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N. 210 $aNapoli$cSIEN$ds.d. 610 0 $aCataloghi Biblioteche 610 0 $aLegislature e Varie 710 02$aREGIA SCUOLA DI INGEGNERIA DI NAPOLI$0341937 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000604220403321 952 $a07 N-30$b$fDINSC 959 $aDINSC 996 $aANNUARIO ANNO ACCADEMICO 1932$9317353 997 $aUNINA DB $aING01 LEADER 01071nam--2200349---450- 001 990006096130203316 005 20151105101704.0 035 $a000609613 035 $aUSA01000609613 035 $a(ALEPH)000609613USA01 035 $a000609613 100 $a20040908d1926----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> pastore, il gregge e la zampogna$edall'Inno a Satana alla Laus Vitae$fdi Enrico Thovez 205 $a4. ed. 210 $aNapoli$cRicciardi$d1926 215 $aVIII, 389 p., [1] c. di tav.$cill.$d20 cm 606 0 $aPoesia italiana$zSec. 19.-20.$xStudi$2BNCF 676 $a851.809 700 1$aTHOVEZ,$bEnrico$0191986 801 0$aIT$bsalbc$gISBD 912 $a990006096130203316 951 $aXV.3. 1881$b210025 L.M.$cXV.3.$d00278297 959 $aBK 969 $aPAP 979 $aGIUSY$b90$c20151105$lUSA01$h1010 979 $aGIUSY$b90$c20151105$lUSA01$h1014 979 $aGIUSY$b90$c20151105$lUSA01$h1017 996 $aPastore, il gregge e la zampogna$998759 997 $aUNISA LEADER 03251nam 2200457 450 001 9910799935503321 005 20230629234446.0 010 $a0-429-27393-2 010 $a1-000-21028-6 010 $a1-000-21024-3 035 $a(CKB)4100000011458067 035 $a(MiAaPQ)EBC6349509 035 $a(EXLCZ)994100000011458067 100 $a20201205d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDecolonial feminist research $ehaunting, rememory and mothers /$fJeong-eun Rhee 210 1$aLondon ;$aNew York, New York :$cRoutledge,$d[2021]. 210 4$dİ2021 215 $a1 online resource (129 pages) 311 $a0-367-22235-3 330 $a"In Decolonial Feminist Research: Haunting, Rememory and Mothers, Jeong-eun Rhee embarks on a deeply personal inquiry that is demanded by her dead mother's haunting rememory and pursues what has become her work/life question: What methodologies are available to notice and study a reality that exceeds and defies modern scientific ontology and intelligibility? Rhee is a Korean migrant American educational qualitative researcher, who learns anew how to notice, feel, research, and write her mother's rememory across time, geography, languages, and ways of knowing and being. She draws on Toni Morrison's concept of "rememory" and Theresa Hak Kyung Cha's "fragmented-multi self." Using various genres such as poems, dialogues, fictions, and theories, Rhee documents a multi-layered process of conceptualizing, researching, and writing her (m/others') transnational rememory as a collective knowledge project of intergenerational decolonial feminists of color. In doing so, the book addresses the following questions: How can researchers write in the name and practice of research what can never be known or narrated with logic and reason? What methodologies can be used to work through and with both personal and collective losses, wounds, and connections that have become y/our questions? Rhee shows how to feel connectivity and fragmentation as/of self not as binary but as constitutive through rememory and invites readers to explore possibilities of decolonial feminist research as an affective bridge to imagine, rememory, and engender healing knowledge. Embodied onto-epistemologies of women of color haunt and thus demand researchers to contest and cross the boundary of questions, topics, methodologies, and academic disciplinary knowledge that are counted as relevant, appropriate, and legitimate within a dominant western science regime. This book is for qualitative researchers and feminism scholars who are pursuing these kinds of boundary-crossing "personal" inquiries"--$cPublisher's description. 606 $aFeminism$xResearch 606 $aCollective memory 606 $aMothers 615 0$aFeminism$xResearch. 615 0$aCollective memory. 615 0$aMothers. 676 $a305.42072 700 $aRhee$b Jeong-eun$01586738 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 801 2$bAzTeS 906 $aBOOK 912 $a9910799935503321 996 $aDecolonial feminist research$93873602 997 $aUNINA