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Mod. 13363$fFLFBC 959 $aDFD 959 $aFLFBC 996 $aOeuvres et Correspondances inèdites de D'Alembert$9517678 997 $aUNINA LEADER 04229nam 2200661 450 001 9910819974803321 005 20230617023752.0 010 $a1-4426-2089-7 024 7 $a10.3138/9781442620896 035 $a(CKB)3710000000329286 035 $a(SSID)ssj0001471220 035 $a(PQKBManifestationID)11818120 035 $a(PQKBTitleCode)TC0001471220 035 $a(PQKBWorkID)11422462 035 $a(PQKB)10586506 035 $a(MiAaPQ)EBC4670092 035 $a(DE-B1597)465491 035 $a(OCoLC)1013939120 035 $a(OCoLC)944178776 035 $a(DE-B1597)9781442620896 035 $a(Au-PeEL)EBL4670092 035 $a(CaPaEBR)ebr11256606 035 $a(OCoLC)958558000 035 $a(EXLCZ)993710000000329286 100 $a20160922h20042004 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNo trespassing $eauthorship, intellectual property rights, and the boundaries of globalization /$fEva Hemmungs Wirte?n 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2004. 210 4$d©2004 215 $a1 online resource (238 pages) 225 1 $aStudies in Book and Print Culture 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-8608-X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tPreface -- $tIntroduction: The Pursuit of Property -- $t1. Wearing the Parisian Hat: Constructing the International Author -- $t2. Inventing F. David: Author(ing) Translation -- $t3. The Death of the Author and the Killing of Books: Assault By Machine -- $t4. How Content Became King: Economies of Print -- $t5. From the 'Intellectual' to the 'Cultural': Can There Be Property with a 'Difference'? -- $t6. Genies in Bottles and Bottled-Up Geniuses: Two Cases of Upset Relatives and a Public Domain -- $tNotes -- $tReferences -- $tIndex -- $tBackmatter 330 $aIn this scholarly yet highly accessible work, Eva Hemmungs Wirtén traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational.No Trespassing tells the story of a century of profound change in cultural ownership. It begins with late nineteenth-century Europe, exploring cultural ownership in a number of settings across both spatial and temporal divides, and concludes in today's global, knowledge-based society. Wirtén takes an interdisciplinary and international approach, using a wide array of material from court cases to novels for her purposes. From Victor Hugo and the 1886 Berne Convention, to the translation of Peter Høeg?s bestseller Smilla's Sense of Snow, Wirtén charts a history of Intellectual property rights and regulations. She addresses the relationship between author and translator, looks at the challenges to intellectual property by the arrival of the photocopier, takes into account the media conglomerate's search for content as a key asset since the 1960s, and considers how a Western legal framework interacts with attempts to protect traditional knowledge and folklore. No Trespassing is essential reading for all who care about culture and the future regulatory structures of access to it. 410 0$aStudies in book and print culture. 606 $aCopyright, International 606 $aIntellectual property 606 $aAuthorship 606 $aGlobalization 615 0$aCopyright, International. 615 0$aIntellectual property. 615 0$aAuthorship. 615 0$aGlobalization. 676 $a346.04/82 700 $aHemmungs Wirte?n$b Eva$01716092 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819974803321 996 $aNo trespassing$94111217 997 $aUNINA