LEADER 00967nam0-22003011i-450- 001 990001018580403321 005 20091105155842.0 010 $a3-540-10579-4 035 $a000101858 035 $aFED01000101858 035 $a(Aleph)000101858FED01 035 $a000101858 100 $a20001205d1981----km-y0itay50------ba 101 0 $aeng 200 1 $aGeometry of the Time-Dependent Variational Principle in Quantum Mechanics$fPeter Kramer, Marcos Saraceno 210 $aBerlin [etc.]$cSpringer-Verlag$d1981 225 1 $aLecture notes in physics$v140 610 0 $aGeometria descrittiva, analitica, differenziale 676 $a515 700 1$aKramer,$bPeter$f<1933- >$048356 702 1$aSaraceno,$bMarcos 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001018580403321 952 $a12-081F$b11668$fFI1 959 $aFI1 996 $aGeometry of the Time-Dependent Variational Principle in Quantum Mechanics$9355534 997 $aUNINA LEADER 01138nlm 2200301 a 450 001 996460950003316 005 20220321114902.0 010 $a0-8071-0368-3 100 $a20031027d1978---- uy 0 101 0 $aeng 102 $aUS 135 $adrcnu 200 1 $aDollars over dominion$ethe triumph of liberalism in Mexican-United States relations, 1861-1867$fThomas David Schoonover 210 1 $aBaton Rouge$aLondon$cLouisiana State University Press$d1978 215 $aTesto elettronico (PDF) (XX, 316 p.) 225 2 $aACLS Humanities E-Book 230 $aBase dati testuale 330 $aIl volume racconta l'intricata vicenda delle relazioni tra il governo confederato, quello dell'Unione degli Stati Uniti e i governi costituzionali e imperiali del Messico. 410 0$aACLS Humanities E-Book 606 0 $aStati Uniti d'America$xRelazioni internazionali [con il] Messico$y1861-1867$2BNCF 676 $a327.72073 700 1$aSCHOONOVER,$bThomas David$01213842 801 0$aIT$bcba$cREICAT 912 $a996460950003316 959 $aEB 969 $aER 996 $aDollars over dominion$92803291 997 $aUNISA LEADER 04159nam 22005655 450 001 9910309664903321 005 20200702083605.0 010 $a3-030-02864-X 024 7 $a10.1007/978-3-030-02864-0 035 $a(CKB)4100000007389526 035 $a(DE-He213)978-3-030-02864-0 035 $a(MiAaPQ)EBC5628139 035 $a(PPN)233799052 035 $a(EXLCZ)994100000007389526 100 $a20190102d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDigital Humanities and Film Studies $eVisualising Dziga Vertov's Work /$fby Adelheid Heftberger 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2018. 215 $a1 online resource (XI, 311 p. 191 illus., 91 illus. in color.) 225 1 $aQuantitative Methods in the Humanities and Social Sciences,$x2199-0956 311 $a3-030-02863-1 327 $aChapter 1. Introduction -- Chapter 2. The Measurement of Aesthetic Phenomena -- Chapter 3. Annotation and Statistics -- Chapter 4. Dziga Vertov's Films -- Chapter 5. The filmic structure as visualisation -- Chapter 6. Charts and Diagrams of Dziga Vertov -- Chapter 7. From filmic form to meaning -- Chapter 8. Summary and outlook. 330 $aThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the ?formalists,? developed new concepts of how art could be studied and measured. This book brings those ideas to the digital age. One of the central questions the book intends to address is, ?How can hypothetical notions in film studies be supported or falsified using empirical data and statistical tools?? The first stage involves manual and computer-assisted annotation of the films, leading to the production of empirical data which is then used for statistical analysis but more importantly for the development of visualizations. Studies of this type furthermore shed light on the field of visual presentation of time-based processes; an area which has its origin in the Russian formalist sphere of the 1920s and which has recently gained new relevance due to technological advances and new possibilities for computer-assisted analysis of large and complex data sets. In order to reach a profound understanding of Vertov and his films, the manual or computer-assisted data analysis must be combined with film-historical knowledge and a study of primary sources. In addition, the status of the surviving film materials and the precise analysis of these materials combined with knowledge of historical film technology provide insight into archival policy and political culture in the Soviet Union in the 1920s and 30s. 410 0$aQuantitative Methods in the Humanities and Social Sciences,$x2199-0956 606 $aStatistics 606 $aMotion pictures?History 606 $aRussia?History 606 $aEurope, Eastern?History 606 $aStatistics for Social Sciences, Humanities, Law$3https://scigraph.springernature.com/ontologies/product-market-codes/S17040 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 606 $aRussian, Soviet, and East European History$3https://scigraph.springernature.com/ontologies/product-market-codes/717090 615 0$aStatistics. 615 0$aMotion pictures?History. 615 0$aRussia?History. 615 0$aEurope, Eastern?History. 615 14$aStatistics for Social Sciences, Humanities, Law. 615 24$aFilm History. 615 24$aRussian, Soviet, and East European History. 676 $a519.5 676 $a791.430233092 700 $aHeftberger$b Adelheid$4aut$4http://id.loc.gov/vocabulary/relators/aut$0768229 906 $aBOOK 912 $a9910309664903321 996 $aDigital Humanities and Film Studies$91564702 997 $aUNINA