LEADER 01067nam0-22003371i-450- 001 990000512330403321 005 20090223161631.0 010 $a88-7005-691-0 035 $a000051233 035 $aFED01000051233 035 $a(Aleph)000051233FED01 035 $a000051233 100 $a20020821d1986----km-y0itay50------ba 101 0 $aita 105 $aa-------001yy 200 1 $aElaborazione di immagini e grafica$eatti della scuola GRIS, Bari 3-5 ottobre 1983$fa cura di Carlo Braccini, Stefano Levialdi 210 $aMilano$cCLUP$dİ1986 215 $a266 p.$cill.$d24 cm 300 $aIn testa al frontespizio "GRIS, gruppo di ricercatori di informatica e sistemistica" 610 0 $aElaborazione di immagini 610 0 $aGrafica 676 $a006.5 700 1$aBraccini,$bCarlo$049670 701 1$aLevialdi,$bStefano$027379 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000512330403321 952 $a10 PRO 274$b1647 DIS$fDINEL 959 $aDINEL 996 $aElaborazione di immagini e grafica$9330491 997 $aUNINA LEADER 03127oam 22005292 450 001 9910493691603321 005 20200513170711.0 010 $a90-04-39310-2 024 7 $a10.1163/9789004393103 035 $a(CKB)4970000000170197 035 $a(MiAaPQ)EBC5842392 035 $a(nllekb)BRILL9789004393103 035 $a(EXLCZ)994970000000170197 100 $a20181219d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGardens of love and the limits of morality in early Netherlandish art /$fby Andrea Pearson 210 1$aLeiden ;$aBoston :$cBrill,$d[2019] 215 $a1 online resource (378 pages) 225 1 $aBrill's studies in intellectual history,$x0920-8607 ;$vvolume 296 225 1 $aBrill's studies on art, art history, and intellectual history ;$vvolume 37 311 $a90-04-39295-5 320 $aIncludes bibliographical references and index. 327 $aFront Matter -- Copyright page -- Dedication -- Acknowledgements -- Figures -- The Erotics of Virtue -- Moralized Love -- Disability and Redemption -- Monastic Morality -- Holy Matrimony -- Infancy Moralized -- Kissing Kids -- The Limits of Mother-Son Eroticism -- Back Matter -- Bibliography -- Index. 330 $aIn Gardens of Love and the Limits of Morality in Early Netherlandish Art , Andrea Pearson charts the moralization of human bodies in late medieval and early modern visual culture, through paintings by Jan van Eyck and Hieronymus Bosch, devotional prints and illustrated books, and the celebrated enclosed gardens of Mechelen among other works. Drawing on new archival evidence and innovative visual analysis to reframe familiar religious discourses, she demonstrates that depicted topographies advanced and sometimes resisted bodily critiques expressed in scripture, conduct literature, and even legislation. Governing many of these redemptive greenscapes were the figures of Christ and the Virgin Mary, archetypes of purity whose spiritual authority was impossible to ignore, yet whose mysteries posed innumerable moral challenges. The study reveals that bodily status was the fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake. 410 0$aBrill's Studies in intellectual history ;$vv. 296. 410 0$aBrill's studies in intellectual history.$pBrill's studies on art, art history, and intellectual history ;$vv. 37. 606 $aHuman figure in art 606 $aArt, Netherlandish 606 $aArt and morals$zBenelux countries 606 $aArts and religion$zBenelux countries 608 $aElectronic books. 615 0$aHuman figure in art. 615 0$aArt, Netherlandish. 615 0$aArt and morals 615 0$aArts and religion 676 $a743.4 700 $aPearson$b Andrea G.$0896269 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910493691603321 996 $aGardens of love and the limits of morality in early Netherlandish art$92487994 997 $aUNINA