LEADER 00826nam0-22003011i-450- 001 990000957100403321 010 $a0-306-39109-0 035 $a000095710 035 $aFED01000095710 035 $a(Aleph)000095710FED01 035 $a000095710 100 $a20000920d1977----km-y0itay50------ba 101 0 $aeng 200 1 $aAdvances in Nuclear Physics$fEdited by Michel Baranger, Erich Vogt 210 $aNew York$cPlenum Press$d1977 610 0 $aFisica nucleare 610 0 $aRadioattivitą 676 $a539.74$a539.752 700 1$aBaranger,$bMichel$044619 702 1$aVogt,$bErich 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000957100403321 952 $a34AI-106.008$b10586$fFI1 959 $aFI1 996 $aAdvances in nuclear physics$9186106 997 $aUNINA DB $aING01 LEADER 05711nam 22006735 450 001 996449434103316 005 20231110221402.0 010 $a3-11-071655-0 024 7 $a10.1515/9783110716559 035 $a(CKB)5100000000166868 035 $a(DE-B1597)567009 035 $a(DE-B1597)9783110716559 035 $aEBL7014888 035 $a(AU-PeEL)EBL7014888 035 $a(MiAaPQ)EBC7014888 035 $a(EXLCZ)995100000000166868 100 $a20211129h20212021 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aTheatre and Metatheatre $eDefinitions, Problems, Limits /$fed. by Silvia Milanezi, Elodie Paillard 210 1$aBerlin ;$aBoston : $cDe Gruyter, $d[2021] 210 4$d©2021 215 $a1 online resource (IX, 308 p.) 225 0 $aMythosEikonPoiesis ,$x1868-5080 ;$v11 300 $aDescription based upon print version of record. 311 $a3-11-063741-3 327 $tFrontmatter -- $tAcknowledgements -- $tContents -- $t'"Theatre", "Paratheatre", "Metatheatre": What Are We Talking About?' -- $tTheatre and Paratheatre -- $tDefinitions and Limits of Theatrical Performances -- $t'Diffused Performance and Core Performance of Greek Theatre' -- $t'(Un)Masking the ?????: The Pre-Play Ceremonies of the Athenian Great Dionysia as Theatrical Performances?' -- $t'Greek to Latin and Back: Did Roman Theatre Change Greek Theatre?' -- $tParatheatre -- $t'Defining Paratheatre, From Grotowski to Antiquity' -- $tMetatheatre -- $tTheoretical Aspects -- $t'New Thoughts on Metatheatre in Attic Drama: Self-Referentiality, Ritual and Performativity as Total Theatre' -- $tPerformative Aspects -- $t'A Gesture That Reveals Itself As a Gesture: Thinking About the Metatheatricality of the Body in Greek Tragedy' -- $tCase Studies -- $tTragedy -- $t'Metatheatre and Dramaturgical Innovation: A Study of Recognition Scenes in Euripides' Tragedies Electra, Helen, Iphigenia in Tauris, and Ion' -- $t'The Mask of Troy: Metatheatre in the Prologue and Final kommos of Euripides' Troades' -- $tAristophanes, Old Comedy -- $t'Animal Metaphors and Metadrama. A Cultural Insight into the Verb ??????????' -- $t'Ar. Eccl. 889 ???? ???? ??????? ?? ??? ?????????. A Comedy's Self- Consideration of Its Lyrical Forms at the Dawn of "Middle Comedy"?' -- $tMimes -- $t'Mime and Metatheatre' -- $tAbbreviations -- $tBibliography -- $tList of Contributors -- $tIndex verborum -- $tIndex locorum 330 $aThe aim of this book is to explore the definition(s) of 'theatre' and 'metatheatre' that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, 'theatre' as well as 'metatheatre' are used in many different, sometimes even contradictory, ways by modern scholars.Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question.Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as 'theatre'? How does the definition of what is considered as theatre evolve from one period to the other?As for 'metatheatre', the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of 'metatheatre' are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre.Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of 'theatre' and 'metatheatre' when examining ancient Greek reality. 410 0$aMythosEikonPoiesis 606 $aLITERARY CRITICISM / Ancient & Classical$2bisacsh 610 $aAncient Greek drama. 610 $ametatheatre. 610 $atheatre. 615 7$aLITERARY CRITICISM / Ancient & Classical. 676 $a882.0109 702 $aBierl$b Anton, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBrillet-Dubois$b Pascale, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aCapponi$b Matteo, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDi Virgilio$b Loredana, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDuncan$b Anne, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGiannotti$b Andrea, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMilanezi$b Silvia, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMilanezi$b Silvia, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPaillard$b Elodie, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aPaillard$b Elodie, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aRuch$b Emilie, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aSkotheim$b Mali, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aTaplin$b Oliver, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aVespa$b Marco, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 712 02$aSchweizerischer Nationalfonds (SNF)$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996449434103316 996 $aTheatre and Metatheatre$92566133 997 $aUNISA