LEADER 00786nam0-22002771i-450- 001 990001092330403321 035 $a000109233 035 $aFED01000109233 035 $a(Aleph)000109233FED01 035 $a000109233 100 $a20000920d1970----km-y0itay50------ba 101 0 $aeng 200 1 $aOptimization Theory for Large Systems$fLeon S. Lasdon 210 $aLondon [etc.]$cMacmillan$d1970 610 0 $aTeoria della programmazione e utilizzazione dei computers 610 0 $aSoftware 676 $a510.78 700 1$aLasdon,$bLeon S.$051987 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001092330403321 952 $a8B-220$b16529$fFI1 959 $aFI1 996 $aOptimization theory for large systems$9334220 997 $aUNINA DB $aING01 LEADER 00964nam0 22002773i 450 001 SUN0073463 005 20100118120000.0 010 $a88-15-07570-4 020 $aIT$b2001 10091 100 $a20100118d2000 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aˆIl ‰cambiamento climatico$fAlessandro Lanza 210 $aBologna$cIl mulino$d2000 215 $a126 p.$d20 cm. 410 1$1001SUN0009479$12001 $a*Farsi un'idea$v51$1210 $aBologna$cIl mulino. 620 $dBologna$3SUNL000003 676 $a363.7392$v21 700 1$aLanza$b, Alessandro$3SUNV007676$0128411 712 $aIl mulino$3SUNV000011$4650 801 $aIT$bSOL$c20191118$gRICA 912 $aSUN0073463 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$d07CONS Yc 1213 $e07 9957 20100118 996 $aCambiamento climatico$9629819 997 $aUNICAMPANIA LEADER 06682oam 2200517 450 001 9910788294903321 005 20190911100029.0 035 $a(OCoLC)907521684 035 $a(MiFhGG)GVRL9CCZ 035 $a(EXLCZ)992670000000609044 100 $a20150127h20152015 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDigital curation in the digital humanities $epreserving and promoting archival and special collections /$fArjun Sabharwal 205 $a1st edition 210 1$aWaltham, MA :$cChandos Publishing,$d[2015] 210 4$d?2015 215 $a1 online resource (xiii, 167 pages) $cillustrations (some color) 225 1 $aChandos Information Professional Series 300 $aDescription based upon print version of record. 311 08$a0-08-100143-6 311 08$a0-08-100178-9 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Series Editor; Digital Curation in the Digital Humanities: Preserving and Promoting Archival and Special Collections; Copyright; Contents; List of figures and tables; About the author; Preface and Acknowledgments; Acknowledgments; Introduction; Conceptualizing the framework for digital curation; 1 - Defining digital curation in the digital humanities context; Foundational definitions for curation; Digital curation; Digital preservation; Lifecycle of digital contents; Levels of curation; Digital humanities data curation; Using linked open data in digital curation; Conclusion 327 $a2 - Archives and special collections in the digital humanitiesDefining the digital humanities; Characteristics of Digital Humanities; Discursive concerns in the digital humanities; The role of archives in the digital humanities; Archives and the linguistic turn; Digital humanities projects involving archives and libraries; Digital humanities project descriptions; Digital humanities curation in the classroom; Conclusion; 3 - Digital history, archives, and curating digital cultural heritage; Defining digital history; Paradigm shifts in archival curation; Digital historiography and archives 327 $aDigital historical representationsHistorical hypertext; Digital history data curation; Digital historiography and digital curation; Conclusion; 4 - Information architecture and hypertextuality: concerns for digital curation; Defining information architecture; Digital curation of hypertextual content; Information architecture and hypertextuality; Spatial, temporal, and ontological dimensions in information architecture; Localized approaches at the Ward M. Canaday Center for special collections; Information architecture for online and hybrid courses in digital humanities; Conclusion 327 $a5 - Digital curation lifecycle in practiceOverview of the DCC curation lifecycle model; Conceptualization and the master plan; Curation of data sets and digital objects; Full lifecycle actions; Preservation planning; Preservation and conservation in the curation lifecycle; Description and representation information; Community watch and participation; Sequential actions; Occasional actions; Conclusion; 6 - Organizational dimensions of digital curation; Knowledge management in digital curation; Knowledge architectures for digital curation; Knowledge transfer in digital curation 327 $aOrganizational contexts for knowledge architecturesConclusion; 7 - Social networks' impact on digital curation; Cross-curation, social curation ecosystems, and cultural heritage; Hypertextuality and ontologies in social media; Social network theory, hypertextuality, and cross-curation; Social networking and Web 2.0 tools in archives; The social curation ecosystem in Toledo's Attic; Conclusion; Afterword; References; Index 330 $aArchives and special collections departments have a long history of preserving and providing long-term access to organizational records, rare books, and other unique primary sources including manuscripts, photographs, recordings, and artifacts in various formats. The careful curatorial attention to such records has also ensured that such records remain available to researchers and the public as sources of knowledge, memory, and identity. Digital curation presents an important framework for the continued preservation of digitized and born-digital collections, given the ephemeral and device-dependent nature of digital content. With the emergence of analog and digital media formats in close succession (compared to earlier paper- and film-based formats) came new standards, technologies, methods, documentation, and workflows to ensure safe storage and access to content and associated metadata. Researchers in the digital humanities have extensively applied computing to research; for them, continued access to primary data and cultural heritage means both the continuation of humanities scholarship and new methodologies not possible without digital technology. Digital Curation in the Digital Humanities, therefore, comprises a joint framework for preserving, promoting, and accessing digital collections. This book explores at great length the conceptualization of digital curation projects with interdisciplinary approaches that combine the digital humanities and history, information architecture, social networking, and other themes for such a framework. The individual chapters focus on the specifics of each area, but the relationships holding the knowledge architecture and the digital curation lifecycle model together remain an overarching theme throughout the book; thus, each chapter connects to others on a conceptual, theoretical, or practical level. theoretical and practical perspectives on digital curation in the digital humanities and history in-depth study of the role of social media and a social curation ecosystem the role of hypertextuality and information architecture in digital curation study of collaboration and organizational dimensions in digital curation reviews of important web tools in digital humanities 410 0$aChandos information professional series. 606 $aDigital preservation 606 $aArchival materials$xConservation and restoration 606 $aHumanities$xDigital libraries 615 0$aDigital preservation. 615 0$aArchival materials$xConservation and restoration. 615 0$aHumanities$xDigital libraries. 676 $a025.84 700 $aSabharwal$b Arjun$0996887 801 0$bMiFhGG 801 1$bMiFhGG 912 $a9910788294903321 996 $aDigital curation in the digital humanities$92285929 997 $aUNINA