a000121619 035 $aFED01000121619 035 $a(Aleph)000121619FED01 035 $a000121619 100 $a20000920d1??-----km-y0itay50------ba 101 1$aeng 200 1 $a<>analytical description of chill, the level language$fby Branquart P. Louis G. Wod on P. 210 $aBerlin [etc.]$cSpringer-Verlag$d1 225 1 $aLecture notes in computer science$v128 700 1$aBranquart,$bPaul$056600 702 1$aLouis,$bGeorges 702 1$aWodon,$bPierre 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001216190403321 952 $aC-16-(128$b6415$fMA1 959 $aMA1 996 $aAnalytical description of chill, the level language$9342951 997 $aUNINA LEADER 03721nam 22007692 450 001 9910958041203321 005 20151005020622.0 010 $a1-107-22108-0 010 $a1-139-06383-9 010 $a1-283-11890-4 010 $a1-139-07623-X 010 $a9786613118905 010 $a1-139-08306-6 010 $a1-139-07051-7 010 $a1-139-07852-6 010 $a1-139-08079-2 010 $a0-511-79162-3 035 $a(CKB)3460000000002655 035 $a(EBL)691960 035 $a(OCoLC)729166647 035 $a(SSID)ssj0000522826 035 $a(PQKBManifestationID)11349591 035 $a(PQKBTitleCode)TC0000522826 035 $a(PQKBWorkID)10528259 035 $a(PQKB)10688038 035 $a(UkCbUP)CR9780511791628 035 $a(MiAaPQ)EBC691960 035 $a(Au-PeEL)EBL691960 035 $a(CaPaEBR)ebr10476533 035 $a(CaONFJC)MIL311890 035 $a(EXLCZ)993460000000002655 100 $a20100616d2011|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGender, race, and mourning in American modernism /$fGreg Forter 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2011. 215 $a1 online resource (vii, 217 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a1-107-00472-1 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- 1. Gender, melancholy, and the whiteness of impersonal form in The Great Gatsby -- 2. Redeeming violence in The Sun Also Rises: phallic embodiment, primitive ritual, fetishistic melancholia -- 3. Versions of traumatic melancholia: the burden of white man's history in Light in August and Absalom, Absalom! -- 4. The Professor's House: primitivist melancholy and the gender of Utopian forms. 330 $aAmerican modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that modernists were engaged in a poignant yet deeply conflicted effort to hold on to socially 'feminine' and racially marked aspects of identity, qualities that the new social order encouraged them to disparage. Examining works by F. Scott Fitzgerald, Ernest Hemingway, William Faulkner and Willa Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial categories that made it difficult for them to work through the loss of the masculinity they mourned. Gender, Race, and Mourning in American Modernism offers a bold reading of canonical modernism in the United States. 517 3 $aGender, Race, & Mourning in American Modernism 606 $aAmerican fiction$y20th century$xHistory and criticism 606 $aModernism (Literature)$zUnited States 606 $aGender identity in literature 606 $aRace in literature 606 $aGrief in literature 615 0$aAmerican fiction$xHistory and criticism. 615 0$aModernism (Literature) 615 0$aGender identity in literature. 615 0$aRace in literature. 615 0$aGrief in literature. 676 $a813/.52093532 686 $aLIT004020$2bisacsh 686 $a18.06$2bcl 700 $aForter$b Greg$01648579 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910958041203321 996 $aGender, race, and mourning in American modernism$94424663 997 $aUNINA