LEADER 00999nam0-22003251i-450 001 990000774080403321 005 20221213110742.0 035 $a000077408 035 $aFED01000077408 035 $a(Aleph)000077408FED01 100 $a20020821d1989----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aPer intervenire nel centro storico di Napoli$euna questione di metodo$fL. Benevolo ... [et al.] 210 $aNapoli$cFondazione Napoli novantanove$dstampa 1989 215 $a85 p.$d24 cm 610 0 $aCentro storico$aNapoli 702 1$aBenevolo,$bLeonardo$f<1923- > 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000774080403321 952 $aFONDO ROSSI 2014$bROSSI 2087$fFARBC 952 $aSEZ.NA B 833$b2278$fFARBC 952 $aSEZ.NA B 3198$bs.i.$fFARBC 952 $a30.541$bs.i.$fDARST 959 $aFARBC 959 $aDARST 996 $aPer intervenire nel centro storico di Napoli$9349857 997 $aUNINA LEADER 00881nam a2200229 i 4500 001 991001685789707536 008 120423s2002 it b 001 0 ita d 035 $ab14053433-39ule_inst 040 $aDip.to Filologia Class. e Scienze Filosofiche$bita 100 1 $aSiekiera, Anna$0224222 245 10$aTradurre per musica: $blessico musicale e teatrale nel Cinquecento /$cAnna Siekiera 260 $aLucca :$bSan Marco Litotipo,$c2000 300 $a270 p. ;$c30 cm 440 0$aCahiers Accademia ;$v2 504 $aBibliografia: p.257-266. Indice 772 0 $aAccademia 907 $a.b14053433$b03-05-12$c23-04-12 912 $a991001685789707536 945 $aLE007 PER Accademia$g1$i2007000228081$lle007$o-$pE0.00$q-$rn$s- $t18$u0$v0$w0$x0$y.i15403804$z23-04-12 996 $aTradurre per musica$9238959 997 $aUNISALENTO 998 $ale007$b23-04-12$cm$da $e-$fita$git $h0$i0 LEADER 02687nam 2200661Ia 450 001 9910962315703321 005 20200520144314.0 010 $a1-134-92529-8 010 $a0-203-31601-0 010 $a1-134-92530-1 010 $a0-203-21026-3 010 $a1-280-32438-4 024 7 $a10.4324/9780203210260 035 $a(CKB)1000000000254997 035 $a(EBL)179800 035 $a(OCoLC)277639745 035 $a(SSID)ssj0000282089 035 $a(PQKBManifestationID)11232246 035 $a(PQKBTitleCode)TC0000282089 035 $a(PQKBWorkID)10316507 035 $a(PQKB)11216658 035 $a(Au-PeEL)EBL179800 035 $a(CaPaEBR)ebr10060922 035 $a(CaONFJC)MIL32438 035 $a(OCoLC)191031538 035 $a(MiAaPQ)EBC179800 035 $a(EXLCZ)991000000000254997 100 $a19910809d1992 uy 0 101 0 $aeng 135 $aurcn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe most radical gesture $ethe Situationist International in a postmodern age /$fSadie Plant 205 $a1st ed. 210 $aLondon ;$aNew York, NY $cRoutledge$d1992 215 $a1 online resource (237 pages) $cdigital file(s) 300 $aDescription based upon print version of record. 311 08$a0-415-06222-5 311 08$a0-415-06221-7 320 $aIncludes bibliographical references (p. [208]-218) and indexes. 327 $aPreface -- 1. 'Now, the SI' -- 2. '...a world of pleasures to win, and nothing to lose but boredom' -- 3. '...a single choice: suicide or revolution' -- 3. 'Victory will be for those who create disorder without loving it' -- 4. 'Flee, but while fleeing, pick up a weapon' -- Notes -- Bibliography -- Name index -- Subject index. 330 $aThis book is the first major study of the Situationist International. Tracing the history, ideas and influences of this radical and inspiring movement from dada to postmodernism, it argues that situationist ideas of art, revolution, everyday life and the spectacle continue to inform a variety of the most urgent poltical events, cultural movements, and theoretical debates of our times. 606 $aArts, European$y20th century 606 $aAvant-garde (Aesthetics)$zEurope$xHistory$y20th century 615 0$aArts, European 615 0$aAvant-garde (Aesthetics)$xHistory 676 $a306 676 $a700.9045 676 $a700.103 700 $aPlant$b Sadie$f1964-$0692930 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910962315703321 996 $aThe most radical gesture$94450414 997 $aUNINA