LEADER 01112nam0-22003491i-450- 001 990000182950403321 005 20030618114439.0 010 $a88-7146-590-3 035 $a000018295 035 $aFED01000018295 035 $a(Aleph)000018295FED01 035 $a000018295 100 $a20020821d2001----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a----a---001yy 200 1 $a<>risanamento delle pareti affette da umidità ascendente$etecnologie e prodotti$fF. R. D'Ambrosio, M. Imperato, G. Riccio 210 $aNapoli$cCuen$d2001 215 $a155 p.$d24 cm 300 $aIn testa al front.: Università degli studi di Napoli Federico II. CIBEC 610 0 $aMurature$aRisanamento 676 $a693.21 700 1$aD'Ambrosio,$bFrancesca Romana$05634 701 1$aImperato,$bMonica$0334166 701 1$aRiccio,$bGiuseppe$09847 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000182950403321 952 $a13 D 23 35$b13145$fFINBC 959 $aFINBC 996 $aRisanamento delle pareti affette da umidità ascendente$9122500 997 $aUNINA LEADER 03464nam 22005775 450 001 9910309858103321 005 20230810163550.0 010 $a3-030-02970-0 024 7 $a10.1007/978-3-030-02970-8 035 $a(CKB)4100000007389461 035 $a(MiAaPQ)EBC5630997 035 $a(DE-He213)978-3-030-02970-8 035 $a(EXLCZ)994100000007389461 100 $a20190109d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArnheim, Gestalt and Media $eAn Ontological Theory /$fby Ian Verstegen 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2018. 215 $a1 online resource (144 pages) 225 1 $aSpringerBriefs in Philosophy,$x2211-4556 311 $a3-030-02969-7 327 $aChapter 1. Arnheim After the Post-Medium Condition -- Part I. Media Ontology -- Chapter 2. What is a Medium? -- Chapter 3. What All Media Share -- Chapter 4. Defining Difference in Media -- Chapter 5. The Two Elementary Classes of Aesthetic Objects: Spatial and Temporal Media -- Chapter 6. The Spatial and Temporal Modalities -- Chapter 7. The Ontology of the Individual Modalities -- Chapter 8. Medial Composites -- Chapter 9. Conclusion. 330 $aThis monograph presents a synthesis and reconstruction of Rudolf Arnheim?s theory of media. Combining both Arnheim?s well-known writings on film and radio with his later work on the psychology of art, the author presents a coherent approach to the problem of the nature of a medium, space and time, and the differentia between different media. The latent ontological commitments of Arnheim?s theories is drawn out by affirming Arnheim?s membership in the Brentano school of Austrian philosophy, which allows his theories to be clarified and strengthened, particularly with the metaphysical writings of Roman Ingarden. The resulting theory is relational, portraying essential medial differences with neutral criteria and allowing for a rigorous definition of a medium. The way in which a medium is based on the inherent dispositions of medial materials creates a highly appealing theory that is determinate without being deterministic. The theory is thus highly timely as people in media studies seek to address the determinate nature of media after the post-medium condition. The book will appeal to researchers and graduate students in cultural and media studies as well as architecture and design. 410 0$aSpringerBriefs in Philosophy,$x2211-4556 606 $aPhilosophy and social sciences 606 $aAesthetics 606 $aCommunication 606 $aArchitecture$xHistory 606 $aPhilosophy of the Social Sciences 606 $aAesthetics 606 $aMedia and Communication 606 $aArchitectural History and Theory 615 0$aPhilosophy and social sciences. 615 0$aAesthetics. 615 0$aCommunication. 615 0$aArchitecture$xHistory. 615 14$aPhilosophy of the Social Sciences. 615 24$aAesthetics. 615 24$aMedia and Communication. 615 24$aArchitectural History and Theory. 676 $a709.2 676 $a700.1 700 $aVerstegen$b Ian$4aut$4http://id.loc.gov/vocabulary/relators/aut$0918830 906 $aBOOK 912 $a9910309858103321 996 $aArnheim, Gestalt and Media$92241628 997 $aUNINA